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First image from The Hobbit: There and Back Again featuring Orlando Bloom and Luke Evans

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If you're getting a little overwhelmed by all of the promotional material for The Hobbit: An Unexpected Journey in the run up to the film's release next week, then Entertainment Weekly has just the tonic for you - the first official image from The Hobbit: There and Back Again (yes, that's the third one), which features none other than Orlando Bloom, who is set to reprise his role as Legolas from The Lord of the Rings trilogy. Bloom is joined by Middle-earth newcomer Luke Evans (Clash of the Titans, Immortals), with the Welshman set to portray Bard the Bowman...



Bloom will be joined by several Lord of the Rings veterans in the cast of the forthcoming prequel trilogy, including Ian McKellen as Gandalf, Cate Blanchett as Galadriel, Elijah Wood as Frodo, Hugo Weaving as Elrond, Christopher Lee as Saruman, Ian Holm as the older Bilbo and Andy Serkis as Gollum. As for how Legolas will fit into the new films, Peter Jackson explains: "He’s [elven king] Thranduil’s son, and Thranduil is one of the characters in The Hobbit, and because elves are immortal it makes sense Legolas would be part of the sequence in the Woodland Realm."

The Hobbit: There and Back Again is set for release on July 18th, 2014.

Giveaway - Win The Hunters on DVD

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The distributors of The Killing and The Bridge, Arrow Films, is set to release The Hunters (a.k.a. Jägarna), the prequel to director Kjell Sundvall’s False Trail, on DVD for the first time in the UK on December 10th, and to celebrate we have three copies to give away.

Read on for a synopsis and details of how to enter the competition...

"After working for the Stockholm police for several years, Eric (Rolf Lassgård; Wallander) returns to his home village to live with his younger brother Leif and work in the local police department. At first welcomed home with open arms, Eric soon forges a path of estrangement and destruction when he single-handedly sets about solving an on-going case concerning the slaughter of local reindeer, a problem that the town cops have been plainly ignoring. When Eric learns that his brother is involved, events take a further turn for the worse and violence erupts in the village as the closed-community unites against Eric’s quest for truth and ultimately, justice. "


To be in with a chance of winning, firstly make sure you like us on Facebook (or follow us on Twitter)...



...Then complete your details below, using the subject heading "HUNTERS". The competition closes at midnight on Saturday, December 22nd. UK entrants only please.

 
 By entering this competition you agree to our terms and conditions, which you can read here.

Zach Helm hired to write Jumanji remake

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The remake train pulls into the station once again...

Several sources are reporting that Stranger Than Fiction writer Zach Helm has been hired to pen a remake of the 1995 Robin Williams movie Jumanji, which is to be produced by Matt Tolmach and Bill Teitler, the former of whom worked on this year's The Amazing Spider-Man.

Directed by Joe Johnston, Jumanji was based on the 1981 Chris Van Allsburg book of the same name about a magical board game which releases wild animals and killer plants with each turn. The film also starred Bonnie Hunt (The Green Mile), Kirsten Dunst (the Spider-Man trilogy), Bradley Pierce (The Borrowers) and Bebe Neuwirth (Fraiser) and made a name for itself with its (at the time) ground breaking special effects. The film had a pseudo-sequel in 2005 directed by Jon Favreau called Zathura.

Ted Field, executive producer on the original, will also act as executive producer on the remake which currently has no release date.

New images of Al Pacino as Phil Spector

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Having been filmed in 2011, HBO is yet to release David Mamet’s (Glengarry Glen Ross) Phil Spector film starring Al Pacino (The Godfather), Helen Mirren (The Debt) and Jeffrey Tambor (The Hangover). However, courtesy of Bleeding Cool we have some new images of Al Pacino as the music mogul...



Phil Spector was put on trial in 2007 for the murder of actress / model Lana Clarkson and the forthcoming film centres on the relationship between Spector (Pacino), his defence attorney Linda Kenney Baden (Mirren), and Bruce Cutler (Tambor), another member of the defence team.

The first trial ended in a mistrial, but in the second he was found guilty and sentenced to 19 years to life in prison. Spector produced over 25 Top 40 hits in the 60s and went on to work with artists such as Ike and Tina Turner, John Lennon, George Harrison, and the Ramones. In 1989, Spector was inducted into the Rock and Roll Hall of Fame as a non-performer.

There has been no exact air date for Untitled Phil Spector Biopic, however with the release of these images, it must be on its way soon.

Second Opinion - Seven Psychopaths (2012)

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Seven Psychopaths, 2012.

Written and Directed by Martin McDonagh.
Starring Colin Farrell, Sam Rockwell, Woody Harrelson, Christopher Walken, Tom Waits, Abbie Cornish, Olga Kurylenko, Željko Ivanek, Michael Pitt, Gabourey Sidibe, Kevin Corrigan, Michael Stuhlbarg and Harry Dean Stanton.


SYNOPSIS:

Men steal dogs, there are psychopaths, it gets a bit messy.


The trailers for Seven Psychopaths portray it as a completely different film - the green band trailer in particular sells a movie and characters that you will not be seeing. So be prepared for this, but know that you are in for a great time at the movies.

Seven Psychopaths is quite unique, and because of this it takes a time to really get going. Colin Farrell plays, Marty, a screenwriter living in Los Angeles who is having trouble with his latest project, which just so happens to be titled; Seven Psychopaths. The film follows a strange path as the start of the movie is very slow, very far from a comedy, but there is a reason for this as the script Marty is writing is also the film we are watching. And at the start of the film he hasn't written anything, he has no main characters, but once the story begins to develop so too does the film itself. It's a fantastic device that really makes you appreciate what goes in to writing a film and also makes this "comedy" really stand out.

Farrell is joined by Sam Rockwell - in what is quite simply an incredible performance - as, Billy, Marty's best and slightly "quirky" friend. Rockwell is fantastic, Billy is a character that in a lesser actors hands would have been played extremely flamboyantly which would have I'm sure resulted in more scenery chewing than what Jaws got through on the Orca. But not with Rockwell, even in the moments where the character is outlandish and requires a more out there moment, Rockwell handles it with such brilliant subtlety that he seems like a real, albeit slightly crazy, human being instead of this outlandish annoying caricature He absolutely deserves a Supporting Actor nomination for this.

