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23 first look images from Game of Thrones season 3

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We've seen very little from HBO's hotly-anticipated third season of Game of Thrones so far, but now with just over two months to go until its premiere, the official Facebook page has posted twenty three first-look images from season three, which are bound to cause plenty of excitement among fans of the epic fantasy series.

Featured in the images are Emilia Clarke as Daenerys Targaryen, Jack Gleeson as Joffrey Baratheon and Natalie Dormer as Margaery Tyrell, Peter Dinklage as Tyrion Lannister, Lena Headey as Cersei Lannister, Clive Russell as Brynden “The Blackfish” Tully, Carice van Houten as Melisandre, Kit Harington as Jon Snow, Ciaran Hinds as Mance Rayder, Michelle Fairley as Catelyn Stark, Richard Madden as Robb Stark and Oona Chaplin as Talisa Westerling, Diana Rigg as Olenna Tyrell, Richard Dormer as Beric Dondarrion, Sophie Turner as Sansa Stark, Paul Kaye as Thoros, Charles Dance as Tywin Lannister, Gwendoline Christie as Brienne, Nikolaj Coster-Waldau as Jaime Lannister, Maisie Williams as Arya Stark, Thomas Brodie Sangster as Jojen Reed, Ellie Kendrick as Meera Reed, Isaac Hempstead Wright as Bran Stark, Rose Leslie as Ygritte and Stephen Dillane as Stannis Baratheon. 

Check them out below, or click on any of the images for larger versions... 
















Games of Thrones season three is set to premiere on March 31st.

Deadpool harpoons literary icon in Deadpool Killustrated #1

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Returning to the presses for a second printing variant is Deadpool Killustrated #1 where the Merc with a Mouth who has killed every character in the Marvel Universe targets literary icons.  The series created by writer Cullen Bunn and artist Matteo Lolli first saw Deadpool take on Moby Dick and now with Deadpool Killustrated #2 he will match wits against Tom Sawyer.


Deadpool Killustrated #1 and #2 featuring covers by Michael Del Mundo will be on sale February 27, 2013.

She-Hulk, Iron Man and Hawkeye must Submit Or Perish in the Age of Ultron

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Looks like the Marvel Universe will be kept busy during the Age of Ultron with the first three instalments arriving in March 2013.  The question remains, however, whether superheroes such She-Hulk, Iron Man and Hawkeye will be able to survive series created by writer Brian Michael Bendis and artist Bryan Hitch.

Evil has triumphed over good and leading this new age is none other than Ultron, the deadly sentient robot created by founding Avenger Hank Pym who turned on his creator to achieve his twisted  objective…the utter destruction of humanity. Now, it’s up to the few remaining heroes to band together and find any way to topple their new monarch. Can Wolverine, Emma Frost, Invisible Woman, Taskmaster, Beast, She-Hulk, Luke Cage, Spider-Man, and Moon Knight turn the tide?
 



Ant-Man and Doctor Strange to lead Marvel's Phase Three line-up

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Ant-Man
Fresh off the enormous box office success of Joss Whedon's The Avengers, Marvel is preparing to launch Phase Two of its Cinematic Universe this spring with the release of Iron Man 3, but it seems the studio is already looking beyond this next round of movies. Speaking to MTV, Marvel's President of Production Kevin Feige has revealed that Phase Three will get underway in 2015 with the previously announced Ant-Man from British filmmaker Edgar Wright (Shaun of the Dead, The World's End), while the Sorcerer Supreme will also make his MCU debut as the long-rumoured Doctor Strange movie finally becomes a reality.

"Ant-Man is definitely part of Phase Three," said Feige. "Like Iron Man 3, it's certainly set in the Marvel Universe, but it's also through the lens of Edgar Wright — which is the only reason we're making the movie. I've known Edgar since our first lunch together at Comic-Con in 2004. He asked me what Marvel was doing with Ant-Man— we weren't even a studio then; what a difference eight years makes! It's very much an Ant-Man origin movie from the perspective of Edgar Wright and his co-writer Joe Cornish [Attack the Block, The Adventures of Tintin]. It will of course be firmly planted in the MCU, but a different corner than we've seen before."

Doctor Strange movie
"So much of the stories we're telling [right now] is about the core Avengers characters we've now met, and they'll be evolving in big, surprising ways, in Cap's next movie and Thor's next movie and of course in Iron Man 3, as we get them all into the next Avengers film," he continued. "Beyond that… Ant-Man is the only one officially announced, but you probably don't have to look too far to guess at the next list of characters we're toying with and beginning to develop. Doctor Strange, which I've been talking about for years, is definitely one of them. He's a great, original character, and he checks the box off this criteria that I have: he's totally different from anything else we have, just like Guardians of the Galaxy. He's totally different from anything we've done before, as is Ant-Man, which keeps us excited."

So, looking at Marvel's upcoming slate, we're getting Iron Man 3 and Thor: The Dark World this year, followed by Captain America: The Winter Soldier and Guardians of the Galaxy in 2014 and The Avengers 2 in 2015. That same year Phase Three will get underway with Ant-Man, with Doctor Strange presumably following in 2016 (at least according to the IMDb). It makes sense that Marvel will continue with its two films a year policy, so assuming The Avengers 3 arrives in 2018, that means we can probably expect another three or four movies as part of Phase Three.

If I had to guess, I'd go with Iron Man 4 and / or Thor 3, plus Black Panther and Daredevil. Of course, there's always the possibility of Captain America, Guardians of the Galaxy or The Incredible Hulk sequels, not to mention the likes of Heroes for HireRunaways, Blade and The Punisher...

Roman Polanski BFI Retrospective - Projections: A Psychoanalysis of Polanski's 'Apartment' Trilogy

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Simon Columb reports on the BFI's Projections: A Psychoanalysis of Polanski's 'Apartment' Trilogy talk...

Roman Polanski remains a fascinating filmmaker to this day. Alongside Andrej Wajda and Jerzy Skolimowski, Polanski came to the fore in the late 1950s in Poland. The BFI in London are screening all of Polanski’s films during January and February 2013 and throughout January, essays on separate films will be released here on Flickering Myth in the hope that you too can join us in reflecting on Polanski’s diverse and ever-expanding career. In addition to screenings, the BFI also provided talks including Projections: A Psychoanalysis of Polanski's 'Apartment' Trilogy ...

In London we are privileged to have a broad range of activities that involve cinema. This particular treat at the British Film Institute is one example of something that would be difficult to access anywhere else in Britain outside of Universities. Mary Wild, situated within the new BFI Reuben Library, led a talk and consequent discussion on Roman Polanski's 'Apartment' trilogy, comprised of Repulsion, Rosemary's Baby and The Tenant. My own recent viewing of Repulsion was fresh in my mind, whilst Rosemary's Baby has stayed in my mind ever since I watched the film a couple of years ago. The Tenant, on the other hand, I have yet to see and I am keen to watch it (and analyse it here on Flickering Myth) when I visit the BFI on January 30th.

Mary Wild begun her discussion explaining the Freudian psychoanalytical interpretation she was due to apply to each of Polanski's films - focusing on the key, lead characters in each; Carol in Repulsion, Rosemary in Rosemary's Baby and finally Trelkovsky in The Tenant. Each character analysed in this manner, reveals that they each hold underlying, subconscious urges and desires that are repressed and therefore manifest themselves in a different manner.

Wild managed to deconstruct all three films in the hour-and-a-half lecture and then drew parallels between all three films. It truly was a fascinating insight into each film - and will surely ensure that I perceive cinema, and crucially character-based films in a different light in the future. In Rosemary's Baby, Wild highlighted how core the character of Guy truly is. Rather than merely a story of a difficult pregnancy, Wild managed to highlight how the pregnancy represented the growing awareness that Rosemary's married life is a sham - and that Guy was anything but a good husband. The dream-sequence in the film is a fascinating example of the Freud-connection, as it portrays Rosemary - often named 'Roe'/Row - on board an expensive yacht before she walks down, away from her life and into the bowels of her mind... revealing ritualistic and satanic acts.

This was only one element of one film that Mary Wild aptly explained - and it will change my own reading of the film in future. The night ended as she then analysed briefly the connection between Black Swan and the trilogy - specifically Repulsion. In my research for the Repulsion analysis I noted how Darren Aronofsky was inspired by Polanski - but I never knew how much. The recurring themes and almost shot-by-shot imitations show that these films were crucial in the making of Black Swan. In addition to this, Wild pointed out how important a scream mid-film combined with a finale that verges on performance is crucial in the Freudian reading as these moments portray the initial loss-of-mind and the eventual reveal, publicly, to others of the psychological trauma.

