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Bradley Cooper to star as The Man From Primrose Lane

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Bradley Cooper (Silver Linings Playbook) is set to star in an adaptation of James Renner's novel The Man From Primrose Lane, which has been acquired by Warner Bros. The studio will develop it as a star vehicle for Cooper, who will also produce along with Kevin McCormick.

The script will be written by Chad Feehan (Beyond the Pale) and the story follows true-crime writer David Neff (Cooper) as he investigates the odd murder mystery about a recluse known as"the man with a thousand mittens". Neff becomes obsessed with the case and discovers his own dangerous connection to a chain of serial murders. As he gets closer to uncovering the identity of the Man from Primrose Lane, he realises that he must look outside the believed parameters of time and space in order to solve the mystery.

Cooper can next be seen in The Place Beyond the Pines with Ryan Gosling and Eva Mendes, which is due out in UK cinemas on April 12th. He has also finished filming The Hangover Part III, which is set to be released on May 24th, and Serena alongside Jennifer Lawrence and Rhys Ifans.

Vertigo releases promo art for The Unwritten #50

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The Worlds appear to be colliding but who is being depicted by the promo art by Peter Gross and Mark Buckingham with colors by Chris Chuckry?  Could it be Tom Taylor and…Bigby Wolf?


The Unwritten #50 is coming May 2013 from Vertigo.

Muppets sequel gets title and plot details

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Filming has already begun and Disney today have announced the title and plot details for the sequel to the successful 2011 movie The Muppets. The sequel's title? The Muppets... Again!


From the press released from Disney, it feels as though The Muppets... Again! is a remake of sorts of the 1981 film The Great Muppet Caper. Here's the press release...

"Disney’s ‘The Muppets …Again!’ takes the entire Muppets gang on a global tour, selling out grand theatres in some of Europe’s most exciting destinations, including Berlin, Madrid and London. But mayhem follows the Muppets overseas, as they find themselves unwittingly entangled in an international crime caper headed by Constantine—the World’s Number One Criminal and a dead ringer for Kermit..."

The 1981 move The Great Muppet Caper saw Kermit, Gonzo and Fozzie travel to London to interview a rich victim of jewel theives. Sound familiar?

"It’s great to be back working with the Muppets,’ said director Jame Bobin, who also co-wrote the script with Nicholas Stoller. "Some of them even remember my name occasionally now. As for the movie, it’s a tip of the hat to the old-school crime capers of the ’60s, but featuring a frog, a pig, a bear and a dog—no panthers, even pink ones—along with the usual Muppet-y mix of mayhem, music and laughs."

In an interview with Entertainment Weekly, Kermit also shared some of his thoughts: "The idea of this film is that our gang is on this global tour, and we’re selling out these grand theaters all over Europe—in Berlin, Madrid, London—but we sort of get into a little bit of trouble when we run across my doppleganger. He’s the world’s number one criminal, Constantine, and he happens to look an awful lot like me."

But will Kermit be playing both roles? "No. We talked about putting me in makeup and having me play both roles, but we decided Constantine needed to be a guy who could do a Russian accent. And, you know, I’m a pretty accomplished actor and all, but besides the Muppet Christmas Carol and Muppet Treasure Island films, I’ve only really ever played myself. The great thing is, I have like 3,000 relatives back in the swamp, so it was quite easy to find a frog who could play Constantine."

The Muppets...Again! is due to be in cinemas March 21st 2014 and will feature Ricky Gervais as Constantine's Number Two, Tina Fey as feisty prison guard Nadya and Ty Burrell as Interpol agent Jean Pierre Napoleon. They are currently filming at Pinewoods Studios.

The Following - Episode 2 Review

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Matt Smith reviews the second episode of the new US TV drama The Following...

After imprisoning Joe Carroll, Ryan Hardy must find Claire Matthews’ son who has been taken by Carroll’s acolytes. At the same time, he must help the FBI find whoever’s responsible for the murder of numerous women at a university.

So, episode two of the decidedly mixed show The Following. Seems like one of those shows that would do better if it didn’t have the ‘the’ at the beginning. But then it’d take on a whole new unfortunate meaning, wherein Kevin Bacon follows people, probably in the hope of a decent acting job in the movies.

See, TV sometimes seems to have this complex when comparing itself to its bigger brother. Each has their inherent goods and bads, and The Following is no different. TV’s got to compete with budgets that are out of this world. Yet somehow by the same token breaks for adverts wouldn’t happen in a movie unless it was being post-modern, and everyone knows post-modern movies can’t be taken completely seriously.

TV needs ad money, otherwise they wouldn’t be able to afford to make the show. But this constant flow of money means TV shows can tell stories long after the movies would’ve had to leave, hoping the viewer’s bladder wasn’t strained. But the sprawling narrative can lead to problems when it comes to introducing newbies.

I bring up this issue purely because I fear The Following will soon fall into the trap of spending the first ten minutes doing an extended ‘previously on’ segment. Despite the actual ‘previously on’ intro, which sometimes just point blank used single words to describe the plot (I’ll do it now: ‘Carroll, bad guy, Hardy, good guy, never wears tie properly, why bother at all?), the first couple of scenes were also used to bring everyone up to speed.