Christopher Walken, as Billy's friend Hans, is also on the top of his game. In fact all of the main cast give excellent performances - Farrell and Woody Harrelson, both are brilliant alongside Rockwell and Walken. Apart from Farrell's character the other 3 parts, like Rockwell's, might have been played up and to the extreme by far less competent actors, but all are spot on in their subtlety.

When viewing this film you really need to be patient with it at the start, understand why it's taking its time to get going and appreciate the craftsmanship that has gone in to it and you will be handsomely reward once the 2nd act begins and by the final act you will be very much satisfied as all the strands come together.  There is also a very touching story at it's heart about friendship, and no matter how strange, or even crazy, some of our friends can be when there is mutual affection and trust we'll stick by them.

Smart, witty and deathly dark in it's humour, Seven Psychopaths is one of the best films I've seen in a long time.

Flickering Myth Rating: Film ★ ★ ★ ★ / Movie ★ ★ ★ ★

Martin Deer

Movie Review - Life Just Is (2012)

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Life Just Is, 2012

Written and Directed by Alex Barrett
Starring Will de Meo, Jack Gordon, Nathaniel Martello-White, Paul Nicholls, Fiona Ryan, Jayne Wisener and Rachel Bright


SYNOPSIS:

Pete, Tom, Claire and Jay are university graduates having trouble making the move into adult life.


“Well there’s an hour and a half of my life I’ll never get back”. These are the ironic first words of the movie which act as a self-fulfilling prophecy for Life Just Is. I watched the movie from start to end and as the credits rolled, I said to myself, “well there’s an hour and a half of my life I’ll never get back”.

Have you ever seen a film where nothing happens? I’m not talking about movies that feel like nothing happens like Kevin Smith’s 1994 cult classic Clerks, but a movie in which literally nothing happens apart from people standing around talking. Scene after scene of uninteresting, bland morons talking to each other with no plot progression, character development or point. This is one of the toughest movies I have ever sat through for all the wrong reasons.

Life Just Is is the feature-length debut of writer/director Alex Barrett and it tells the “story” of a group of ‘tokens’ trying to adjust to adult life after graduating from University. To do this, they work rubbish jobs, sit around and talk about the troubles of life. These ‘tokens’ include the gay one, the black one, the arty one, the existentialist, the posh one and an Irish one to complete the set. Oh, and there is a slightly older boyfriend (played by Paul Nicholls from Law & Order UK) who works in IT. These “characters” are driven by their stereotypes during their boring conversations as well as their boring screen lives. No one has any true character progression or character aspirations. They just exist on screen for seemingly pointless reasons.

It’s actually quite astounding just how little happens in Life Just Is. I get that Barrett was trying to emote “real life” in a film format, but the reason we watch movies is to escape from “real life”. As I’m writing this review, I am sitting in my office watching The X-Files and staring at the computer screen. While I’d like to think I am an interesting person, the most exciting thing in that scenario is the X-Files on TV. “Real life” can be dull at times and we use movies as a form of escapism because there isn’t a medium quite like it. Putting “real life” for what it truly is on screen just leads to an incredibly unremarkable experience.

What really annoys me about Life Just Is (aside from its snore-inducing existence) is that it thinks it’s really saying something. There is a theme running throughout of one of the ‘tokens’ discovering God which leads to several dull theological discussions. These scenes don’t say anything new about the existence of God or about why people believe – but it thinks it is. The film also tries to make a social commentary on how we view race in London and how some may consider them to be “terrorists”, which leads to a hilariously bad scene where one of the characters thinks he’s spotted a terrorist because he’s foreign and has a limp.

Life Just Is feels like a third year University project that accidentally ended up in movie theatres. It’s a boring and bland movie where nothing happens. It thinks it’s being clever by asking hard hitting questions, but the only thing it challenges is your ability to stay awake while you listen to the most self-indulgent and poorly written characters spout utter drivel. I can’t say that it’s the worst movie I have ever seen, but it is definitely the most boring.

Life Just Is is an hour and a half of my life I will never get back.

Flickering Myth Rating: Film ★ / Movie 

Luke Owen is a freelance copywriter working for Europe’s biggest golf holiday provider as their web content executive. You can follow him on Twitter @CGLuke_o

Will Thomas Jane return as The Punisher?

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During this year's San Diego Comic-Con, actor Thomas Jane delivered a treat for fans of Marvel's vigilante anti-hero The Punisher by reprising the role of Frank Castle for a gloriously violent short film entitled Dirty Laundry [which you can watch here]. The unofficial short saw Jane returning to the role he portrayed on the big screen in 2004's The Punisher before being replaced by Ray Stevenson (Thor, G.I. Joe: Retaliation) for Lionsgate's 2008 follow-up / reboot Punisher: War Zone, and offered up more excitement in its brief running time than the previous three feature length offerings combined.

Sadly however, it looks like Dirty Laundry could be the last time we see Jane in the role, with the actor playing down the possibility of any further shorts during an interview with Nerd Bastards (via ComicBookMovie):

"Well as far as The Punisher goes I kinda said what I wanted to say with the short film and it was the version of Frank Castle that I always wanted to see and it was very gratifying to finally put it out there. Phil Joanou — a great director — and Chad St.John — a fantastic writer — and we just kind of got a dream team of guys to put that together and I would love to see the three of us do a Punisher film, but I don’t know if that would ever happen. I don’t know, again it’s like the studio seems sorta bent on making a two hundred million dollar version of a comic book movie. So yeah, I think the fans are kind of missing out."

Since we last saw The Punisher on the big screen, Marvel Studios have reacquired the rights to the character, but with a proposed Punisher live-action TV series collapsing earlier this year, and countless projects on Marvel's slate - including Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, The Avengers 2 and Ant-Man, not to mention Joss Whedon's S.H.I.E.L.D. series - it could be some time before we see Frank Castle back in action.

The Walking Dead Season 3 - Episode 8 Review

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Piers McCarthy reviews the midseason finale of The Walking Dead season 3...

Perhaps due to the massive build up, there was no way The Walking Dead’s midseason finale could really knock your socks off. Furthermore, with it being mid-way through the season’s arc, there couldn’t have been too many threads opening out without the drama exploding somewhat superfluously. That is not to say that 'Made to Suffer' isn’t a great episode, it is – just not in comparison to the rest of Season 3.

Major spoilers follow...