The beauty of cinema is within the multiple layers that reside within a film. To deconstruct characters and narrative so that you can reflect and consider how it applies to yourself and everyday life is what lifts cinema from mere entertainment. The BFI manage to present a way to "get inside the head" of Polanski and truly understand a series that you take away and consider, next, how this may reflect on society itself. The viscous cycle of child-abuse; the discrimination of homosexuality; the constraints of a false-marriage. These are real issues - and Polanski manages to delve deeper than merely highlighting the issue. He manages to show how destructive these attitudes truly are.

For more on the BFI's Roman Polanski retrospective, or to book tickets, visit the official site.

Simon Columb

Disney and Lucasfilm confirm J.J. Abrams will direct Star Wars: Episode VII

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J.J. Abrams to direct Star Wars: Episode VII
And so, the wait is over... after reports this past week that Star Trek and Star Trek Into Darkness director J.J. Abrams would be taking a trip to a galaxy far, far away, Disney and Lucasfilm have officially confirmed that the Abrams is set to helm Star Wars: Episode VII, the first chapter of Disney's new Star Wars sequel trilogy.

"It's very exciting to have J.J. aboard leading the charge as we set off to make a new Star Wars movie," said Lucasfilm chief Kathleen Kennedy. "J.J. is the perfect director to helm this. Beyond having such great instincts as a filmmaker, he has an intuitive understanding of this franchise. He understands the essence of the Star Wars experience, and will bring that talent to create an unforgettable motion picture."

"To be a part of the next chapter of the Star Wars saga, to collaborate with Kathy Kennedy and this remarkable group of people, is an absolute honor," said Abrams, whose other feature film credits include Mission: Impossible III and Super 8, along with a host of TV projects such as Alias, Lost and Fringe."I may be even more grateful to George Lucas now than I was as a kid."

Abrams will become the fourth director to tackle the Star Wars franchise after George Lucas (A New Hope, The Phantom Menace, Attack of the Clones and Revenge of the Sith), Irvin Kershner (The Empire Strikes Back) and Richard Marquand (Return of the Jedi), and Star Wars creator Lucas went on to express his admiration for Abrams and his body of work: "I've consistently been impressed with J.J. as a filmmaker and storyteller. He's an ideal choice to direct the new Star Wars film and the legacy couldn't be in better hands."

Star Wars: Episode VII is being written by Academy Award-winner Michael Arndt (Little Miss Sunshine, Super 8) and will be produced by Kathleen Kennedy, Abrams and his Bad Robot producing partner Bryan Burk. Lawrence Kasdan (Raiders of the Lost Ark) and Simon Kinberg (Sherlock Holmes) will also serve as consultants.

Star Wars: Episode VII is set for release in 2015.

The Week in Spandex - Marvel Phase Two and Phase Three, Man of Steel, Batman's Return, Justice League, X-Men and more

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Our weekly round up of all the latest stories from the world of screen superheroes, including Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy, The Avengers 2, Ant-Man, Doctor Strange, S.H.I.EL.D., Man of Steel, Batman, Justice League, Kick-Ass 2, The Wolverine, X-Men: Days of Future Past, Arrow, DC Nation, LEGO Batman: The Movie - DC Super Heroes Unite, Batman: The Dark Knight Returns, Part 2, Superman: Unbound, Ultimate Spider-Man, Hulk and the Agents of S.M.A.S.H. and more...

Ben Kingsley Mandarin Iron Man 3
It's been another hectic week of happenings in the Marvel Cinematic Universe, so we'll take things chronologically, starting of course with 2013's first superhero movie - and the first installment in Marvel's Phase Two - Iron Man 3. The Shane Black-directed sequel finally wrapped filming this past week with an explosive stunt sequence at the famous Grauman's Chinese Theatre in Hollywood [check out some set videos here], while Disney announced that Robert Downey Jr.'s Armored Avenger will follow Iron Man 2, Thor and The Avengers by receiving an IMAX 3D makeover for its release this spring. Marvel Studios president Kevin Feige (who we'll be hearing a lot from this week) also spoke to MTV News about The Mandarin (Ben Kingsley) and Happy Hogan (Jon Favreau), as well as touching upon the future of Tony Stark: "Characters like James Bond and Batman, whose stories go on and on and on — I think Tony is one of those characters. Where we go directly after Iron Man 3… I’m not looking too far ahead. I’m looking to finish Iron Man 3, getting into The Avengers 2, and then seeing where we go from there. But I do think we have more Tony Stark tales to tell, and we’ll take it one movie — or maybe two movies — at a time..."

...On the subject of future Marvel solo sequels, Jaimie Alexander spoke to Total Film about the possibility of reprising the role of Lady Sif for another Thor movie after the release of this year's Thor: The Dark World: "I think they keep it secret mostly because they know that we might slip and accidentally say something. I think it’s no secret that Marvel tries to make as many films as they can, so that possibility of there being a third installment of Thor is a strong possibility - I mean, we’ve seen it over and over again - but, we still don’t know. And like with this one, I was told for certain that it was happening about a month before I flew here. I mean, it’s like you know it’s happening, but they won’t really confirm it until the last possible minute..."

...Looking ahead to Marvel's 2014 output and Toby Jones has revealed that he's set to reprise the role of Arnim Zola for Captain America: The Winter Soldier, which is set to begin filming in Cleveland in March. Jones joins a cast that includes Chris Evans as Steve Rogers / Captain America, Sebastian Stan as Bucky Barnes / The Winter Soldier, Samuel L. Jackson as Nick Fury, Scarlett Johansson as Black Widow and Cobie Smulders as Maria Hill, alongside MCU newcomers Anthony Mackie (Gangster Squad) as Sam Wilson / Falcon and Frank Grillo (Zero Dark Thirty) as Crossbones. A host of actresses have been linked to the female lead, thought to be that of Peggy Carter's niece Sharon Carter, although Hayley Atwell has confirmed that she won't be back as Peggy this time around...

Guardians of the Galaxy
...Jim Carrey (Kick-Ass 2) and Adam Sandler (That's My Boy) have become the latest names to be linked to roles in James Gunn's Guardians of the Galaxy, with reports suggesting the actors could be in the frame to voice either Rocket Raccoon and / or Groot. It's also claimed that Wes Bentley (The Hunger Games), Chris Lowell (The Help) and Cam Gigandet (Priest) will be testing for Star-Lord, joining the likes of Zachary Levi (Thor: The Dark World), Jim Sturgess (Cloud Atlas), Jack Huston (Boardwalk Empire), Lee Pace (The Hobbit: An Unexpected Journey), Joel Edgerton (Zero Dark Thirty), Michael Rosenbaum (Smallville), Eddie Redmayne (Les Miserables) and John Krasinski (The Office), all of whom are said to have previously tried out for the part. With Guardians due to begin filming this summer ahead of its release in August 2014, expect some official casting announcements soon...

...Marvel will of course wrap up Phase Two of the MCU as Joss Whedon reassembles Earth's Mightiest Heroes for The Avengers 2, and Kevin Feige provided MTV with a brief update as to the current status of the sequel: "It's still early days but I told [Whedon] after reading the first sketch outline he delivered — and there's a lot of work still to do, he has to sit down and turn this into a movie — but there are already seven things in there that are worth the price of admission alone... It's pretty exciting to be this early out and already have things that I could pitch you on in a room — if you weren't a journalist who was going to print all of this — and you would go, 'Oh my god, that's going to be awesome...'"

...Feige has also opened up about what's in store for Phase Three of the Marvel Cinematic Universe, revealing that Edgar Wright's previously-announced Ant-Man will be joined by the long-rumoured Doctor Strange movie: "Ant-Man is definitely part of Phase Three. Like Iron Man 3, it's certainly set in the Marvel Universe, but it's also through the lens of Edgar Wright — which is the only reason we're making the movie. I've known Edgar since our first lunch together at Comic-Con in 2004. He asked me what Marvel was doing with Ant-Man— we weren't even a studio then; what a difference eight years makes! It's very much an Ant-Man origin movie from the perspective of Edgar Wright and his co-writer Joe Cornish [Attack the Block, The Adventures of Tintin]. It will of course be firmly planted in the MCU, but a different corner than we've seen before... So much of the stories we're telling [right now] is about the core Avengers characters we've now met, and they'll be evolving in big, surprising ways, in Cap's next movie and Thor's next movie and of course in Iron Man 3, as we get them all into the next Avengers film. Beyond that… Ant-Man is the only one officially announced, but you probably don't have to look too far to guess at the next list of characters we're toying with and beginning to develop. Doctor Strange, which I've been talking about for years, is definitely one of them. He's a great, original character, and he checks the box off this criteria that I have: he's totally different from anything else we have, just like Guardians of the Galaxy. He's totally different from anything we've done before, as is Ant-Man, which keeps us excited..."