Except this is only episode two. I’m hoping the producers are just doing a catch up because the first episode’s a pilot, because the multitude of characters could quickly spiral out of control and turn this show into another Heroes.

Another similarity is the various different plots, all playing out at once. And I sincerely hope the kidnapped son, while a good idea in principle to turn up the tension, actually ends up going somewhere. While you’d think a kidnapped son would be a big plot point, the show seems to think we’d be a lot more invested in the relationships between the three kidnappers. Interesting, perhaps, but not exactly the most pressing matter at hand, and a tad jarring seeing three people squabble over who gets which room when the main villain’s son sleeps in the next one.

It’s jarring mainly because the rest stays on course so well, though, and in that way The Following does very well. It (mostly) stays focused, always on course, looking for the next serial killer of the week while also resolving the current one. I don’t know if anyone’s said this already, but it really put the ‘serial’... into ‘serial killer’. Yeah. Stick that on ya poster. Pop a jaunty little tune on in the background of the TV ads. Because The Following could do with some brightening and lightening up.

It’s grisly business as usual for the FBI team, who this time find the results of the crime teased at in the pilot. Bodies being strewn everywhere is now seemingly an everyday occurrence. It works as a shock now, but will it work later in the series? ‘Oh look, another group of young women have been brutally murdered and had their eyes cut out by someone they dearly trusted. Ho hum.’

Don'’t take that as evidence not to watch though. Seeming ambivalence is only created because the show seems to have a hit a sinister turn, and I’m rebelling after spending a couple of hours analysing a show where one of the main characters is a psychotic maniac. The atmosphere is certainly a step up from last week’s episode.

The scene where Hardy rushes back to the Matthews house is so tense you could tell me a steamroller was running over my car, with all my loved ones (laptop, DVD collection, Batman posters) locked inside and I’d just tell you to go away. And could everything that seemingly goes wrong for him just be a part of Carroll’s larger plan? Who knows? It’s tension filled. It’s filled with tension. The tension is at its fullest. What could happen next? Ooh, a new paragraph!

Flashbacks make a return, meaning the producers follow through with their promise to give every character they can a good back story. However, providing back story doesn’t provide emotion, and it’s in that department where I think The Following has been lacking since the beginning. Sometimes, it reaches levels of coldness rivalled only by Joe Carroll.

Any figure of allegorical meaning seems to have been substituted as well. It feels like plot and story complexity have been abandoned somewhat, and in that sense I’m a tad disappointed. Replaced with the tension, it’s less highbrow now, which isn’t a good or a bad thing. Just depends on what you want to watch. What do you want from me, an opinion?

So, more characters are bought in to keep the water running. Some are replaced, in fact, as is the nature of TV once again. Debra Parker (Annie Parisse) is a lot more interesting than the woman she’s replacing, but the replacing itself tries so hard to be done well that it doesn’t work at all. ‘See! Look, it makes sense getting rid of this actress! But you’re the main character so for that reason we won’t get rid of you. Also, you have an alcohol problem that doesn’t actually seem to effect you or manifest itself in any way.’

The show takes its time introducing themes and motifs, such as Hardy’s alcoholism, but doesn’t really follow through with them. A pathology is mentioned, talking about the Internet-fed modern society being more at risk (but really it’s not... keep reading Flickering Myth!), but it’s nothing more than window dressing so far. Oh, and putting ‘Nevermore’ on the walls of murder victims doesn’t count as a motif.

Where The Following works is as a dark (catch-all description right there) cop show, cross cutting between narratives both to build the world and build up tension. There are small bits that don’t work (such as the Naked Gun-esque scene where a dozen officers with guns back down from one guy with a gun), but apart from that I think once the show hits its stride fully (and it almost, almost has) it’ll be unmissable TV.

Catch it every week and be thrilled as Hardy stops this week’s serial murderer. Oh, and I didn’t want to mention it again, but Kevin Bacon selling mobile phones came up straight after a break in the show. Way to bring me out of the story, advertising people.

Matt Smith - follow me on Twitter.

Movie Review - Parker (2013)

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Parker, 2013.

Directed by Taylor Hackford.
Starring Jason Statham, Jennifer Lopez, Michael Chiklis, Clifton Collins Jr., Wendell Pierce and Bobby Cannavale.

Parker movie poster

SYNOPSIS:

A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.

Jason Statham in Parker

I like a good crime film.  The kind with disreputable people in a perpetual state of double cross stabbing each other in the back for large sums of blood money.  Richard Stark's Parker is the kind of cold, calulculating criminal that makes for great literary fiction.  The character has made the leap to film a few times, most recently in the 1999 Mel Gibson film Payback.  Now the character has been resuscitated again by Jason Statham in the action/thriller Parker.

First off, can we go ahead and stop naming movies after the lead characters?  This trend is growing more cloying.  Sure, it sometimes works on movies like Forrest Gump or Fletch.  Dramas and comedies mostly.  But it doesn't seem to be very effective for thrillers.  Lately it seems like Hollywood's laziest trademark with uninspiring titles like Alex Cross, John Carter, and Jack ReacherParker is a crap name for a movie.  Fortunately, it's a pretty average movie so the mediocre title doesn't really detract too much from the overall product.  Generic title.  Generic movie.