The nail-biting end of episode 7 saw Rick, Daryl, Michonne and Oscar on the feral side of Woodbury’s fence. One query I had last week was whether Merle, the Governor and Andrea would head off to the prison and the two groups would miss one another by a mere few metres or minutes. Fortunately the tension is amped up when our heroes enter into the Woodbury community whilst the Governor and his band still plan from within their base. Maggie and Glenn are still being held prisoner and their fates (among many) hang in the balance.

The episode does not start where we left off but instead begins with a foggy shot of a wood with the accompanied sound of a high-pitched scream. We cut immediately into the wood to a group of survivors led by a burly black man (Tyreese played by The Wire actor Chad Coleman). As well as introducing new characters (mostly a bonus in this show) this epilogue contains some of the best prosthetic work so far. Recently CG has taken over some of the walker kills but as Tyreese hacks his way through the undead there is either invisible CG work at play, or just fantastic make-up effects. The scream came from an injured member of the party whilst another one is bitten as they run for any kind of cover. In their desperation to find shelter and a place to recuperate, they walk into the prison (open thanks to a split fence – how walkers have not got in this way so far is slightly befuddling); more stories intertwining for this finale.

A lot of attention is given to the Governor’s naive obsession with having walkers cured, the prime case being his daughter. She is locked in a cell in his warped room of death and trophies. There are moments where you can see desperation in his eyes (David Morrissey giving a terrific performance) as he yearns for some semblance of recognition from Penny. Even with this odd tragedy, the lengths he goes to try and control everything around him shows him to be narrow-minded through his need to bring back his old life. He is dangerous in this regard and Michonne is one of the only ones aware of this. Later when Michonne kills Penny (a moment of triumph; allowing Penny to be put to rest and a way to wound the all-too-powerful Governor) and subsequently stabs him in the eye, Andrea and maybe some viewers feel sorry for him. Despite this, he turns his loss and mutilation into a form of motivation – to strike out at Michonne and her new companions. The next half of the season will be doubly dramatic with the Governor out to destroy. It will also have Andrea sided quite firmly with the Governor as her stand-off with Michonne post-stabbing finally shows them divided.

As well as the Governor, the townspeople of Woodbury are put in jeopardy by Rick and co who are unaware of what kind of place it is. They have one clear goal and that is to find and rescue Glenn and Maggie. They do this stealthy (thanks to Rick and Daryl’s cunning and tactical nature) but not without an eventual retaliation. This is where the episode falters somewhat and most action is shakily shot. What’s more, the smoke grenades that cover Rick and his crew fogs most of what the audience can see. It’s all integral to the moment but one can’t help wonder if this event couldn’t have been played out in a less choppy way.

After rescuing Glenn and Maggie the former tells Daryl about Merle. Daryl’s want to see his brother is touching but as ardent fans of the Rambo-esque character will note, that interaction would change things perhaps drastically. Rick’s tact for negotiation and reason allows Daryl to momentarily forget about his brother and think of the situation at hand. It is a wonder that after Daryl is caught and brought in front of the hostile Woodburians that he can live up to his word- to “talk to him [and] work something out”. Daryl has evolved to a lucid, caring figure and as much as it pains me to see him in danger, there is hope that he can work his way out of trouble.

Rick is still not clear of trouble himself and even as the main hero (hopefully bound to survive because of this) he has deep-rooted flaws. A slight delusion including Shane walking up to him (only to be a random Woodbury soldier) shows that his mind is still not without its problems. Mind not completely in the moment also leads to Oscar getting shot and killed - another character entered into Rick and Daryl’s circle that sees his end. At least there is a possible replacement with one of Tyreese’s people.

Back in the prison Tyreese and his group are stuck in the boiler room with a load of zombies only to have Carl save them. As one of the new characters is bit Carl has to bring them all back to a safe cell, though has to lock them in fear of the bitten one coming back as a walker. Tyreese seems collected even under the circumstances and appreciates the space around him – more safe and secure than they’ve known for weeks. He’s bound to become a great new character (plus, as a Wire cast member, there’s no doubt in his acting ability).

There is a lot to absorb in the 40 minutes, arguably more events and overlapping than we’ve seen up until now. My main interest for the next 7 episodes is Daryl imprisoned in Woodbury and how he’ll hopefully get out. The argument that things happen too quickly for this episode may not be considered by some viewers as the action does play out in a realistic time (frantic and for good reason). Still, to my mind, I would have preferred the new characters to have been introduced in February’s episodes and to have all the focus on Rick, Daryl, etc, and the Woodbury lot. That way Oscar’s death wouldn’t have been skipped over so fast, Glenn and Maggie’s close execution may have seemed more dramatic and Daryl’s disappearance and capture could have been investigated (it would be interesting to see how they caught the agile and aggressive hillbilly). Apart from episode 6 this is the least entertaining episode yet, but still miles ahead of what other TV has to offer.

Piers McCarthy - Follow me on Twitter.

First poster for the sci-fi epic Oblivion starring Tom Cruise

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As we await the arrival of the first trailer this coming Sunday, Universal Pictures has released a theatrical poster for director Joseph Kosinski's (TRON: Legacy) upcoming sci-fi thriller Oblivion, which stars Tom Cruise (Jack Reacher) as one of the last remaining inhabitants on a future Earth ravaged by years of war:


"On a spectacular future Earth that has evolved beyond recognition, one man’s confrontation with the past will lead him on a journey of redemption and discovery as he battles to save mankind. Jack Harper (Cruise) is one of the last few drone repairmen stationed on Earth. Part of a massive operation to extract vital resources after decades of war with a terrifying threat known as the Scavs, Jack’s mission is nearly complete. Living in and patrolling the breathtaking skies from thousands of feet above, his soaring existence is brought crashing down when he rescues a beautiful stranger (Andrea Riseborough; W.E.) from a downed spacecraft. Her arrival triggers a chain of events that forces him to question everything he knows and puts the fate of humanity in his hands."

Tom Cruise and Andrea Riseborough are joined in Oblivion by Morgan Freeman (The Dark Knight Rises), Olga Kurylenko (Quantum of Solace), Nikolaj Coster-Waldau (Game of Thrones), Zoe Bell (Inglourious Basterds), James Rawlings (Universal Soldier: Day of Reckoning) and Melissa Leo (The Fighter), and the $130 million sci-fi epic is due to hit cinemas on April 12th, 2013.