...Not content with taking over the big screen, Marvel has also commenced production on its first television project, with filming getting underway on the S.H.I.E.L.D. pilot this past week; check out a couple of unrevealing behind-the-scenes images featuring vehicles from the pilot, along with the first official on-set image courtesy of the official S.H.I.E.L.D. Facebook page. Marvel's S.H.I.E.L.D. pilot is directed by Joss Whedon, with a cast that includes Clark Gregg as Agent Phil Coulson, Ming-Na Wen (Stargate Universe) as Agent Melinda May, Elizabeth Henstridge (The Thompsons) as Agent Gemma Simmons, Iain De Caestecker (Coronation Street) as Agent Leo Fitz, Brett Dalton (Killing Lincoln) as Agent Grant Ward and Chloe Bennet (Nashville) as Skye...

...While it's becoming difficult to keep track of all the projects Disney and Marvel Studios have in development, that's not the case over at Warner Bros., where the studio's officially announced DC Comics output is currently limited to this year's Man of Steel. The Zack Snyder-directed Superman reboot has now received a rating from the MPAA, who granted the film a PG-13 certificate "for intense sequences of sci-fi violence, action and destruction, and for some language". So, it looks like there's going to be plenty of action on offer when Henry Cavill's Superman goes up against General Zod (Michael Shannon) and Faora (Antje Traue) and if reports are to be believed, the film is also set to include another couple of Kryptonian bad-guys, with ComicBook claiming that Richard Cetrone (Underworld) will appear as Tor-An and Revard Dufresne (Sucker Punch) will portray Dev-Em. Meanwhile, according to Digital Spy, Superman's pal Jimmy Olsen has undergone a sex change for the reboot, which stems from an IMDb listing for newcomer Rebecca Buller as 'Jenny Olsen'...

...So, with all these Kryptonian villains floating about in Man of Steel, Henry Cavill's Superman is certainly going to have his hands full, but don't expect to see a certain Dark Knight popping up to offer assistance, with The Dark Knight Rises star Joseph Gordon-Levitt moving to squash rumours that John Blake will don the cape and cowl for a cameo appearance in the film: "I hadn't heard that one. It just goes to show how much you can believe rumors. I don't think you should believe in any of them. If there's something I'm going to be in, I'm going to tell you about it. I put it on my Twitter that I was in Sin City 2, so TRUST me, I'll tell you..."

...And on the subject of Batman, it seems we could have a long time until The Dark Knight returns to cinemas, with reports this week suggesting that the next solo Batman movie won't arrive until 2017 "at the earliest." However, assuming Warner Bros. gets the Justice League movie off the ground, we'll get our first look at the rebooted Batman as part of the DC ensemble in 2015, which has apparently decided upon a five-person line-up, with Batman and Superman (Cavill) joined by Wonder Woman, The Flash and Green Lantern. So, no surprises there then...

Clint Eastwood as Batman in The Dark Knight Returns
...During a Q&A at the premiere of Batman: The Dark Knight Returns, Part 2, producer Michael Uslan (who has been involved with every Batman movie from Tim Burton's 1989 effort through to Christopher Nolan's Dark Knight trilogy) responded to a question about where he'd like to see the series go next: "Who knows what the future may bring. I have to say, NOT speaking as a producer - understand that? I'm just wearing my fanboy hat right now - One day it dawned on me there are two actors out there who are absolutely the right age right now to do The Dark Knight Returns in live-action - Michael Keaton and Jack Nicholson... Now, if I could put my fanboy hat back on, not the producer hat, how cool would it be to see a Batman Beyond movie? With Bruce Wayne in his 80s training a young Batman, and how cool would it be to see Clint Eastwood as Bruce Wayne in his 80s..."

...We've already seen quite a few characters from Kick-Ass 2 thanks to a series of spy photos from the set of the upcoming superhero sequel, but now Universal Pictures has released the first official image from the film, which shows Aaron Taylor-Johnson's Kick-Ass alongside Jim Carrey's Colonel Stars and Stripes and his masked guard dog Sofia. Kick-Ass 2 sees Jeff Wadlow (Never Back Down) taking over directing duties from Matthew Vaughn, while Chloe Grace Moret (Hit Girl), Christopher Mintz-Plasse (Red Mist / The Mother F*cker), Clark Duke (Marty / Battle Guy), Lyndsy Fonseca (Katie Deuxma) and Yancy Butler (Angie D'Amico) all return to the cast alongside Donald Faison as Doctor Gravity, Lindy Booth as Night Bitch, John Leguizamo as Javier, Robert Emms as Insect Man, Andy Nyman as The Tumour, Olga Kurkulina as Mother Russia, Daniel Kaluuya as Black Death, Morris Chestnut as Marcus Williams and Claudia Lee as Brooke...

...Moving on to 20th Century Fox's X-Men franchise and director James Mangold (Knight and Day) has been speaking about Hugh Jackman's latest outingThe Wolverine, which is due to arrive in cinemas in July: "There is a significant amount of Japanese spoken in the movie, and the cast is almost entirely Japanese. So there is this wonderful sense of cross-pollination between a very Western character and a far Eastern culture, and I think it's very cool and something we haven't seen so far... The wonderful opportunity for me with this film is that 90 percent of it takes place in Japan, and even though other elements remain constant from the other pictures, namely Hugh Jackman, we kind of got our chance to reboot the tone and go a little darker and a little deeper than they've gone before with this character. That was exciting for me. The whole point is not about violence or rating; it's about intensity. I wanted to make a film that in a way captures the intensity of his character. One of the things that has always been a feature of Wolverine in the comics is that he has a berserker rage, that he has anger and some of his abilities are driven by something more primal..."

Hugh Jackman in The Wolverine...Despite being just six months from release, the marketing campaign for The Wolverine is yet to really get underway, but Mangold did go on to promise that fans will get to see a trailer in the very near future: "I think you always want to put your best foot forward. For me, I'm not the marketing department of Fox, but for my own tastes, less is more. You have a character that's a bit of a given, you know this guy. Hugh is so good in this role. My point of view is 'save as much as you can,' but we will be lifting our skirt and offering a peek or two, certainly in the months to come..."

...Hugh Jackman will be donning the adamantium claws again this year as cameras begin rolling on 2014's X-Men: Days of Future Past, and while it's previously been confirmed that original X-Men trilogy stars Patrick Stewart and Ian McKellen will be joining X-Men: First Class stars James McAvoy, Michael Fassbender, Jennifer Lawrence and Nicholas Hoult, it doesn't seem that Singer intends on bringing back all of the cast of Matthew Vaughn's 2010 prequel. "I don’t know that I’m in it," said January Jones, who portrayed the character of Emma Frost in X-Men: First Class. "I don’t think Emma’s in this one. Well they haven’t told me if I am. I wouldn’t put it past them though, I got the script for the first one on the airplane on the way there. It’s called Days of Future Past I think, and I think it’s more about James [McAvoy] and Michael [Fassbender] and then Patrick [Stewart] and Ian [McKellan], and I think it’s gonna go back and forth with those so I don’t think Emma’s in those bits. I don’t know, I really don’t know..."

...Having allegedly shot a cameo alongside Hugh Jackman in The Wolverine, Famke Janssen has also confirmed that she's also yet to be approached about returning to the role of Jean Grey for X-Men: Days of Future Past: "If you run into Bryan Singer, just tell him I’ve been sitting by the phone, I’ve been hearing rumors of all these people getting cast; what about me? I’m waiting." Meanwhile, HeyUGuys caught up with Rose Byrne at the premiere of I Give it a Year, with the actress also revealing she's yet to receive a call from Singer about returning to the role of Moira MacTaggert in the forthcoming First Class sequel...

Manu Bennett Deathstroke Stephen Amell Oliver Queen Arrow
...Having returned from its midseason break a couple of weeks back, Arrow continues to deliver strong ratings for The CW and it would seem at this point in time that the DC Comics' adaptation is a dead cert to be renewed for a second season. Over the next few weeks, we're going to see several familiar DC characters popping up for guest appearances alongside Stephen Amell's Oliver Queen, including the return of Deadshot (Michael Rowe), China White (Kelly Hu) and The Huntress (Jessica De Gouw), along with Manu Bennett as Slade Wilson [check out a first-look image of the unmasked Deathstroke over at The Huffington Post] and Seth Gable (Fringe) as 'The Count', Arrow's incarnation of Count Vertigo, who makes his debut this Wednesday [watch a promo for the upcoming episode here]. Meanwhile, it's also been revealed that actress Alex Kingston (Doctor Who, ER) is set to guest star as Dinah Lance, the mother of Katie Cassidy's Laurel Lance, and DC's original Black Canary...