The last incarnation of the character was at least smart enough to name it Payback.  That's a pithy title.  In one word it tells you everything.  It encapsulates the purpose of the movie and the driving motivation of the character.  What the hell does 'Parker' tell you?  It tells you the name of the lead character.  Here's a hint.  If you're trying to get an audience excited about your new thriller, use a verb instead of a name.

Parker (Jason Statham) is a career criminal who pulls off a heist.  The crew he's running with wants him to roll their earnings into a bigger heist.  Parker decides he'd rather just take his cut and leave.  They decide if he's not going to be a team player then they might as well shoot him in the face.  The opening few minutes tell you everything about this movie: It is idiotically simple and all logic and common sense have been abandoned.  Even the earliest scenes seem to eschew logic with reckless abandon.  Five guys pull off a successful robbery.  Literally, as soon as it's completed they start discussing the next job.  Within two minutes they're shooting each other in the getaway car.   The whole scene is awkward and hilariously forced. 

So Parker gets screwed of his cut and begins a very long and violent revenge scheme that involves doling out a lot of punishment.  Fortunately, punishment is Jason Statham's medium.   Some people work with clay.  Others are wordsmiths.  Statham has mastered the art of pugilism.  Unfortunately there's a decisive lack of action in the film.  There's a fair amount of gun toting violence, but Parker is more of a traditional crime film and not an excuse to have the hero throw as many roundhouse kicks as humanly possible.  That's a shame, because I think the movie would have been better served by a healthy dose of fist to face moments.

Jennifer Lopez shows up as a disenchanted real estate agent looking for some thrills.  She becomes a willing accomplice to Parker's shenanigans.  I was actually pleasantly surprised by Lopez.  I almost forgot how good of an actress she was capable of being.  This is the first film since Steven Soderbergh's classic Out of Sight where she shows any signs of life.  While her character is a thinly written act of convenience, she manages to make it an engaging role.  Far more nuanced that Statham who has the emotional range of a discarded refrigerator.

Parker is an utterly forgettable little crime film.  It's not offensively bad or completely useless, but there's really no point to it all.  What I liked so much about Payback was how utterly remorseless the main character was.  Mel Gibson palyed the same role with a healthy blend of sarcasm and ruthlessness.  Statham only has one mode: steely seriousness.  He may be a believable wrecking machine, but he's hardly a likable one.  

Flickering Myth Rating: Film ★ ★  / Movie ★ ★ 

Anghus Houvouras

Disney's Oscar nominated animated short Paperman released online

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As we count down to the Academy Awards, Walt Disney Animation Studios has delivered a treat for fans and voters alike with the release of its Oscar-nominated animated short Paperman; created by first time director John Kahrs and a small team at Disney, the black-and-white short introduces a groundbreaking new technique that seamlessly blends traditional hand drawn animation with computer generated imagery, and - well the results speak for themselves...

"Paperman follows the story of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a beautiful woman on his morning commute. Convinced the girl of his dreams is gone forever, he gets a second chance when he spots her in a skyscraper window across the avenue from his office. With only his heart, imagination and a stack of papers to get her attention, his efforts are no match for what the fates have in store for him."


New posters and TV spots for Bryan Singer's Jack the Giant Slayer

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We've been hearing a lot from Bryan Singer lately, but oddly enough all the talk has been about his upcoming return to the X-Men franchise for next year's X-Men: Days of Future Past, rather than the big-budget 3D fantasy he's got arriving in cinemas in just over a month's time. So, to remind us all about the impending release of Jack the Giant Slayer, Warner Bros. has released three new TV spots and a couple of new posters; check them out...

Jack the Giant Slayer movie poster

Jack the Giant Slayer movie poster




Jack the Giant Slayer is based on the fairy tales Jack the Giant Killer and Jack and the Beanstalk and sees Nicholas Hoult (X-Men: First Class, X-Men: Days of Future Past) starring as the young farmhand, who unwittingly reignites an ancient war after he opens a gateway to the world of Giants. Forced into battle against the legendary creatures, Jack finds himself fighting for his life, his kingdom, and the love of a brave princess (Eleanor Tomlinson; Alice in Wonderland). Also featuring in the cast are Stanley Tucci (Captain America: The First Avenger), Ian McShane (Pirates of the Caribbean: On Stranger Tides), Bill Nighy (Harry Potter and the Deathly Hallows) and Ewan McGregor (Star Wars).

Jack the Giant Slayer opens in North America on March 1st and arrives in the UK on March 22nd.

DVD Review - You Ain't Seen Nothin' Yet (2012)

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You Ain't Seen Nothin' Yet (French: Vous n'avez encore rien vu), 2012.

Directed by Alain Resnais.
Starring Mathieu Amalric, Pierre Arditi and Sabine Azéma.

You Ain't Seen Nothin' Yet

SYNOPSIS:

A group of actors are invited to watch a recorded interpretation of their deceased friend’s play ‘Eurydice’, which each of the assembled group had previously starred in.