Kevin Smith announces Clerks III

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Kevin Smith had been promising to bring the curtain down on his directorial career with his next offering, the two-part feature Hit Somebody, but after announcing earlier this week that he's decided to restructure the hockey comedy-drama as a six-hour television miniseries, Smith has now revealed that his feature film swansong will see Dante Hicks (Brian O'Halloran) and Randall Graves (Jeff Anderson) heading back for one last shift in Clerks III.

Since Hit Somebody is now gonna be a mini-series, yes - that leaves room for a new final flick before I retire from directing feature films," said Smith on Twitter. "So with the Hit Somebody shift, the minute Jeff Anderson signs on, my last cinematic effort as a writer/director will be Clerks III."

Smith has previously teased the possibility of a third Clerks movie on a number of occasions, and it should certainly provide a fitting conclusion to the director's filmography, with the original Clerks having launched his career - and the 'View Askewniverse' - way back in 1994. It spawned a short-lived animated series, as well as the 2006 sequel Clerks II, which caught up with Dante and Randall ten years after their time at the Quick Stop, with the duo then flipping burgers at the local Mooby's fast food joint.

Along with O'Halloran and Anderson, it's surely a given that Smith and Jason Mewes will be back on screen for one last turn as Jay and Silent Bob, while you'd have to expect to see a host of View Askewniverse veterans popping up for one last hurrah, such as Scott Mosier, Walt Flanagan, Bryan Johnson, Jason lee, Joey Lauren Adams, Ethan Suplee and Ben Affleck

First look image from The Hobbit: The Desolation of Smaug

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Yesterday we got our first glimpse at the closing chapter of Peter Jackson's forthcoming fantasy epic The Hobbit with the release of an official image from The Hobbit: There and Back Again featuring Orlando Bloom as Legolas and Luke Evans as Bard the Bowman. However, with The Hobbit now a trilogy, there's also the small matter of the middle instalment, and thanks to Entertainment Weekly we've now got the first image from the second movie, The Hobbit: The Desolation of Smaug, which shows Martin Freeman's Bilbo Baggins atop an enormous pile of treasure.

Judging by the expression on Bilbo's face, we can probably assume he's just noticed a) a rather angry, fire-breathing dragon, b) Khan, or c) Gary Mitchell.


The Hobbit: An Unexpected Journey opens this coming Thursday (December 13th) in the UK and Friday (December 14th) in North America, with The Hobbit: The Desolation of Smaug following on December 13th, 2013 and The Hobbit: There and Back Again arriving on July 18th, 2014.

Mario being lined up for Wreck It-Ralph 2

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Here in the UK, we've still got a couple of months to wait until the arrival of Disney's video game-inspired CG-animated offering Wreck-It Ralph (and sadly, we're embargoed from telling you how good it is). However, the film has already proved a big hit with audiences and critics alike across the pond (not to mention giving the studio its best-ever opening for a non-Pixar animated feature) so it won't come as much of a surprise to learn that talks are already underway about a sequel.

"Some of the big muckety-muckets at the studio, who I just saw the other night, were like, ‘We’re talking sequel!’" says John C. Reilly (Step Brothers), who voices the eponymous villain-turned-hero. "The movie made $150 million dollars in eleven days, it broke the box-office record for Disney animated movies on opening weekend. If that’s any indication that we’ll be doing a sequel… I bet we’ll be doing a sequel.”

Meanwhile, director Rich Moore also seems confident that Disney will give the green light to Wreck-It Ralph 2 - and this time, we might just see the inclusion of everyone's favourite moustachioed Italian plumber: "At dinner last night we were already talking about it. So we’re talking ‘What could do they do? What kinda of things could happen? Who could be in it?' We’ll really come up with something good for Mario to do. To be able to present him in the sequel, would be great."

Wreck-It Ralph is out now in North America and opens in the UK on February 8th, 2013.

Josh Trank's Fantastic Four reboot set for 2015

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Between Star Wars Episode VII, The Avengers 2 and Justice League, 2015 is shaping up to be a fine year for geek cinema, and now we can add another title to that list, with 20th Century Fox announcing that the Fantastic Four reboot is set to arrive on March 6th, 2015.

Earlier this year, Fox appointed director Josh Trank (Chronicle) to helm the reboot, with up-and-coming writer Jeremy Slater tackling the screenplay and Mark Millar serving as creative consultant. Of course, with the film still some three plus years away from release, it may be some time before we get any news about who will step in to replace Fantastic Four and Fantastic 4: Rise of the Silver Surfer stars Ioan Gruffudd, Jessica Alba, Chris Evans and Michael Chiklis as Marvel's First Family, although you can bet the rumour mill will kick into overdrive now that the film has an official ETA.

Before the Fantastic Four return to screens, Fox has two X-Men offerings set for release, with Hugh Jackman headlining The Wolverine on July 25th, 2013 and Bryan Singer returning to the franchise he launched back in 2000 to direct X-Men: Days of Future Past, which is due on July 18th, 2014.

Ben Wheatley's A Field in England gets its first poster

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His latest offering Sightseers may have only just arrived in UK cinemas just last week (read our reviews here and here), but British filmmaker Ben Wheatley (Down Terrace, Kill List) has already completed filming on his next project, switching genres once again for A Field in England - an English Civil War-era tale about a group of deserters who embark on "a psychedelic trip into magic and madness."

The first teaser poster has just been released via Film4, and you can check it out here:



According to Film4's synopsis, A Field in England "follows a small group of deserters fleeing from a raging battle through an overgrown field.  As they are captured by O’Neil, an alchemist, they are forced to aid him in his search to find a hidden treasure that he believes is buried in the field. Crossing a vast mushroom circle, which provides their first meal, the group quickly descend into a chaos of arguments, fighting and paranoia, and, as it becomes clear that the treasure might be something other than gold, they slowly become victim to the terrifying energies trapped inside the field."

A Field in England stars Michael Smiley (Kill List), Peter Ferdinando (Tony), Reece Shearsmith (The League of Gentlemen), Julian Barratt (The Mighty Boosh), Richard Glover (Sightseers) and Ryan Pope (Ideal), and is set for release some time next year.