...Shifting to DC's animated output and The World's Finest has posted images, video clips and descriptions for this weekend's DC Nation programming, including Green Lantern: The Animated Series, Young Justice: Invasion and the latest DC Nation shorts...

...After last year's hugely successful video game, Warner Home Video has announced that LEGO Batman: The Movie - DC Super Heroes Unite will be released on May 21st, 2013. Here's the official synopsis, which should be familiar to anyone who's played the game: "When Bruce Wayne receives the man of the year award, fellow billionaire Lex Luthor becomes jealous and decides to run for President. To create the atmosphere for his type of fear-based politics Lex recruits the Joker to perfect a Black LEGO Destructor Ray which wreaks havoc on Gotham. As Lex destroys Batman's tech, Batman reluctantly turns to Superman for help..."

...Another animated DC movie is set to arrive next week as Warner Bros. releases Batman: The Dark Knight Returns, Part 2 on Blu-ray, DVD and Download; to whet you appetite, be sure to check out a new clip featuring The Joker (Michael Emerson; Lost) making a guest appearance on The Dave Endochrine Show [see here], along with some video interview clips featuring Peter Weller (RoboCop) talking about his role as Batman [see here] and Michael Emerson discussing The Joker [see here, here and here]...

...WB has also revealed that Superman: Unbound, the next entry in the popular DC Universe Animated Original Movies line, will receive its world premiere at WonderCon in March. Based on the Superman/Brainiac comic book by Geoff Johns and Gary Frank, Superman: Unbound sees Matt Bomer (White Collar) lending his voice to the Man of Steel alongside John Noble (Fringe) as Brainiac, Stana Katic (Castle) as Lois Lane and Molly Quinn (Castle) as Supergirl. The animated movie has been written by Bob Goodman (Warehouse 13, Batman: The Dark Knight Returns) and is directed by James Tucker (Justice League, Batman: The Brace and the Bold). The film is due for release in North America in Spring 2013...

...After a special primetime premiere this past Monday, Ultimate Spider-Man returns to its usual Sunday slot on Disney XD this weekend and you can check out a clip from the next episode featuring Spidey and Luke Cage going up against Rhino [see here], as well as first look images of Rhino and Kraven the Hunter [see here]... 

...And finally, this year will see Marvel Animation debuting two new shows on Disney XD in Avengers Assemble and Hulk and the Agents of S.M.A.S.H., and producer Cort Lane had a few words about the upcoming series during a chat with Newsarama: "They're only months away. I'm really thrilled. I'm a lifelong Avengers fan, so getting to work on an Avengers series is a dream job for me. At the same time, Hulk and the Agents of S.M.A.S.H. has really surpassed my expectations of what a series like that could be. It's a great story about a great group of characters who have a really interesting family-style dynamic. It's very funny, with just the most amazing voice cast..."

Holy Franchise, Batman! Bringing the Caped Crusader to the Screen - Available now via Amazon.co.uk and Amazon.com.

Gary Collinson


Movie Review - Zero Dark Thirty (2012)

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Zero Dark Thirty, 2012.

Directed by Kathryn Bigelow.
Starring Jessica Chastain, Jason Clarke, Joel Edgerton, Mark Strong, Chris Pratt, Kyle Chandler, Taylor Kinney, Mark Duplass, Frank Grillo, Stephen Dillane, Edgar Ramirez, Harold Perrineau, Jennifer Ehle, James Gandolfini, Scott Adkins and John Barrowman.


SYNOPSIS:

The hunt for Osama Bin Laden in the wake of the 9/11 terrorist attacks is recounted from first hand accounts.

Jessica Chastain in Zero Dark Thirty

Zero Dark Thirty was the mission code name for the operation to kill Osama Bin Laden on May 2nd 2011, and whilst the details of the operation itself are known to us already the near-decade long search for the man behind the worst terrorist attack in history is not. Zero Dark Thirty is primarily about these events.

Kathryn Bigelow employs a cunning tactic at the start of the film, she evokes from us the painful memories of that fateful day back in 2001. We have all seen the images from that day - there is even a published book with every image of the planes and the Towers that was taken within it - the images themselves do little to evoke the feelings they once did. Wisely Bigelow had realised this and so we do not see the images from that day, we see nothing, but we hear everything. As a result the horror of 9/11 comes flooding back, to the point of being uncomfortable and drawing a physical reaction, it's the work of a director who knows people and her craft.

The film jumps ahead 2 years, not dealing with the initial aftermath but instead taking us to when Maya (Jessica Chastain) joins the investigation. Flown out to her first interrogation in Pakistan, Maya is confronted with the reality of the war of terror and the process of gaining information; torture. Whilst the torture scenes themselves are disturbing, and have since been condemned, it's hard not to agree that torture is the best course of action when dealing with radicals wholly committed to their religious causes. That's not to say the film condones torture - it absolutely does not as some have decided to take up as their new cause. Bigelow does not provide a commentary on whether torture is right or wrong, merely that it took place. In fact, the torturer, Dan (Jason Clarke), eventually decides to get away from it because he can't do it anymore. The film shows us that whilst torture may be incredibly painful and distressing for the tortured, the torturer can suffer with the stress of his actions just as much.

Maya is the focus point of the film - and Chastain is simply great in the role - and the main narrative is her belief and pursuit of a man named Abu Ahmed, whom she believes is the key to finding Bin Laden, and despite the opposition and objection she receives for her beliefs sticks to her guns and works the case.

Where as the images of 9/11 are never seen, Bigelow reenacts the London 7/7 bombings and the attack on the Marriott Hotel in Pakistan, all to shocking effect. Again, memories of those days - especially in the case of London - come flooding back and emotion runs high.

Zero Dark Thirty is intensely gripping and engrossing, I wasn't on the edge of my seat but I may as well have been. Despite knowing that it all works out in the end the build up to locating Bin Laden is a suspense filled ride that I have not had in a cinema for a long time. So much was at stake and in the pursuit of Bin Laden people were continuing to die, and yet they had no idea where he was, which weighs heavily on every one as it did on America. Once they find the compound in Attabad - where Osama was -they are still not certain Bin Laden is there, except for Maya who is 100% sure and stands her ground and fights for a military operation. This is unfortunately where the film begins to lose a lot of the tension it so wonderfully built up from the opening scene, it is still immensely interesting seeing how events unfolded but once the mission actually begins all tension is lost. Which is mainly in part to these events happening less than 2 years ago, and the every detail of the Zero Dark Thirty op being known to us via every media outlet known to man in the days and week following May 2nd 2011. So Bigelow is not at fault here, I guess our lust for complete disclosure from our leaders is.

Zero Dark Thirty is a great film with a fascinating insight in to events which so dominated all of our lives for 10 years. Bigelow's direction adds an undoubtedly fine touch and it's criminal she wan't nominated for Best Director at this years Oscars.

Flickering Myth Rating: Film ★ ★ ★ ★ / Movie ★ ★ ★ ★ ★

Martin Deer

Movie Review - The Last Stand (2013)

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The Last Stand, 2013.

Directed by Kim Ji-woon.
Starring Arnold Schwarzenegger, Forest Whitaker, Johnny Knoxville, Rodrigo Santoro, Luis Guzmán, Jaimie Alexander, Eduardo Noriega, Peter Stormare, Zach Gilford and Génesis Rodríguez.

The Last Stand movie poster

SYNOPSIS: 

The leader of a drug cartel busts out of a courthouse and speeds to the Mexican border, where the only thing in his path is a sheriff and his inexperienced staff.

Arnold Schwarzenegger The Last Stand

He said he’d be back someday. And now, after a few tiny cameos and a whole lot of governing, Arnold Schwarzenegger returns on the silver screen, ten years after his last starring role in the not-all-that-terrible Terminator 3: Rise of the Machines. Since then, the Stathams, Diesels, Rocks and Cages have tried to fill the huge void, but none of them have ever come close to replicating the concoction of action, comedy, and horrendously good one-liners that are the staple of The Governator.

His return is The Last Stand, a standard and riskless action fodder about a villainous Mexican drug-lord (Eduardo Noreiga) as he escapes the clutches of the FBI, racing his way across the US to the Mexican border. In his way: the quiet town of Sommerton, and its ex-FBI man-turned-sheriff Ray Owens (Schwarzenegger). Owens, with his typically rag-tag group of deputies (Guzman, Alexander), are not going down without a fight, and with the help of local gun emporium/museum owner Johnny Knoxville, set out to stop said drug-lord crossing the elusive border.