You Ain't Seen Nothin' Yet

I remember 2007, and in particular I remember reading Xan Brooks’ piece on The Guardian’s web site: ‘First Ingmar Bergman, now Michelangelo Antonioni.’ One sentence in that piece has haunted me since, sparking an expectant fear that I cannot dismiss. At the time Xan wrote about the concern of an art-house apocalypse, and considering the age of Resnais, Godard and Rohmer at the time, his point was well taken. Since then Alain Resnais’ 2009 film Wild Grass marked a return to form, and the latest entry in the auteur’s canon You Ain’t Seen Nothin’ Yet was screened at the 56th BFI London Film Festival before arriving on DVD this month.

The cinema of Resnais can be slow and meandering, highly experimental, and will inherently isolate itself from a broad audience, for some Resnais’ creative voice problematic and inaccessible. His films are above all an experience, and this aging director remains a creator of worlds from which derives a distinct sense of feeling separate from the voice of every other filmmaker and filmic experience they offer. Resnais still makes films as if he were a young man, his cinema a continuous experiment. In this Resnais dares to exclude scenes, replacing them instead with title cards, white text on a black background describing the action rather than showing it. It is in these moments that the youthful subversive Resnais is recalled, how he and his contemporaries forever lit the spark that changed cinema. There are the inevitable reflective traits of a Resnais narrative, an exploration of the metaphysics of performance. He challenges the supposition that the staged should ever be able to realistically transpose itself into the real, and he even goes so far as to suspend the belief in the minds of its audience. The intrusion on the play by the assembled guests dispels any belief that the staged is anything but the sum of its parts.

You Ain’t Seen Nothin' Yet features a cast compromised of some of French cinema’s most recognisable actors: Michael Piccoli, Sabine Azéma and Mathieu Amalric to name just a few; and Resnais unashamedly places us in the same position as the assembled audience in the film itself, spectators consciously aware that there is no reason to attempt to suspend our belief. It is after all staged and is not real.

The difficulty when encountering the film is Resnais’ indulgence, a belief that the film requires its expansive running time. But this is Resnais, a director whose films function on an instinctual level. They are an experience, sometimes difficult to define as either a ‘good film’ or ‘bad film.’ Rather it is that unique sense of feeling that one derives from his cinema, which comes through the performances he can inspire, the dialogue, or his gentle but potent observations on life, art, love and death. His latest features all the charm that has defined his cinema, a long and endurance testing reflection on art and love, but also the theatre and performance as a personal experience. If it seems like meandering indulgence, rest assured that there is a point to it all, a point he maybe takes longer to get to than he should, but he nevertheless does succeed in bringing the film to a memorable conclusion. Yes, a long time building to the memorable crescendo, but nonetheless worth the wait, the ending further testament of Resnais deserved reputation as a master filmmaker.

You can read Xan Brooks’ full article ‘First Ingmar Bergman, now Michelangelo Antonioni’ on The Guardian Film Blog.

Flickering Myth Rating - Film: ★ ★ ★ ★ / Movie: ★ 

Paul Risker is a freelance writer and contributor to Flickering Myth, Scream The Horror Magazine and The London Film Review.

New poster and Super Bowl teaser for Iron Man 3

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This Sunday Marvel Studios will debut a new sixty-second TV spot for Iron Man 3, so to whet our appetites Disney has released a short fourteen-second teaser, along with a brand new poster for the forthcoming superhero sequel:



Iron Man 3 will launch Phase Three of the Marvel Cinematic Universe when it opens in cinemas on April 26th (UK) and May 3rd (North America). The film is directed by Shane Black (Kiss Kiss Bang Bang) and sees Robert Downey Jr. (Tony Stark / Iron Man), Gwyneth Paltrow (Pepper Potts), Don Cheadle (Rhodey / War Machine) and Jon Favreau (Happy Hogan) returning to the cast alongside Marvel newcomers Ben Kingsley (Hugo) as The Mandarin, Guy Pearce (Prometheus) as Aldrich Killian, James Badge Dale (The Lone Ranger) as Eric Savin / Coldblood, Ashley Hamilton (Sunset Beach) as Jack Taggert / Firepower and Rebecca Hall (The Town) as Maya Hansen.

In addition to Iron Man 3, this Sunday's Super Bowl will also see new TV spots for The Lone Ranger, The Fast and the Furious 6, Oz: The Great and Powerful, Star Trek Into Darkness and World War Z.

Comic Book Review - The Superior Spider-Man #2

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Anghus Houvouras reviews the second issue of The Superior Spider-Man...

This is a really weird comic.  That is both a ringing endorsement and a declaration of the surreal nature of reading Marvel's relaunched Superior Spider-Man

Doctor Octopus has taken over Spider-Man, OR HAS HE!?  At the conclusion of the first issue, we were introduced to Jedi Ghost Peter Parker who is apparently not dead and somehow tethered to his body trapped between life and death.  It's a massive creative crutch, big enough to help Godzilla mend a sprained ankle or help King Kong during a stint of physical therapy. 