The Week in Spandex - The Dark Knight Rises, Man of Steel, Thor: The Dark World, The Amazing Spider-Man 2, X-Men: Days of Future Past, Fantastic Four and more

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Our weekly round up of all the latest news stories from the world of screen superheroes, including The Dark Knight Rises, Man of Steel, Justice League, Iron Man 3, Thor: The Dark World, Iron Man 3, The Avengers 2, S.H.I.E.L.D., Guardians of the Galaxy, The Amazing Spider-Man 2, X-Men: Days of Future Past, Fantastic Four, The Punisher, Wonder Woman, Superboy and more...

And so, with The Dark Knight Rises hitting Blu-ray and DVD this past week, the curtain has fallen on 2012's superhero offerings and attention now shifts towards 2013 and beyond; however, before we say goodbye to the Dark Knight trilogy, Batman fans will want to check out an in-depth two-part interview with director Christopher Nolan over at The Playlist [see here and here], while Michael Caine spoke to The Huffington Post about working with Nolan and The Dark Knight Rises' chances of Oscar glory, and Flickering Myth's own Trevor Hogg caught up with film editor Lee Smith to discuss his work on the acclaimed trilogy...

...Speaking to Access Hollywood, Anne Hathaway addressed the possibility of reprising the role of Selina Kyle for a potential Catwoman spin-off: "I would love it. I actually, it’s so embarrassing, I was at a press Q & A thing the other night for a screening of The Dark Knight, and the moderator asked me, ‘So what was it like to say goodbye to the character?’ And I burst into tears, because I miss her. It just makes me cry. I miss her. I love Selena so much and I love her presence in my life and getting to… I’m crying again... So assuming there was enough Kleenex in the world, I would love to do a spin-off." So, if a Catwoman spin-off does become a reality, expect a Kleenex shortage...

...Of course, Christopher Nolan has confirmed on several occasions that he's absolutely, positively done with all things Batman, but the director did take a moment this past week to discuss his next foray into the world of comic book movies, with Nolan handling producing duties on next year's Zack Snyder-directed Superman reboot Man of Steel: "I wouldn’t want people to think we're doing for Superman what we did for Batman... [Man of Steel] is very much Zack’s film and I think people are going to love what he's done. I think it's really remarkable to take on that character. Superman is a completely different character than Batman. So you can't in anyway use the same template. But David Goyerhad this, I thought, brilliant way to make Superman relatable and relevant for his audience. Zack has built on that and I think it's incredible what he's putting together. He's got a lot of finishing to do on that. Superman is the biggest comic book character of them all and he needs the biggest possible movie version which is what Zack's doing. It's really something..."

...One site that doesn't appear to see anything special in Man of Steel is Yahoo! Movies, who named the film as one of "The Most Disappointing Movies of 2012" alongside the likes of Prometheus, Cloud Atlas, John Carter, Battleship, Total Recall, Red Dawn, The Watch, Rock of Ages and The Oogieloves in the Big Balloon Adventure. Notwithstanding the fact that Man of Steel is still some six months away from release, the sole source of Yahoo's frustration seemed to be the fact that Superman no longer wears his red underpants, although strangely the author has since updated the post to state that his disappointment stems from the fact that the film was pushed back from its original December release [see his original comments here]. Meanwhile, those of us without the powers of precognition will be able to get a glimpse of Superman in action this coming week when a new trailer debuts alongside The Hobbit: An Unexpected Journey, and to whet our appetites Warner Bros. has also release a new poster for the hotly-anticipated reboot showing a handcuffed Henry Cavill flanked by soldiers...

...Before we move on from Warner's DC properties, a rumour has emerged this week suggesting that the studio's proposed Justice League feature will see Superman, Batman, Wonder Woman and company going head-to-head with none other than the supreme ruler of Apokolips, Darkseid...

...Shifting to the Marvel Cinematic Universe and artist Olly Moss has given fans a special sneak peek at the cast and crew poster he's developing for the Alan Taylor-directed Thor: The Dark World, while Marvel also debuted the first piece of promotional art from the forthcoming sequel earlier this week during the 'Professional Cinema Days in Sorrento' convention in Italy. Meanwhile, an alleged description of some raw footage shown at the convention has also arrived online via CBM:

"...In the preview, a voice-over is heard with the oath of the God of Thunder as the new supreme ruler. We see a clash between Thor and the enemy army, in a world that is neither Asgard let alone the Earth. We see Chris Hemsworth wielding his hammer and Tom Hiddleston as Loki first wounded without a helmet, with long, loose hair and then imprisoned; his anger increasingly desperate and irrational. Then there's a scene later in which he is free again, but still furious. Against the backdrop of a forest, in the middle of a clearing, among the dust, we in fact face off anthropomorphic creatures, but also a big "gorilla" krosan tusker: a rather alien fauna varies so, although not extreme in size (there are also some envoys/ambassadors of a people mysterious, with oval face and black eyes, elongated and sunken) The rest of the images show glimpses of Asgard, with Anthony Hopkins as Odin and Natalie Portman in clothes that seem more like a princess; an Asgardian princess. In between, there are images of an epic battle on horseback, who seems to have left an epic cloak-and-dagger. The threat to the Asgardians is certainly a new alien race pale (now identified as the dark elves). A black spaceship shaped irregularly looks like a serious threat to Asgard. More sequences show Natalie Portman then alongside Thor lying on the ground, probably overwhelmed in a clash..."

...In other bits and pieces from the MCU, director Shane Black and star Don Cheadle (War Machine) took part in an interview with Wired, during which they discussed the new direction for Marvel's first Phase Two offering Iron Man 3, while some snippets of new footage from the forthcoming sequel also appeared online courtesy of a Japanese trailer; Entertainment Weekly revealed that Joss Whedon has submitted an outline for The Avengers 2 to the studio, as well as confirming that should the upcoming S.H.I.E.L.D. TV pilot receive a full series order, Whedon will remain involved as executive producer while Jed Whedon, Maurissa Tancharoen (Dollhouse) and Jeffrey Bell (Angel) will serve as lead showrunners; and actor Lee Pace (The Hobbit: An Unexpected Journey) told MTV that he's set to audition for Guardians of the Galaxy this coming week, with Pace said to be up against Joel Edgerton (Zero Dark Thirty), Garrett Hedlund (Tron: Legacy), Jack Huston (Boardwalk Empire), James Marsden (X-Men), Eddie Redmayne (Les Miserables), Sullivan Stapleton (Animal Kingdom) and Jim Sturgess (Cloud Atlas) for the role of the Guardians' leader Star-Lord...