It may disappoint some to learn that his long-awaited return is, for obvious reasons, a little removed from his old, more virile self of yesteryear. But Schwarzenegger has smartly chosen to ease himself back in with ensemble films, rather than full on Arnie goodness. With The Last Stand, he has the pleasure of Jaimie Alexander (Thor), Rodrigo Santoro (I Love You, Phillip Morris) and the ever-brilliant Luis Guzman (Boogie Nights) for company, allowing Schwarzenegger to ease himself back into the action, and get a classic Arnie flourish in the finale.

The film maintains the teamwork element for the majority, which keeps the film ticking along at a good pace. Directed by Jee-Woon Kim, who brought us crazy The Good, the Bad, the Weird, The Last Stand is certainly that an energetic film, that balances comedy and action well, and Kim shows some of the great flashes he showed in the aforementioned actioner.

But for all the fun Schwarzenegger and his deputies have, whenever they are off-screen, the film is surprisingly dull. The FBI / drug-lord element is as one-dimensional and daft as you could make, and despite the presence of such calibre as Noriega, Forest Whitaker and Peter Stormare, all are on total auto-pilot and happy to coast along as a meandering pace.

What it lacks in cohesion and realism, The Last Stand makes up for with some great action, comedy and lashings of the great Luis Guzman. As for Schwarzenegger, it isn’t the mighty comeback some were hoping for, but this action lark is effortless for such a powerhouse, and allows him enough flourishes and quips to whet our appetites for things to come.

Flickering Myth Rating: Film ★ ★ ★ / Movie ★ ★ ★

Scott Davis

First still from 2 Guns featuring Denzel Washington and Mark Wahlberg

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Universal Pictures has released the first still of Denzel Washington and Mark Wahlberg from director Baltasar Kormákur's (Contraband, The Deep) hard-hitting crime drama 2 Guns, which is based upon the 2008 graphic novel of the same name by Steven Grant. Oddly enough, there's only one gun on display...

Denzel Washington Mark Wahlberg 2 Guns

Here's the official synopsis for 2 Guns:

Academy Award® winner Denzel Washington and Mark Wahlberg lead an all-star cast in 2 Guns, an explosive action film that tracks two operatives from competing bureaus who are forced on the run together. But there is a big problem with their unique alliance: Neither knows that the other is an undercover federal agent.

For the past 12 months, DEA agent Bobby Trench (Washington) and U.S. naval intelligence officer Marcus Stigman (Wahlberg) have been reluctantly attached at the hip. Working undercover as members of a narcotics syndicate, each man distrusts his partner as much as the criminals they have both been tasked to take down.

When their attempt to infiltrate a Mexican drug cartel and recover millions goes haywire, Trench and Stigman are suddenly disavowed by their superiors. Now that everyone wants them in jail or in the ground, the only person they can count on is the other. Unfortunately for their pursuers, when good guys spend years pretending to be bad, they pick up a few tricks along the way.


2 Guns is currently set for a North American release on August 16th, with a supporting cast that includes Paula Patton (Mission: Impossible - Ghost Protocol), James Marsden (X-Men), Bill Paxton (Hatfields & McCoys), Edward James Olmos (Battlestar Galactica) and Fred Ward (Tremors).

Movie Review - Amour (2012)

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Amour, 2012.

Written and Directed by Michael Haneke.
Starring Jean-Louis Trintignant, Emmanuelle Riva and Isabelle Huppert.

Amour movie poster

SYNOPSIS:

An elderly couple's bond of love is severely tested after one of them suffers a stroke.

Amour

Spoilers ahead...

Georges and Anne are a married couple in their eighties, still happy and in love after, we assume, several decades of marriage; one morning Anne suffers a stroke and is paralyzed down her right side and Georges must look after her. Anne’s condition gets progressively worse throughout the film and she dies. That is Amour from beginning to end.

For a film so simple in plot, Michael Haneke’s Amour is a remarkably watchable film, yet it is as uncompromising and unflinching as any film from 2012. The film is essentially a one act screenplay taking over two hours to unfold, but in the hands of Haneke such an eventless story becomes one of the year’s greatest cinematic achievements.

What makes this film to successful is that we know so little about the couple. The film begins just a day before this eighty year old woman suffers a stroke, not in the previous decades of her life. Who she was and what she did means nothing because a stroke can happen to anyone, so Haneke doesn’t fill his script with backstory and flashback because it changes nothing. There is nothing she or her husband can do about the inevitable demise of her health and the eventual end of her life and this tone is carried throughout the film because that is reality. Amour never once pretends to be a film about the battle to overcome, there is no happy ending, just the end.

A constant there throughout Michael Haneke’s films is watching and seeing. In Funny Games he shows his audience what they expect and then gives them the opposite; In Cache he opens the film with a videotape being watched but it’s not until over three minutes in that we, his audience, realise what we are actually watching. In Amour Haneke’s trademark still camera, wide angles, and muted interiors are ever-present and the takes are often uncomfortably long between edits, all of which forces his audience to observe and study the scene for they are given no other choice. Haneke wants us to watch in realtime as Georges helps Anne into her wheelchair, or as she suffers her stroke or as she struggles to talk coherently. When we watch a Michael Haneke film, we are never truly comfortable and Amour is undeniably hard to watch at times but is all the better for being so.

By allowing the scenes to play out without the need to cut from face to face or angle to angle, Amour becomes another film about watching for there is nowhere to hide, and moreover, why should there be? There is no musical score either to accompany the emotions, just images and the outstanding performances from the two leads; Jean-Louis Trintignant and the deservedly Oscar-nominated Emmanuelle Riva.

We should be thankful that a director like Haneke still makes films his way and can show us the humanity in love and death in the way he does in Amour without a trace of melodrama or sentimentality. It is a film unlike any other from 2012 and, given its subject matter, is one of the most engaging, too. It is near-perfect film making from one director who has never pandered to mainstream expectations and long may that continue.

Flickering Myth Rating - Film: ★ ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Rohan Morbey - follow me on Twitter.

Rogue, Kitty Pryde and Iceman join X-Men: Days of Future Past

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As Bryan Singer prepares to head back to the X-Men universe for next year's X-Men: Days of Future Past, the director has taken to Twitter to announce that three original X-Men members have joined the expanding cast of Fox's superhero sequel, with Anna Paquin, Ellen Page and Shawn Ashmore set to return as Rogue, Kitty Pryde and Iceman...



Looking at the current cast for X-Men: Days of Future Past, it would seem that Singer is steering the sequel more towards X4 than X-Men: First Class 2, with the three new additions joining Patrick Stewart (Professor X), Ian McKellen (Magneto) and Hugh Jackman (Wolverine) alongside James McAvoy (Professor X), Michael Fassbender (Magneto), Jennifer Lawrence (Mystique) and Beast (Nicholas Hoult). Given the source material, you'd have to expect to see most of the original X-Men trilogy cast members limited to extended cameos (a Revenge of the Sith-style death scene montage, or a losing battle against the Sentinels?), unless they've decided to incorporate the current All-New X-Men storyline and bringing the First Class members forward in time? Surely not...

With filming on X-Men: Days of Future Past set to begin soon, we should expect to hear a few more casting announcements on over the coming weeks. Judging by Singer's comments about Brett Ratner and X-Men: The Last Stand, it's looking unlikely that James Marsden (Cyclops) and Famke Janssen (Jean Grey) will be back for Days of Future Past (although saying that Ratner didn't let Professor X live either), so that means potentially we could still see the return of Storm (Halle Berry), Beast (Kelsey Grammer), Colossus (Daniel Cudmore), Angel (Ben Foster) and maybe even Nightcrawler (Alan Cumming), along with the likes of Havoc (Lucas Till) and Banshee (Caleb Landry Jones)... assuming Singer hasn't completely forgotten about First Class.

X-Men: Days of Future Past is set for release on July 18th, 2014.

Django Unsold

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Commenting on the Critics with Simon Columb...

Kirsty Puchko writes for CinemaBlend.com about eBay's decision to stop selling Django Unchained dolls...

"From autographed posters to collectible figures and vintage promo tees, eBay is typically a terrific venue for seeking out hard to find movie memorabilia. So, when The Weinstein Company pushed toymaker NECA to pull their line of Django Unchained dolls from the market, interested parties knew just where to go to get the now rare releases. With the demand greatly outweighing supply, the auction bids for the figures of characters like Django, Broomhilda, and Dr. King Schultz skyrocketed, going upwards of $2,000. But in light of the outrage the sale of these figures has caused, eBay has shut down all auctions for the controversial collectibles."