We follow the new Superior Spider-Man making improvements to his life.  Through the use of mad science he has managed to simplify his daily patrols.  Instead of randomly swinging through the city waiting for his Spider Sense to tingle, he checks on app on his iPad.  His other major project becomes solving his on again, off again relationship with Mary Jane Watson.  Doctor Octopus is looking to win her affections and seal the deal, something Ghost Peter has a real problem with.  Imagine that.

The entire issue is presented with dual inner monologues.  You get Octavius' warped perspective and Ghost Peter's constant neurotic rambling.  It makes for an interesting read, but as I predicted at the end of the first issue: this will get old real quick.  This whole 'two minds-one body' thing has been done to death, and I have a feeling it may sink this series like a stone.  Again, I have no problem with the idea of introducing the back door to which they will use to escape this utterly insane storyline.  I just wish it hadn't happened so quick. 

See, I'm warming up to Octavius.  Much as Ghost Peter observes midway through the issue, Octavius may actually be better at being Spider-Man than he ever was.  He's smarter, better at working the public, and seems to favor logic and reason rather than being led by raw emotion.  For now, Octavius has managed to show he's not only capable of being a hero, but also able to manage to pitfalls of day to day life as Peter Parker.

The Marvel NOW! titles seem far more prone to devolve into comic lunacy, something that I greatly appreciate.  This issue is no different.  The funniest moments come from watching Octavius' many dates with Mary Jane, all of them broken down with the kind of cold, calculating scientific reasoning you would expect of a super villain.  Watching the super intelligent but socially awkward Octavius trying to get laid is a product of pure genius.  Dan Slott has tapped into some gonzo storytelling here, and to that I say 'bravo'.  Like Fraction and Allred's FF, Superior Spider-Man succeeds as a blend of fun, frivolity, and a strong focus on well developed characters. 

I'm still on board for this and am enjoying the ride.  There's just a small part of me that fears the status quo being restored before we get a few more arcs of this well-scripted madness.

Anghus Houvouras

How I Met Your Mother renewed for a final 9th season

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How I Met Your Mother
Yesterday, millions of fans across the globe got the news that they were hoping for: not only has the hit comedy How I Met Your Mother been renewed for on final season, but they are also just a year away from finally finding out the identity of the titular Mother.

Last night, 20th Century Fox and CBS Entertainment announced that the show will be back for the 2013-2014 season, with all series regulars - Josh Radnor, Jason Segel, Cobie Smulders, Neil Patrick Harris and Alyson Hannigan, as well as series creators Carter Bays and Craig Thomas – returning for what will be the end of the show after nine successful years. "Through eight years, How I Met Your Mother has mastered the art of leading-edge comedy, emotional water-cooler moments and pop culture catch phrases," said Nina Tassler, President, CBS Entertainment. "We are excited for Carter, Craig, Pam Fryman and this amazing cast to tell the final chapter and reveal television's most mysterious mother to some of TV's most passionate fans."

"We're thrilled to have the entire and incredibly talented How I Met Your Mother cast back for one final season to bring the series to a proper close," said Dana Walden and Gary Newman, Chairmen of 20th Century Fox Television. "Carter Bays and Craig Thomas are masterful and hilarious storytellers, and we have no doubt that they will guide one of the greatest comedies of the last decade to a gratifying conclusion when they finally reveal the identity of the Mother."

Starting in 2005 to huge success, How I Met Your Mother is one of the top-rated comedies on US television of the decade, with nearly 10 million viewers in the U.S. alone. The show is currently being screened on E4 in the UK, and premieres episode one of its eighth season tonight, Thursday January 31st.

New international trailer and posters for The Incredible Burt Wonderstone

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New Line Cinema and Warner Brothers have started to crank up publicity for their upcoming comedy The Incredible Burt Wonderstone with 4 new posters and an international trailer.

The new trailer is very similar to the US one released late last year, but still shows a lot of promise, with Jim Carrey(Bruce Almighty) in particular looking back to his best. We also get a first glimpse at Community star Gillian Jacobs, who co-stars as one of Burt Wonderstone’s early girlfriends.

You can view all the new posters, and the new trailer below:

The Incredible Burt Wonderstone

The Incredible Burt Wonderstone

The Incredible Burt Wonderstone

The Incredible Burt Wonderstone


Magicians Burt Wonderstone (Steve Carell; Anchorman) and Anton Marvelton (Steve Buscemi; Boardwalk Empire), reigning kings of Las Vegas strip, have made a killing over the years. But lately the duo's stock has plummeted, and their viewers are decreasing by the day, whilst wrestling with their fading friendship. Things take a worse turn, when competition in the shape of guerrilla street magician Steve Gray (Carrey), whose cult acts, including holding his urine for 12 days straight, have taken Vegas by storm. But there's still a chance Burt and Anton can save the act—both onstage and off—if Burt can get back in touch with what made him love magic in the first place.

The Incredible Burt Wonderstone is directed by Tim Scardino(30 Rock) and co-written by Horrible Bosses creators Jonathan M. Goldstein and John Francis Daley, and also stars Olivia Wilde (Cowboys & Aliens), Alan Arkin (Little Miss Sunshine), James Gandolfini (The Sopranos) and Jay Mohr (Jerry Maguire). The film is set for release on March 15th.