...As The Amazing Spider-Man 2 gears up for filming early next year, casting on the Sony sequel continues to pick up pace, with Dane DeHaan (Chronicle) announced as having secured the role of Harry Osborn ahead of a shortlist that was said to include Douglas Booth (Noah), Sam Claflin (Snow White and the Huntsman),Brady Corbet (Melancholia), Alden Ehrenreich (Beautiful Creatures), Boyd Holbrook (Hatfields & McCoys) and Eddie Redmayne. Martin Sheen has also revealed that he'll be back as Uncle Ben (in flashback form, obviously), while Jamie Foxx has finally been confirmed as Electro, with the Django Unchained star taking a moment to speak to ET about his excitement for the upcoming role: "I met with the director, Mark Webb, I met with Andrew Garfield, and we talked. … I think Electro will be an exciting character to play because he's a … genius electrician-type person, and he gets the short end of the stick from the whole world, and the next thing you know he turns it on." The Amazing Spider-Man 2 sees Andrew Garfield and Emma Stone back as Peter Parker and Gwen Stacy, with Shailene Woodley (The Descendants) also set to appear as Mary Jane Watson...

...While the cast of Sony's Spider-Man sequel seems to be coming together nicely, it seems that Bryan Singer may have jumped the gun a little with his recent casting announcements on Fox's X-Men: Days of Future Past, with Patrick Stewart and Ian McKellen both stating that they're yet to officially sign on to the forthcoming sequel. However, Hugh Jackman does appear to be keen for a quick return to the X-Men universe after next year's solo sequel The Wolverine, telling MTV that he's already held talks with Bryan Singer about reprising his signature role once more, while MovieWeb has reported that Fox are also keen on closing deals with James Marsden (Cyclops) and Halle Berry (Storm)...

...With both The Wolverine and X-Men: Days of Future Past set to hit cinemas in the next two years, 20th Century Fox has now officially added director Josh Trank's (Chronicle) reboot of Fantastic Four to its upcoming schedule, announcing a March 6th, 2015 release date for the latest incarnation of Marvel's First Family...

...After his fan-pleasing return as Frank Castle earlier this year in the unofficial short film Dirty Laundry [which you can watch here], Thomas Jane has spoken about whether he's likely to reprise the role of The Punisher again in the future, be it officially or unofficially: "Well as far as The Punisher goes I kinda said what I wanted to say with the short film and it was the version of Frank Castle that I always wanted to see and it was very gratifying to finally put it out there. Phil Joanou — a great director — and Chad St. John — a fantastic writer — and we just kind of got a dream team of guys to put that together and I would love to see the three of us do a Punisher film, but I don’t know if that would ever happen. I don’t know, again it’s like the studio seems sorta bent on making a two hundred million dollar version of a comic book movie. So yeah, I think the fans are kind of missing out..."

...If The Dark Knight Rises isn't enough to satisfy your DC Comics home entertainment cravings this Christmas, Warner Bros. has announced the DVD release of the 1974 TV pilot of Wonder Woman featuring Cathy Lee Crosby as the Amazon Princess, which will arrive on December 11th alongside another DC TV offering, Superboy: The Complete Second Season, starring Gerard Christopher as the Boy of Steel...

...And finally, Academy Award-winning director Tom Hooper (The King's Speech, Les Miserables) took part in an interview with Collider, where he was asked if he harbored any ambitions to tackle a superhero movie: "I suppose I’ve always felt like I’ve had a kind of epic filmmaker hidden within me trying to get out, and John Adams was my first opportunity to sort of paint a world on a much bigger canvas which I felt very grateful for, but in the end there is something in a comic book drama that you get to build a world from the ground up and follow a vision through physically, which I think is exciting. I don’t know, we’ll have to see."

Holy Franchise, Batman! Bringing the Caped Crusader to the Screen - Available now via Amazon.co.uk and Amazon.com.

Gary Collinson


First trailer for the Tom Cruise sci-fi epic Oblivion

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Yesterday brought the release of the first teaser poster for director Joseph Kosinski's (Tron: Legacy) forthcoming sci-fi epic Oblivion, and now the official trailer has arrived online, giving us our first look at footage from the Tom Cruise-headlined sci-fi epic.

Oblivion sees the Cruiser leading the cast as Jack Harper, one of the last remaining humans on a spectacular future Earth ravaged by war. Having completed his mission to extract vital resources from the planet, Jack spends his time patrolling the skies, but his existence is brought crashing down when he rescues a beautiful stranger (Angela Riseborough; W.E.), whose arrival triggers a series of events that forces Jack to question everything he knows and leaves the fate of humanity resting in his hands.

Also featuring in the cast of the $130 million production are Morgan Freeman (The Dark Knight Rises), Olga Kurylenko (Quantum of Solace), Nikolaj Coster-Waldau (Game of Thrones), Zoe Bell (Inglourious Basterds), James Rawlings (Universal Soldier: Day of Reckoning) and Melissa Leo (The Fighter).

Check out the first trailer here, courtesy of ComicBookMovie:


Oblivion is due for release on April 12th, 2013.

Nicolas Winding Refn in talks to join Denzel Washington on The Equalizer

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Sony Pictures and Escape Artists may have found a director to bring their feature adaptation of the 1980s television series The Equalizer to the screen, with Variety reporting that an offer has been made to Nicolas Winding Refn, the acclaimed Danish filmmaker behind the likes of Pusher, Bronson and Drive, and negotiations are expected to commence shortly.

The Equalizer is based on the classic TV series headlined by the late Edward Woodward, who starred as Robert McCall, a former black ops agent from an unnamed government intelligence agency attempting to atone for his past by offering his particular skill set free of charge to those in need. The script for the film has been written by Richard Wenk (The Expendables 2), who is currently tackling the screenplay for the live-action Masters of the Universe remake, while Denzel Washington (Safe House) is attached to star in what is being eyed as a potential franchise.

Nicolas Winding Refn is currently in post-production on the crime drama Only God Forgives, which will reunite him with Drive star Ryan Gosling and is due for release next year. The duo were also attached to another TV adaptation, the long-in-development Logan's Run, although Gosling's recent departure from the project has left question marks hanging over Refn's continued involvement.

Burning Down the Picturehouse

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Commenting on the Critics with Simon Columb...