Read the full article here.


It seems that toy-making crosses the line on common decency. All of Quentin Tarantino's films have had this doll treatment - including Inglourious Basterds. Project Islamic Hope leader Naji Ali explained that he "actually enjoyed the movie, but we cannot support this type of commercialization". This was then followed by Rev. Al Sharpton and his National Action Network supporting the cause before The Weinstein Company decided to issue a statement: "In light of the reaction to the Django Unchained action figures, we are removing them from distribution. We have tremendous respect for the audience and it was never our intent to offend anyone."

The Weinstein Company are known for drawing out the talking points of their films in the news. The entire Bully, Blue Valentine and The King's Speech situation regarding the films respective ratings seem to dominate column inches for many months - but if the current disgust turned into anger, they would surely see a huge change in audiences attitude towards the film itself.

I think this highlights an issue that should be brought to the fore. The products, like all of the company's dolls (ranging from Friday the 13th to Carrie) are semi-satirical toys that are not bought as toys, but more as models for adults. This unclear-intention can be understood in a different way to different audiences. Spike Lee's Bamboozled shows how commercialization can easily blur the boundaries of acceptability - especially with regard to racism. The two understandings Puchko highlights in a separate article describe arguments for and against the dolls:

"Some see these figures as a way to relish in one of the rare African-American cowboys to emerge in American cinema, where people of color are all too often underrepresented. Others see them as a painful and thoughtless reminder of a time when the people the toys represent were themselves bought and sold."

This is a very sensitive issue, and one that maybe those who are not of an African-American descent can truly understand. Even analysing the film and criticising the issues within can seem uninformed.

[Spoilers for Django Unchained in this paragraph alone...]

When watching the film, analysis of twosequences seemed a clear intention of the director. At the start of the third act, Candie (Leonardo DiCaprio) explains to Schultz (Christoph Waltz) and Django (Jamie Foxx) why slaves were apparently "submissive". This is followed by a gun fight that ceases when Django is forced to stop - standing by saying, definitively, "I give up". I cannot help but assume a commentary between the reasons why Django decided to stop fighting - and the reasons many victims of slavery chose not to fight back. Django stopped because of his loved ones - and how he, as every other man would, knew his duty to protect his wife. The plot thickens as Steven (Samuel L. Jackson) is the one man who manages to call Django out - what is Tarantino saying here? This is only an assumption on my part - and, more time to reflect on the film may provide a different interpretation.

But crucially, in the same manner as the dolls, I find it difficult to clearly discuss the issues raised. I don't feel that I truly understand how important - or offensive - a film like Django Unchained may be. Blazing Saddles had an African-American as a Sheriff so, in that regard, Django Unchained isn't ground-breaking. But, with regards to the film itself and the surrounding elements of using a particular racial-slur - and like the dolls - I'm not sure whether I appreciate how insensitive the 'product' (film and doll) is. I thoroughly enjoyed the film as a good western showing a side to American history that is rarely depicted - with a great script and central role in Django. But the politics behind the film and the deeply-rooted history that continues to segregate cultures and attitudes across the world, is something that a two-and-a-half hour film cannot easily demonstrate. When you watch the horrific opening to Amistad, it goes someway to show the brutality of men at the same time period, but Django seems a little too playful for me to take completely seriously - and therefore my interpretation, I am wary to stick to. I don't want to sit, ignorant of the issues Django Unchained raises - but I think it will only be respectful to read a few history books to support any interpretation I may have for Tarantino's film. Maybe then I will see how wrong these dolls truly are. In the meantime, I have Lincoln to look forward to...

Simon Columb

Argo claims the top honour at the Producers Guild Awards

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Following on from its Golden Globe success for Best Motion Picture - Drama, Ben Affleck's acclaimed thriller Argo has now picked up the Darryl F. Zanuck Award at the 24th annual Producers Guild of America Awards, which were held at the Beverly Hilton Hotel in Beverly Hills, California last night.

The win puts Argo firmly in the driving seat for Best Picture at the Academy Awards next month, with the last five winners of the PGA's top honour all subsequently going on to collect the Oscar. If Argo manages to make it six in a row, it will become the first film to win Best Picture without receiving a nomination for Best Director since 1989's Driving Miss Daisy.

In the other motion picture categories, Wreck-It Ralph received the best animated feature award and Searching for Sugar Man was named best documentary, while on the television side of things the winners included Game Change (Long-Form Television), Homeland (Episodic Television, Drama) and Modern Family (Episodic Television, Comedy).

Check out the full list of nominations, with the all of the winners highlighted in red:

The Darryl F. Zanuck Award for Outstanding Producer of Theatrical Motion Pictures
Argo
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi
Lincoln
Moonrise Kingdom
Silver Linings Playbook
Skyfall
Zero Dark Thirty

The Award for Outstanding Producer of Animated Theatrical Motion Pictures
Brave
Frankenweenie
ParaNorman
Rise of the Guardians
Wreck-It Ralph

The Award for Outstanding Producer of Documentary Theatrical Motion Pictures
A People Uncounted
The Gatekeepers
The Island President
The Other Dream Team
Searching for Sugar Man

The David L. Wolper Award for Outstanding Producer of Long-Form Television
American Horror Story
The Dust Bowl
Game Change
Hafields & McCoys
Sherlock

The Norman Felton Award for Outstanding Producer of Episodic Television, Drama
Breaking Bad
Downton Abbey
Game of Thrones
Homeland
Mad Men

The Danny Thomas Award for Outstanding Producer of Episodic Television, Comedy
30 Rock
The Big Bang Theory
Curb Your Enthusiasm
Louie
Modern Family

The Award for Outstanding Producer of Non-Fiction Television
American Masters
Anthony Bourdain: No Reservations
Deadliest Catch
Inside the Actors Studio
Shark Tank

The Award for Outstanding Producer of Live Entertainment & Talk Television
The Colbert Report
Jimmy Kimmel Live
Late Night with Jimmy Fallon
Real Time with Bill Maher
Saturday Night Live

The Award for Outstanding Producer of Competition Television
The Amazing Race
Dancing with the Stars
Project Runway
Top Chef
The Voice

The Award for Outstanding Sports Program
24/7
Catching Hell
The Fight Game with Jim Lampley
On Freddie Roach
Real Sports with Bryant Gumbel

The Award for Outstanding Children’s Program
Good Luck Charlie
iCarly
Phineas and Ferb
Sesame Street
The Weight of the Nation for Kids: The Great Cafeteria Takeover

The Award for Outstanding Digital Series
30 Rock: The Webisodes (www.nbc.com)
Bravo’s Top Chef: Last Chance Kitchen (www.bravotv.com)
Dexter Early Cuts: All in the Family (www.sho.com)
The Guild (www.watchtheguild.com)
H+ The Digital Series (www.youtube.com/user/HplusDigitalSeries)

The Following - Episode 1 (Pilot) Review

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Matt Smith reviews the pilot episode of the new US TV drama The Following...

All I’ve seen of Kevin Bacon recently are those fantastic, but let’s face it, nonsensical, adverts for a mobile (pronounced ‘mobbl’) phone. As much as I love the ads (though doesn’t Footloose Kevin Bacon look old!?), it was time for something new.

As if by magic, Kevin Bacon was being grabbed at by a bunch of hands on an advert on Sky Atlantic for The Following.

The show’s premise is former field agent Ryan Hardy (Bacon) comes in from the cold after Joe Carroll (James Purefoy), serial killer and Edgar Allan Poe aficionado, escapes from a maximum-security facility. He uses his substantial powers of persuasion to bring in other serial killers, creating a cult that terrorises Hardy, his team of investigators and victims from Carroll’s previous crimes.

So it’s serial killer of the week, with an overarching plot that has significant back story. So far, and definitely from the pilot, so good. Of course it has the small problem all pilots have in that they have to introduce the characters when it so obviously wants to cover ground on the plot. But for the most part a good job is done in blending introductions into the storytelling, mainly through the use of flashbacks. So it’s not just sitting there telling you the story with exposition (for the most part), but uses the neatly transitioned to flashbacks to provide back story for all the important characters you’re going to follow in the coming months.

The characters are, however, a mixed bag. Joe Carroll, the menacing villain, is a mixture of great character and great performance. Hannibal Lector-like, but less theatrical creating a character that at least seems more real. He’s not the most intelligent, but he’s conniving and cunning, along with a physical presence that makes you feel he could just throw pretence out the window and throw down with the hero if he gets bored.