New images from Edgar Wright's The World's End

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Two new pictures have been released from Edgar Wright’s (Scott Pilgrim vs. the World) The World’s End - the third in a trilogy of films by Wright and featuring co-writer Simon Pegg (Star Trek Into The Darkness) and Nick Frost (Attack the Block) following Shaun of The Dead and Hot Fuzz. Courtesy of Empire, here's a look at the cast in action...



20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World's End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind's. Reaching The World's End is the least of their worries.

The World’s End also stars Martin Freeman (The Hobbit: An Unexpected Journey), Paddy Considine (Cinderella Man), Eddie Marsan (Jack the Giant Slayer) and Rosamund Pike (Jack Reacher) and is due to be released in cinemas on October 25th.

Special Features - Return of the Five Most Disappointing Films of All Time

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Anghus Houvouras with a follow-up to The Five Most Disappointing Films of All Time...

About or year or so ago I put together a little op-ed piece, right around the time I first started writing for Flickering Myth. It was a piece I'd been mulling for a few years: The Five Most Disappointing Films of All Time. I wrote it up, submitted it, and moved on to my next random thought.

In the article's wake, a debate sprang up about my choices. Some agreed. Some disagreed, while others had their own ideas which films should have made the list. On the one year anniversary of the article I decided to revisit my brazen claims and discuss some of your choices in a piece I like to call...

Return of the Five Most Disappointing Films of All Time.


Who watched the Watchmen? Apparently, everybody....

Favorite quote:

"I think the author was just too lazy to find a fifth movie to blame so he picked that one. I thought Watchmen was great. " - Witchdoktor

First off, I learned that a lot of people really like Watchmen. A fact that still astonishes me. There is a very loud and very vocal fan base for the Watchmen film that I have alienated. And in truth, I have no problem with that. I went back and watched the film again to make sure I hadn't made some grievous error. The other four choices on my list were proudly championed as truly terrible. Watchmen was the one choice that seemed to really rub people the wrong way.

Upon another viewing, I decided that I was in fact right all along. Watchmen is a garish, terrible adaptation. Zack Snyder chokes the life out of the film one recreated panel at a time. The acting is wooden. The casting is shallow. And the film only exists to prove Alan Moore right in the fact that the story is best left on the printed panels and pages. I'm always open to the consideration of being incorrect on any number of subjects. However, on Watchmen, I feel satisfied with its inclusion on this list. The art of adaptation involves taking the source material and improving upon it. Not recreating it. Zack Snyder made a predictable adaptation, one with no surprises and brought nothing of his own to the source material. Disappointing. Twenty plus years of potential adaptations in the hands of people like Terry Gilliam and Paul Greengrass, and what we end up with is Zack Snyder pulling a cinematic version of obsessive compulsive disorder with his devotion to the original.

I was also shocked by the number of people who thought this was a "worst film of all time" list and who didn't understand the entire proposition of the article. These were supposed to be disappointments. Films with huge expectations that were eventually crushed by their shortcomings. I doubt any of these films would make my "worst of all time list", though The Phantom Menace is always flirting with that possibility.


Based on your reactions, here are your Top Five Most Disappointing Films of All Time:


1. Planet of the Apes (2001)

Hard to argue. Tim Burton's reboot of the Apes franchise was a wretched, unintentionally hilarious mess. The only thing worse than the actors in awful ape make up were the awful actors not in ape make up. This movie is so terribly put together. A high budget blockbuster that fails at the most elementary levels. Tim Burton has always struggled with traditional mainstream filmmaking. His particular brand of whimsy didn't work all. And the film contains the most hilariously terrible cliffhanger ending ever.

So why wasn't it on the list?

I think the key word here is 'disappointing'. Sure, it's an awful film. Worthy of any derision and bile spewed in its general direction. But were the expectations that high? Were the original Planet of the Apes films so good that a horrible reboot seemed surprising? From my point of view, this film was highly anticipated but not with the same verve and excitement of the other five entries on the list.


2. Batman & Robin

Do I need to waste any more words on this epic failure? Like Apes, it's bad. Real bad. Tragically bad. I don't know if there's a word in the dictionary that can truly encompass how bad it is.

So why wasn't it on the list?

I always find Batman & Robin a funny proposition. Batman Forever came out two years earlier with many of the same flourishes employed by director Joel Schumacher. It was over the top, ambiguously strange, and prone to being campy. Batman Forever introduced Batman and Robin ass shots, Bat nipples, and catch phrase spewing villains who leaned more towards to ridiculous than the menacing. So when he pushed Batman & Robin even further into campy territory, why were people so surprised? I suppose that's the definition of 'The Most Disappointing'. Batman Forever set the tone for what was to come with Batman & Robin. So I wasn't exactly surprised. It wasn't expecting much after Batman Forever, and Schumacher delivered on those diminished expectations.

I mean, come on. Once you heard the words 'Arnold Schwarzenegger as Mr. Freeze', were you really expecting something great?