Moviescope writes, on December 6th, about the purchase of Picturehouse by Cineworld:

Arts Alliance has been the majority shareholder of Picturehouse – which trades as City Screen Group – since 2002. Cineworld are now in possession of a total of 21 Picturehouse sites across the country, as well as Picturehouse Entertainment, the company’s distribution arm. It adds to Cineworld’s 80 sites around the UK.

Cineworld used its twitter feed this morning to assure Picturehouse patrons: “We love Picturehouse… so (we’re) not planning to get involved with how it’s run.”

Picturehouse will hope to open up to ten more cinemas already mooted across the country using the extra funds now available at Cineworld. The acquisition will also strengthen its hand in pursuit of opening a site in central London.


Read the full article here.

My love of the Picturehouse chain stems back to my own arrival in London in 2008. Suffice to say, it was not always easy to see the latest independent or art house film up north. One of my first visits to the Clapham Picturehouse was to listen to critic Mark Kermode discuss his latest book – It’s Only a Movie: Reel Life Adventures of a Film Obsessive. It was brilliant a cinema had a bigger interest in the medium as an art form; indeed, showing an appreciation of critics – and fans of film critics.

Cineworld and Picturehouse have both claimed that it will be “business as usual”, and that the purchase is crucially about expanding the Picturehouse brand. Understandably, with only 21 sites making a turnover of £2.5m in 2011 alone, they cannot open 10 new cinemas within a year unless they receive backing from a chain that understands the business model. Picturehouse also wants to hold a stake in the West End, as they currently fail to own a Picturehouse in the hub-bub of Central London – the closest is perhaps The Gate in Notting Hill. Central London art house cinemas are currently all owned by Curzon Cinemas – with the BFI and Prince Charles Cinema attracting their own audience.  Maybe the future is bright if Picturehouse manage to ‘take on’ Curzon and Odeon: Covent Garden.

Personally, I worry. Reading the wide range of articles available, it seems that the Picturehouse has made a deal with the devil – and the patrons may not look too kindly on this. Cineworld – of all cinemas – is seen as a very cheap alternative - even to Odeon and Vue. The one Central London Cineworld is on Shaftesbury Avenue, buried deep within the bowels of the Trocadero. It’s old, within a building that lost its edge when SEGA left in the late 90s, and screens only the American, big-budget films – no attempt whatsoever to draw people away from the Curzon across the road. Suffice to say, with such a prime location, ticket prices aren’t cheap either as Cineworld cash-in on the tourists who just want to watch a film (opposed to the Cineworld card holders who, by paying a lump sum each month, have no need to place any sense of value on what they watch).

But there is a lot at stake. Let’s not be coy - the profit Picturehouse has made in the last year was not exclusively due to the art house and indie crowd. They screen the mainstream films - Avengers Assemble, Skyfall and The Dark Knight Rises all had multiple screens in the chain. I’m sure the many sell-out screenings were due to these successful films. Maybe Cineworld decides that, to separate the two markets, Picturehouse cater exclusively to the art house and indie crowd, whilst Cineworld take all the bigger films? The two are not in competition any more – and Cineworld could argue that they want Picturehouse to do “what it does best”. Fact is, it won’t make the same types of profit and, shock horror, Cineworld may have to intervene and turn multiple Picturehouses into Cineworlds. Indeed, the Ritzy and Clapham Picturehouse are walking distance from each other, whilst I can’t think of a Cineworld close by. It would only be good business to turn one of these into a Cineworld to cater to one crowd, whilst the other caters to the remaining filmgoers. It is possible that, if Cineworld want to slowly destroy the brand (a la GAME destroying Gamestation), this type of self-destruction can be placed firmly on the heads of the Picturehouse chain itself.

This decision is not exclusively about Picturehouse – it has to benefit Cineworld. This is the part which we are not seeing. Cineworld talk about ‘learning’ from Picturehouse – but they never learnt to improve the standard of screens in Shaftesbury Avenue. Since I’ve lived in London, the uniqueness of Picturehouse has remained – and I would imagine Cineworld could’ve learned from them in all that time. Why can they only ‘learn’ from them by buying them out?

The older crowd to Picturehouse may seem like the obvious market to up-the-prices on. Indeed, I assume the majority of Picturehouse patrons are educated and earn money – but the tickets prices between Picturehouse and Cineworld are vastly different. I doubt they are going to be cheaper tickets at Cineworld.

The fact remains that now, when I buy a ticket to a Picturehouse film, I know that the profit partly funds Cineworld. I know that the two are inextricably linked. I am now not funding a company that I hope builds into a national, dominant brand – I am funding a dominant cinema chain that, though supporting the smaller films in Picturehouse, also support the idea of all-you-can-watch cinema tickets that take away any sense of quality (“it doesn’t cost me anything, so I might as well watch Transformers 4”). All the bad-quality projections and frustrations with loud-food – all my problems with cinema-chains like Odeon, Vue and Cineworld, I am – in part – funding through my ticket to a Picturehouse film. Let’s hope we see Cineworld ‘learn’ from Picturehouse sooner rather than later.

Simon Columb

Iron Man 3 adds another bad guy, new images released

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The bulk of filming may have already taken place on Marvel Studios' upcoming sequel Iron Man 3, but that hasn't stopped director Shane Black (Kiss Kiss Bang Bang) from throwing another bad guy into the mix for Robert Downey Jr.'s latest outing as the Armored Avenger as the production heads to Mainland China for a week-long shoot.

It was way back in September when reports first emerged in the Chinese media that actor Wang Xueqi had secured the role of Chen Lu - better known to comic book fans as Radioactive Man (the Marvel one, not the guy from The Simpsons) - and now it's official, with Deadline revealing that "The Sean Connery of China" has signed on to the role originally earmarked for Andy Lau (Infernal Affairs).

Xueqi, whose credits include the likes of Yellow Earth, The Founding of a Republic and Bodyguards and Assassins, has signed on to portray 'Dr. Wu', a reworked version of the Chen Lu character, which is described as "not a huge part." Earlier rumours had suggested that he could feature in a post-credits sequence to set Radioactive Man up as the villain in director Edgar Wright's Ant-Man feature, which is due for release in 2015. Couple this with the speculation that Stephanie Szostak (R.I.P.D.) is set to cameo as Janet van Dyne / Wasp, and there may just be some truth in it...