On the other end of the physical spectrum is Ryan Hardy. Troubled with alcohol problems and a pacemaker limiting the amount of running, jumping and fighting he can do, he’s been made a wreck by the troubles of his past run ins with Carroll. The character seems like he’d be a little bland without Carroll there, for better or worse, and it’s apt that when we run into him for the first time he’s not got much of anything, or anyone, to be getting on with. He goes from this to being a very popular man, who is the only person anyone wants to talk to, which brings a possible complication with the alcohol problems.

The minor characters are the ones who let the team down. Mike Weston (Shawn Ashmore), the student-like character that idolises Hardy, seems too genuinely light and happy considering he’s spent significant years studying Carroll’s appalling crimes and trying to track down criminals himself. Or at least you’d think he had, except the first time we hear him he makes a simple mistake when giving a briefing about Carroll (a concession made to introduce exposition, an unforgiveable scene).

Jennifer Mason (Jeananne Goossen) plays the stock angry person on the good team you sometimes see in these things. Not fleshed out enough, it seemed she was just there to give the viewers someone who was annoying but not evil. Why they’d do that I don’t know, and it seems we won’t ever know as the character has been dropped from the rest of the series. No hope for a Team America-style reveal at the end of the series as Mason reveals her true reasons for hating Kevin Bacon, unfortunately.

A few of these stock elements creep their way in to The Following. The choice of leaving the lights off when looking for the bad guy, who is hiding, in order to build tension cheaply. The look of the show, which is similar to some of the other shows coming out of America (Awake is probably the closest I’ve seen). Production design and costume all do a good enough job, while the music choices all seem to do the steps by the book, on the brink of cliché as opposed to adding another layer to add to the atmosphere. Similar to Hardy’s alcohol problems, some of the touches seem like unneeded clichés added at the last minute.

Dark and brooding is the order of the day in terms of atmosphere. Gothic overtones, provided by Edgar Allan Poe, introduce dark motifs, going hand in hand with the graphic visuals. Gruesome murders and grisly scenes (alliteration as the awesome of all analysis) are waiting for Hardy, but with a vaguely Homeland vibe as no one can seem to be trusted and anything can happen (and it turns out, Kevin Bacon was an Ape all along).

Carroll has essentially got sleeper agents waiting to carry out his orders, providing readymade tension as every line can be interpreted in different ways, and we can go online and discuss things and everyone will talk about it and oh my God did you see last night’s episode when the person did the thing to the other person? Okay, it’s not the most original, and I can’t shake the feeling some things have been put in to drum up ratings as opposed to telling the story well, but that’s the way of it. And apparently it’s mandatory to have the smart villain be captured as part of his plan.

But it’s not all doom and gloom. SPOILER ALERT There’s a love interest that is actually the serial killer’s wife! It’s the darkest farce I’ve ever heard of. Further connecting the two main characters, the whole born-to-be-adversaries element is being pushed, so hopefully the relationship between Hardy and Carroll becomes the crux everything works around.

And it’s in a scene featuring Hardy squaring off to Carroll in which the motifs and premise of the series are neatly explained. The hero’s call to action, the idea of Carroll telling a story with Hardy and of course the cultish serial killer of the week idea. Hopefully the series drops what it didn’t do so well (and, thankfully and frankly, doesn’t need) and moves on to building the better elements. As long as it doesn’t fall off the tight rope into gimmicky with the serial killer of the week, and gives us enough of the Carroll-Hardy battle of wits, it should be an entertaining enough series.

Matt Smith

Hansel & Gretel leads a weak new slate of releases at the North American box office

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Hansel & Gretel: Witch Hunters movie poster
Ah January.  Where the box office is a healthy mix of award season contenders and B movie trash.  This week was no different as the 3D action spectacle Hansel & Gretel: Witch Hunters debuted at number one with $18 million.  It's a soft debut, and I very much doubt anyone's doing cartwheels about this opening.  However, after high profile duds like The Last Stand barely cracked the top ten, a number one debut is cause for a sigh of relief from Paramount and MGM.

Meanwhile the news wasn't so sunny for Film District's Parker starring Jason Statham.  A fifth place debut and a $7 million opening weekend has to be seen as a dissapointment.  I think Statham suffers from having too much product in the marketplace.  Since early 2011 Statham has had no less than a half dozen movies released: The Mechanic, Safe, Blitz (Direct to DVD), Killer Elite, The Expendables 2, and now Parker.  There are so many Statham films in a state of perpetual release that the marketing departments of their respective studios have an uphill battle trying to generate some interest.

One movie that generated little interest was the anthology comedy Movie 43.  In spite of a twenty or thirty recognizable faces the film didn't manage to find an audience.  Anthologies have always been a difficult proposition, theatrically speaking.  The $4 million take from 2000 screens seems proof positive that the anthology film is better suited for the home theater.

The real surprise of the award season has been the box office of Silver Linings Playbook which continues to perform well.  A $9.3 million weekend was enough for third place, and it seems like the David O. Russell directed comedy may end up making more than perennial favorites like Zero Dark Thirty, a film that opened well but is quickly losing momentum.  Maybe it's the torture and controversy that has kept some people away, or maybe the procedural, emotionless portrayal of the events didn't generate a lot of strong word of mouth.  Either way, Sony should be happy with the success of the film.  Their marketing department primed audiences, every critic raved about the film.  The fact that the film will end up with $80 - $90 million in the bank is a best case scenario for a very insular film.

Next week sees two new wide releases.  Sylvester Stallone tries to avoid box office purgatory with the new Walter Hill directed thriller Bullet to the Head, and Nicholas Hoult stars in the zombie romance Warm Bodies.  I'm thinking Stallone might end up with the same fate as Arnold Schwarzenegger's Last Stand in the bottom half of the top ten.  And is Twilight has taught us anything, it's that supernatural romances can sell some tickets.  See you next week.

Here's your top films for North America...

1. Hansel & Gretel: Witch Hunters
Weekend Estimate: $26 million

2. Mama
Weekend Estimate: $13 million; $49 million total

3. Silver Linings Playbook
Weekend Estimate: $9 million; $68 million total

4. Zero Dark Thirty
Weekend Estimate: $8.9 million; $69 million total

5. Parker
Weekend Estimate: $7 million

Anghus Houvouras

Second Opinion - Lincoln (2012)

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Lincoln, 2012

Directed by Steven Spielberg.
Starring Daniel Day-Lewis, Sally Field, David Strathairn, Joseph Gordon-Levitt, James Spader, Hal Holbrook, Tommy Lee Jones, Jackie Earle Haley, John Hawkes, Bruce McGill and Tim Blake Nelson.

Steven Spielberg Lincoln movie poster
SYNOPSIS:

As the Civil War continues to rage, America's president struggles with continuing carnage on the battlefield and as he fights with many inside his own cabinet on the decision to emancipate the slaves.  


Lincoln represents a striking return to form for director Steven Spielberg and is his most accomplished dramatic film for a decade. Every fault he and his regular contributors made in their last film, War Horse, they put right here. Steven Spielberg shows in this film once again why he is The Greatest Living Director™ and is a unique talent.

Although the film’s title suggests a biopic which will tell the life story of the 16th President of the United States, the story centres on only four months (January to April 1865) and focuses on the political procedure to pass the 13th Amendment to abolish slavery. Moreover, the film is as much about the supporting characters as it is about the President himself and as a dramatic interpretation of real events, Tony Kushner’s screenplay packs in as much details as is necessary to engage all intelligent audiences, regardless of their historical knowledge. With 145 speaking parts, the film is very ‘talky’ and requires the audience to listen and pay attention throughout its 150 minutes, but Kushner’s screenplay and Spielberg’s technique balances morality speeches and expository dialogue with constantly interesting framing and lens choices.

In fact, Spielberg directs Lincoln with (his words) a “quiet lens”, removing the film making techniques which can draw attention to themselves (which isn’t always a negative) to allow this historically important story to take centre stage. Spielberg may be the only director working today who could create tension from a voting ballot without losing touch of the tone he has set leading up to the moment. If it were not for Janusz Kaminski’s photography, this could be Spielberg storytelling from any decade.

The twelve years Spielberg spent on researching the man and the time is evident in every scene in the film and is one of his most visually compelling films. The pallet has so many layers, each frame is photographed exquisitely by long-time collaborator Janusz Kaminski and the trademark white light is at times a fascination to the eye, as if we’ve never seen a Spielberg/Kaminski-lit film before. You can almost feel the dust in the air or smell the stench of dead bodies in the hands of such film making masters. Add to this the third member of the Holy Trinity, composer John Williams, whose score is note-perfect; some may complain his score is filled with War Horse-like sentimentality, but that’s far from true. The score is noticeably beautiful.