3. Superman Returns

It's funny how many of these films are comic/geek properties. Superman Returns was pretty bad. More shocking, really. How did Bryan Singer get the most iconic superhero of all time so wrong? His mopey version of Superman and bitchy version of Lois Lane were so off putting. What should have been the Man of Steel's triumphant return to cinemas turned into a $200 million movie about superhero paternity and Lex Luthor's weird obsession with real estate.

So why wasn't it on the list?

Once again I must cite previous films. After Superman III and Superman IV: The Quest for Peace, Superman was tainted goods. Yes, there was some real excitement behind Superman Returns in the build up to release, but it wasn't like the generational milestone of something like Star Wars. Now if Tim Burton had ever made Superman Lives, that probably would have made the list.


4. The Last Airbender

This one popped up a few times. Again, I have to stress I'm talking about the 'most disappointing films', not 'cinematic abominations', a list where this film deservedly belongs.

So why wasn't it on the list?

Apparently none of you saw Lady in the Water or The Happening. If you had any expectations that this movie was going to be good, you deserved to be disappointed.





5. The Matrix Reloaded

After the mad genius that was The Matrix, the Wachowskis took all the goodwill earned from it and doubled down on a pair of sequels that left audiences scratching their heads and generally confused. It was still a blend of over the top martial arts and high minded philosophy. Most people dreaded every scene that took place in the subterranean city of Zion and found that they didn't care for the expanded world of the Matrix.

So why wasn't on the list?

It's hard to not see the disappointment for the Matrix sequels, especially if you look at the financials. The Matrix Reloaded made $750 million worldwide. That's an impressive number. The Matrix Revolutions made $420 million. That's over $300 million worth of tickets shed between the two moves, which if you remember were only released six months apart.

Personally, I didn't think the Matrix sequels were as bad as some people made them out to be, though it would be impossible to suggest that they weren't epic disappointments. I would almost be willing to indulge that the Matrix sequels could take the place of Watchmen.


Other Films Mentioned:


Alien 3

You're on crack. Alien 3 is awesome. Fincher is amazing. And I'll go one further.

Alien 3> Aliens.

That might be a poke to the hornet’s nest.


Every Harry Potter film

The first two Harry Potter films are terrible. But from Alfonso Cuaron's third installment forward, this was a pretty solid series. At almost a billion dollars per entry, I'd have a hard time buying that there was any disappointment.


The Lost World: Jurassic Park

Pretty mediocre. A little deflating after the classic original. But I wouldn't put it in the top five.


So there we have it my friends. Five more major disappointments based on reader feedback. Surely the debate will continue...

Anghus Houvouras

The latest Ultimate Spider-Man clip featuring Kraven the Hunter

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Kraven the Hunter Ultimate Spider-Man
After battling Rhino in last weekend's Ultimate Spider-Man, this Sunday's episode sees Spider-Man going up against another member of the Sinister Six as Kraven the Hunter makes his debut in the animated series

If you want to catch a sneak peek, Marvel has just sent over a clip from the episode featuring Kraven in action against Spidey and White Tiger; check it out after the official episode description, or head over to our YouTube page to watch in HD...

"Ultimate Heroes. Ultimate Villains. Ultimate Responsibility. Spider-Man must lead his team of teen heroes against the greatest assembly of super villains the world has ever seen—The Sinister Six! Season Two of the hit series, ULTIMATE SPIDER-MAN, continues as Spidey helps White Tiger come to terms with her powers as she's being tracked by a villain from her past -- KRAVEN THE HUNTER!"


Don't miss the next amazing episode of ULTIMATE SPIDER-MAN this Sunday at 11a/10c inside Marvel Universe on Disney XD.

Charlize Theron to join Seth MacFarlane for comedy western A Million Ways to Die in the West

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Charlize Theron
Oscar winner Charlize Theron (Monster, Prometheus) is in final negotiations to co-star in comedy-western A Million Ways to Die in the West, the latest live-action offering from Family Guy and Ted maestro - and upcoming Academy Awards host - Seth MacFarlane.

The new film centres on a shy farmer, who lose everything, including his girlfriend, after losing his bottle and pulling out of a gunfight. But, his luck changes when he meets the wife of a notoriously ruthless outlaw who offers to teach him how to shoot. However, whilst thinking that this will help save his relationship and win back his girlfriend, the farmer begins to fall head-over-heels for the outlaw's wife, and when the outlaw returns to reclaim his woman, hilarity ensues.

After the $500 million worldwide gross of Ted last summer, MacFarlane’s film credentials are on the rise. He will again direct A Million Ways... with Ted producer Scott Stuber set to produce. No release date has been set, and it's unclear whether this will be MacFarlane’s next project or if he will start work on this after shooting Ted 2.

Duncan Jones to direct World of Warcraft movie

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World of Warcraft movie
Acclaimed filmmaker Duncan Jones has signed on to direct Warner Bros. and Legendary Pictures' forthcoming sci-fi fantasy adaptation Warcraft, which is of course based upon Blizzard Entertainment's hugely popular MMORPG World of Warcraft.