Update - DMG Entertainment (via CBM) have just released two images with Xueqi looking decidedly non-villainous in his role as Dr. Wu...



Robert Downey Jr.'s Tony Stark looks to have his hands full in Iron Man 3, with Dr. Wu joining an ever-increasing roster of villains that includes Ben Kingsley (Hugo) as The Mandarin, Guy Pearce (Prometheus) as Aldrich Killian, James Badge Dale (The Grey) as Eric Savin / Coldblood and Ashley Hamilton (Sunset Beach) as Jack Taggert / Firepower. Gwyneth Paltrow (Pepper Potts), Don Cheadle (War Machine) and Jon Favreau (Happy Hogan) all return alongside RDJ, while other additions to the cast include Rebecca Hall (The Town) as Maya Hansen and William Sadler (Machete Kills) as Sal Kennedy.

Iron Man 3 is set for release in the UK on April 26th, 2013 and will open in North America on May 3rd, 2013.

And the winners of the 15th Moët British Independent Film Awards are...

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An array of British talent gathered in London tonight for the 15th Moët British Independent Film Awards, which were hosted by James Nesbitt and saw Rufus Norris' coming-of-age drama Broken honoured with the award for Best British Independent Film, as well as picking up Best Supporting Actor (Rory Kinnear).

However, it was the giallo-inspired Berberian Sound Studio which won the most awards on the night, collecting Best Director (Peter Strickland), Best Actor (Toby Jones), Best Achievement in Production nd Best Technical Achievement (Joakim Sundström and Stevie Haywood).

Other winners on the night included Imposter, which matched Broken's tally of two awards, collecting Best British Documentary and The Douglas Hickox Award (Directorial Debut) for Bart Layton, while Andrea Riseborough won Best Actress for Shadow Dancer and Alice Lowe, Steve Oram and Amy Jump received Best Screenplay for Ben Wheatley's Sightseers.

"It is wonderful to see so many films acknowledged by our jury which goes to prove what a strong year 2012 has been for British Independent film," said joint directors Johanna von Fischer and Tessa Collinson. "We were delighted that so many of the winners were with us tonight to collect their awards and celebrate our 15th Birthday, along with a number of previous winners, patrons, and friends of BIFA. We are extremely proud that The Moët British Independent Film Awards continues to highlight the extraordinary talent that is so plentiful within British independent filmmaking today."

Here's a rundown of all the nominations, with the winners in red...

BEST BRITISH INDEPENDENT FILM
Berberian Sound Studio
Broken
Sightseers
The Best Exotic Marigold Hotel
The Imposter

BEST DIRECTOR
Bart Layton – The Imposter
Ben Wheatley – Sightseers
John Madden – The Best Exotic Marigold Hotel
Peter Strickland – Berberian Sound Studio
Rufus Norris – Broken

THE DOUGLAS HICKOX AWARD [BEST DEBUT DIRECTOR]
Bart Layton – The Imposter
Ben Drew – Ill Manors
Rowan Athale – Wasteland
Rufus Norris – Broken
Sally El Hosaini – My Brother the Devil

BEST SCREENPLAY
Abi Morgan – The Iron Lady
Alice Lowe, Steve Oram, Amy Jump – Sightseers
Mark O'Rowe – Broken
Paul Andrew Williams – Song for Marion
Peter Strickland – Berberian Sound Studio

BEST ACTRESS
Alice Lowe (Tina) – Sightseers
Andrea Riseborough (Colette McVeigh) – Shadow Dancer
Elle Fanning (Ginger) – Ginger & Rosa
Judi Dench (Evelyn Greenslade) – The Best Exotic Marigold Hotel
Meryl Streep (Margaret Thatcher) – The Iron Lady

BEST ACTOR
Riz Ahmed (Aaron) – Ill Manors
Steve Oram (Chris) – Sightseers
Terence Stamp (Arthur) – Song for Marion
Tim Roth (Archie) – Broken
Toby Jones (Gilderoy) – Berberian Sound Studio

BEST SUPPORTING ACTRESS
Alice Englert (Rosa) – Ginger & Rosa
Eileen Davies (Carol) – Sightseers
Maggie Smith (Muriel Donnelly) – The Best Exotic Marigold Hotel
Olivia Colman (Queen Elizabeth) – Hyde Park on Hudson
Vanessa Redgrave (Marion) – Song for Marion

BEST SUPPORTING ACTOR
Billy Connolly (Wilf) – Quartet
Cillian Murphy (Mike Kiernan) – Broken
Domhnall Gleeson (Connor) – Shadow Dancer
Rory Kinnear (Bob Oswald) – Broken
Tom Wilkinson (Graham Dashwood) – The Best Exotic Marigold Hotel

MOST PROMISING NEWCOMER
Elliott Tittensor (Tits) – Spike Island
Eloise Laurence (Skunk) – Broken
James Floyd (Rashid) – My Brother the Devil
Paul Brannigan (Robbie) – The Angels' Share
Zawe Ashton (Joyce Vincent) – Dreams of a Life

BEST ACHIEVEMENT IN PRODUCTION
Berberian Sound Studio
Ill Manors
Sightseers
The Imposter
The Sweeney

BEST TECHNICAL ACHIEVEMENT
Nic Knowland Bsc– Cinematography – Berberian Sound Studio
Joakim Sundström, Stevie Haywood AMPS IPS– Sound Design – Berberian Sound Studio
Electric Wave Bureau – Music – Broken
Robbie Ryan – Cinematography – Ginger & Rosa
Andrew Hulme – Editing – The Imposter

BEST DOCUMENTARY
Dreams of a Life
London: The Modern Babylon
Marley
Roman Polanski: A Film Memoir
The Imposter

BEST BRITISH SHORT
Friday
Junk
Skyborn
Swimmer
Volume

BEST INTERNATIONAL INDEPENDENT FILM
Amour
Beasts of the Southern Wild
Rust & Bone
Searching For Sugar Man
The Hunt

THE RAINDANCE AWARD
Frank
Strings
Love Tomorrow
City Slacker
Jason Becker: Not Dead Yet

In addition to the above awards, Sir Michael Gambon was honoured with the Richard Harris Award in recognition of outstanding contribution by an actor to British film, while Jude Law received The Variety Award and The Special Jury Prize was given to former Artistic Director of the London Film Festival, Sandra Hebron.
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