No review of Lincoln can be complete without paying special attention to the acting. A narrative-heavy screenplay such as this demanded actors which could deliver the dialogue as if it were coming from the men and women themselves, and the ensemble cast in Lincoln is one of the most collectively outstanding in recent years. Not one actor, be it the famous faces or someone delivering a single line, puts a foot wrong and each line is delivered with true conviction of character, not actors playing a character. To put it into perspective, no one alive today has seen Abraham Lincoln walk and talk, but Daniel Day-Lewis makes us believe he’d learnt from the man himself.

Lincoln is monumental film making of a monumental period of American history centred on a monumental man. It will be remembered as one of the most important films from one of America’s most important film makers.  

Flickering Myth Rating - Film: ★ ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Rohan Morbey - follow me on Twitter.

Exclusive: Roman Coppola talks about Doctor Strange and comic book movies

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Recently the Internet was abuzz when Roman Coppola mentioned he had planned to do a comic book movie with his cousin Nicolas Cage (The Rock) portraying Doctor Strange.  I brought up the subject while talking to the writer-director about his latest movie A Glimpse Inside the Mind of Charles Swan III (2012). “Nowadays it’s over saturated with so many comic book movies,” states the recent Oscar nominee.  “It has lessened in my mind.  In the past, 15 to 20 years ago, when I talked about Doctor Strange most of the comic book movies were terrible.  They’ve [I’m speaking of the Marvel Universe] managed to make them more true to the spirit of the comics as I recall reading them as a boy.  If someone said to me, ‘We’d love you to do Doctor Strange. Run with it. What’s your take on it?’ I’d be delighted to have a shot at that but it seems that many comic book movies are made with a certain mentality that pervades all of them.  If I had my choice I’d rather do an individualistic than a factory movie but you never know.  I’m open to whatever adventure comes my way.”  As for what cinematic project would appeal to him, Coppola remarks, “I’m interested in certain genres. What comes to mind is if I could do a boy's adventure tale, a Gunga Din; I would get a kick out of that.”


Downton Abbey Season 3 - Episode 4 Review

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Kirsty Capes reviews the fourth episode of Downton Abbey season 3...

The Crawley girls aren't having a good time of it at the moment. This episode Mary and Matthew are still worrying about the fact they haven't conceived yet, and Matthew starts to wonder if it's down to him. When Sybil goes into labour and the doctors (Sir Philip Tapsell and local Dr Clarkson) are called, Matthew has to have an awkward very un-English conversation with Tapsell about whether his parts are all in working order.

Downstairs the plot thickens with the love quadrangle as Daisy takes out the fact that Alfred likes Ivy on Ivy herself by bossing her about in the kitchen, taking full advantage of her new authority as second in command. Ivy likes James and no one knows who James likes (apparently everyone). Mrs O'Brien notices that Thomas has taken a shining to James and decides to play it to her advantage so she can get Alfred ahead. She suggests James and Thomas spend some time together (learning how to wind clocks) so Thomas can develop his attraction. I sense a bomb is getting ready to drop? One can't help but feel a little sympathy for Thomas in this episode.

Ethel is still around and Isobel is desperate to help her by giving her a job in her own household. Mrs Bird is so outraged that an ex-prostitute is working in her kitchen that she quits! It seems Isobel is doing more harm than good here, although she's completely blind to it. The Upstairs ladies visit Isobel and are waited on by Ethel despite protestations from the likes of Robert, but they stand up to him. About time somebody did. Meanwhile Matthew is also standing up to him over the bookkeeping kerfuffle, where it turns out Robert hasn't managing the estate (again) properly, and he's resistant to Matthew's suggested changes. He's also resistant to Dr Clarkson recommending a quick delivery of Sybil's baby because he suspects she has developed toxemia, a life-threatening condition associated with pregnancy. Tapsell disagrees and Robert stands with him against the rest of the family. To be fair, Clarkson did misdiagnose Matthew and make a few other blunders, but ultimately his defiance against the family's wishes costs Sybil her life. Sybil dies shortly after giving birth to a daughter in what is probably the most heartbreaking moment of Downton yet, and as a result the grieving family, particularly Cora turn against and blame Robert. The death of Sybil causes even greater tension between Lord Grantham and the rest of the characters. If I were Cora and this were present day, I would've left Robert by episode two.

So that's the big bombshell this week as the Downton audience says goodbye to a beloved character. But trust me, the worst is yet to come with the rest of this so-far depressing series of our favourite British period drama.

Kirsty Capes

Win tickets to a special Paramount Pictures London screening of Flight starring Denzel Washington

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To celebrate the release of Flight, in cinemas February 1st (cert 15), we have teamed up with Paramount Pictures UK to offer you a chance to win one of 5 pairs of tickets to a special screening of the film at Paramount HQ in London on February 12th. Read on for a synopsis and details of how to enter...


In this action-packed mystery thriller, Academy Award winner, Denzel Washington stars as Whip Whitaker, a seasoned airline pilot, who miraculously crash lands his plane after a mid-air catastrophe, saving nearly every soul on board.  After the crash, Whip is hailed as a hero, but as more is learned, more questions than answers arise as to who or what was really at fault and what really happened on that plane?

Nominated for a Golden Globe and Academy Award® for his role in Flight, Denzel Washington stars alongside John Goodman, Don Cheadle, Melissa Leo and Kelly Reilly under Academy Award winning director Robert Zemeckis.


Visit the official site at www.flightmovie.co.uk.
Like on Facebook at https://www.facebook.com/FlightMovieUK.

© 2012 Paramount Pictures. All Rights Reserved.

To be in with a chance of winning, firstly make sure you like us on Facebook (or follow us on Twitter), then drop us an email with the subject heading "FLIGHT", along with your name and contact details (be sure to include a mobile telephone number)...

The competition closes at midnight on Sunday, February 3rd. The competition is open to everyone, but be advised that you'll need to make your own way to the screening. By entering the competition, you agree to the following terms and conditions...

1.       All entries must be received by the opening and closing date of the competition draw 28/01/13 – 03/02/13
2.       This draw is open to UK residents only excluding employees or agents of Flickering Myth, Paramount Pictures or anyone professionally connected with the promotion and their immediate families.
3.       The winner will be drawn at random from all correct entries received.
4.       No responsibility will be accepted for entries lost or never received.
5.       The judge's decision is final and no correspondence will be entered into.
6.       All entries must be supplied with full name and address and email address
7.       The Promoter reserves the right to substitute prizes of equal or greater value at any time.
8.       Screening of Flight will be for the winner and a friend, post-release.
9.       Screening takes place on February 12th 2013, starting at 7pm (doors open from 6.30pm), at Paramount Pictures UK offices, I Building 5 I Chiswick Park I 566 Chiswick High Road I London I W4 5YF .
10.   The winner and all guests are subject to the restrictions of the film certification. 
11.   The tickets must include at least one adult over the age of 18 years.
12.   No cash alternative, prize is non-refundable, non exchangeable.
13.   No travel and accommodation is provided.
14.   NO RECORDING this screening will be monitored for unauthorized recording.  By attending, you agree not to bring any recording device into the theatre and you consent to physical search of your belongings and person for recording devices. If you attempt to enter with a recording device, you will be denied admission.  If you attempt to use a recording device, you consent to your immediate removal from the theatre and forfeiture of the device. Unauthorized recording will be reported to law enforcement and may subject you to criminal and civil liability.
15.   The Promoter has the right to select an alternative winner if:
a.       a winner is ineligible to enter the competition;
b.      the Promoter is unable to contact a winner within 1 week of the closing date for entries if a prize is only available for a specific date or dates;
c.       the winner is under 18 and his/her parent or guardian do not agree to these terms and conditions or do not wish their child to receive a prize;
d.      the Promoter does not receive confirmation of the winner’s address and/or parental consent within 14 days of any request;
e.      the Promoter does not receive from the winner all documentation required in connection with the prize within the deadline notified by the Promoter;
f.        a winner is unavailable on any specific date or dates notified at the time of entry.
16.   If the first winner does not claim their prize within 14 days, the winner’s claim will lapse and automatically become void. If the entry selected is invalid, adjudged void or a prize claim lapses, another entrant may be selected at random from the remaining eligible entries at the Promoter’s sole discretion (but the Promoter shall have no obligation to do so)
17.   Winners will be notified via email or telephone. The sending of an email to the email address registered by the winner will be sufficient notification for this purpose and the Promoter will not be responsible for any failure by a winner to receive that email. Please note it is essential that you provide the correct email address, otherwise we may not be able to contact the winner for this prize draw and therefore the entry will be considered null and void. 


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