According to THR's Heat Vision, the Moon and Source Code director is expected to receive a budget in excess of $100 million - 100 times that of his 2009 feature debut - for the sci-fi fantasy, which has been written by Charles Leavitt (Blood Diamond) and will be produced by Thomas Tull (The Dark Knight Rises), Jon Jashni (Pacific Rim), Charles Roven (Man of Steel) and Alex Gartner (Get Smart).

Launching back in 1994 with the real-time strategy game Warcraft: Orcs & Humans, Warcraft went on to spawn a tonne of video and tabletop games, comic books, novels and collectible card games, the most popular of which is 2004's World of Warcraft, which currently has over 10 million subscribers worldwide.

Following the announcement, Duncan Jones took to Twitter to post the following...



Warcraft will begin filming later this year for release in 2015, which is shaping up to be a standout year for geek cinema with Fantastic Four, The Avengers 2, Ant-Man, Justice League and Star Wars: Episode VII all expected to arrive on screens.

When is X-Men: Days of Future Past set?

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Now officially in pre-production, X-Men: Days of Future Past director Bryan Singer will be posting daily photos to his Twitter account to whet our appetites, but a casting call received by ComicBookMovie may have revealed something more newsworthy than a production photo of a possible set.

The casting call is looking for extras between "16-75" with a "1973 look" - which would place X-Men: Days of Future Past 10 years after Matthew Vaughn's X-Men: First Class - which could explain why cast members like January Jones and Rose Byrne are unlikely to be returning.

During the press tour of X-Men: First Class, Vaughn said that he would love to set the First Class sequel in the 70s and it seems that even without him at the helm, they are following in his vision. He also said that he would have had the JFK assassination involved in some capacity - but the timings don't work out for that.

The casting call also says that "most of the movie is set in 1973" and that they will be required between "April 2013 and August 2013" in Montreal. This would suggest that the majority of the film would be focused on X-Men: First Class timelines with the original X-Men series in the cameo role.

X-Men: Days of Future Past will feature James McAvoy (Professor X), Michael Fassbender (Magneto), Nicholas Hoult (Beast) and Jennifer Lawrence (Mystique), who return from X-Men: First Class to join X-Men alumni Hugh Jackman (Wolverine), Ian McKellen (Magneto), Patrick Stewart (Professor X), Anna Paquin (Rouge), Ellen Page (Kitty Pryde) and Shawn Ashmore (Iceman).

What do you think about X-Men: Days of Future Past being set in 1973?

Go beyond the Wall with the latest Game of Thrones set video

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Ciaran Hinds Mance Rayder Game of Thrones season 3
With exactly two months to go until the return of the epic fantasy series Game of Thrones, HBO has released the latest 'Making Game of Thrones Season 3' vlog, which invites fans to go beyond the Wall for a behind-the-scenes look at the filming of the upcoming third season.

Entitled 'Intensity of Iceland', the new video features contributions from executive producers D.B. Weiss and David Benioff, directors Daniel Minahan and Alex Graves, and cast members Rose Leslie (Ygritte), Kristofer Hivju (Tormund Giantsbane), Mackenzie Crook (Orell), Ciaran Hinds (Mance Rayder) and Kit Harington (Jon Snow).


Game of Thrones season 3 premieres on HBO on March 31st.

LEGO Batman: The Movie gets World Premiere in Gotham City

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The legendary toy building blocks are gaining new fans in video gaming and cinema.  Adding to this growing popularity Warner Bros Home Entertainment, has partnered with TT Animation to produce LEGO Batman: The Movie - DC Super Heroes Unite.  The animated feature based on the popular video game will receive a World Premiere on Monday, February 11th, 2013 at The Paley Center for Media in New York.

The official studio press release states:

LEGO Batman: The Movie – DC Superheroes Unite provides the ultimate blend of action and humor guaranteed to entertain fanboys of all ages. The film finds Lex Luthor taking jealousy to new heights when fellow billionaire Bruce Wayne wins the Man of the Year Award. To top Wayne’s accomplishment, Lex begins a campaign for President – and to create the atmosphere for his type of fear-based politics, he recruits the Joker to perfect a Black LEGO Destructor Ray. While wreaking havoc on Gotham, Lex successfully destroys Batman's technology – forcing the Caped Crusader to reluctantly turn to Superman for help.

The voice cast of the feature helmed by director/producer Jon Burton includes Troy Baker (Bioshock Infinite, Batman: Arkham City) as Batman, Clancy Brown (The Shawshank Redemption, SpongeBob SquarePants) as Lex Luthor, Travis Willingham (Avengers Assemble, The Super Hero Squad Show) as Superman, Christopher Smith (Mortal Combat vs. DC Universe) as the Joker, and Charlie Schlatter (Diagnosis Murder) as Robin.

For those in the media wishing to perform interviews and attend the premieres they must RSVP via email to WHVRSVP@gmail.com.  The RSVP request must state the name and email of those covering the event, and the name and/or URL of your affiliation.   A limited number of free tickets are available to the general public. Fans wishing to receive free tickets to the New York event on February 11 must RSVP via email to LegoBatmanTheMovie@gmail.com.  And of course the tickets for both events will be handed out on a “first come, first served” basis, with the fans being notified via email.



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