Quantcast
Channel: Flickering Myth
Viewing all 7138 articles
Browse latest View live

NBC's Dracula woos The Huntress

$
0
0
Jessica De Gouw Huntress Arrow
NBC and Sky Living's upcoming TV series Dracula has found its female lead, with Deadline reporting that Australian actress Jessica De Gouw (Arrow) has joined Jonathan Rhys Myers' (The Tudors) nefarious Count in the role of Mina Murray. De Gouw recently guest-starred on the CW's hit superhero series Arrow, where she portrayed Helena Bertinelli, a.k.a. the masked vigilante Huntress.

Created by comic book writer Cole Haddon (The Strange Case of Mr. Hyde), the ten-part series sees Dracula arriving in London under the pseudonym of American entrepreneur Allen Grayson. While he maintains his goal is to bring modern society to Victorian London, Dracula's true motive is to seek revenge against those who ruined his life centuries before. However, his plans are complicated when he meets Mina, a medical student engaged to Jonathan Harker who also happens to be the spitting image of his long-dead wife.

Dracula is set to air later this year.

Ray Liotta, Juno Temple and Jeremy Piven join Sin City: A Dame to Kill For

$
0
0
The cast of Robert Rodriguez and Frank Miller's hotly-anticipated sequel Sin City: A Dame to Kill For has added another three names with Ray Liotta (Killing Them Softly), Juno Temple (The Dark Knight Rises) and Jeremy Piven (Entourage) all signing on for as-yet-unrevealed roles.

The follow up to the cult 2005 comic book adaptation will see the return of Mickey Rourke (The Wrestler) as Marv, Jessica Alba (Fantastic Four) as Nancy, Rosario Dawson (Trance) as Gail, Jaime King (My Bloody Valentine) as Goldie / Wendy, and Michael Madsen (Reservoir Dogs) as Bob. Dennis Haysbert (24) has taken over from the late Michael Clarke Duncan as Manute, while Jamie Chung (The Man with the Iron Fists) replaces Devon Aoki as Miho and Josh Brolin (Gangster Squad) succeeds  - well, precedes, chronologically - Clive Owen as Dwight. Also set to feature in the cast are Chris Meloni (Law & Order: Special Victims Unit), Alexa Vega (Machete Kills) and Joseph Gordon-Levitt (Looper), who will portray the newly-character character of Johnny, "a cocky gambler who disguises a darker mission to destroy his most foul enemy at his best game."

Sin City: A Dame to Kill For is comprised of the Sin City yarns A Dame to Kill For and Just Another Saturday Night along with two original stories from Miller, one of which is called The Long Bad Night. The film is due for release on October 4th, 2013.

Marvel Provides a Sneak Peek of Uncanny X-Men #2

$
0
0
For those waiting to find out what Uncanny X-Men #2 will be like here is a first look at the creative collaboration between Brian Michael Bendis (All New X-Men) and Chris Bachalo (Wolverine & The X-Men).

"Unaware there’s a traitor in their midst, the new team of X-Men brought together by Cyclops enact the first step of their mutant revolution — which means finding out who’s let loose a new army of Sentinels. The truth will shock you! But just what does this all mean for Emma Frost?"






Uncanny X-Men #2, which features a variant cover designed by Frazer Irving, will be on sale February 27th, 2013.

Giveaway - Win the British horror Hollow on DVD

$
0
0
Hollow DVD coverUp and coming filmmaker Michael Axelgaard's British horror Hollow hits UK screens this coming Friday (January 25th) ahead of a DVD release on Monday, January 28th and to celebrate, we have three copies of the film to give away to our readers courtesy of the lovely people at Metrodome Distribution.

Read on for a synopsis and details of how to enter the competition...

"An old monastery in a small, remote village has been haunted by a local legend for centuries. Left in ruin and shrouded by the mystery of a dark spirit that wills young couples to suicide, the property has been avoided for years, marked only by a decrepit old tree with an ominous hollow said to be the home of great evil. When four vacationing friends explore the local folklore, they realize that belief in a myth can quickly materialize into reality, bringing horror to life for the town. Hollow stars Emily Plumtree, Sam Stockman, Matt Stokoe and Jessica Ellerby."

To be in with a chance of winning, firstly make sure you like us on Facebook (or follow us on Twitter)...



...Then complete your details below, using the subject heading "HOLLOW". The competition closes at midnight on Saturday, February 3nd. UK entrants only please.

 
 By entering this competition you agree to our terms and conditions, which you can read here.

My Favourite Arnie Movie - Kindergarten Cop (1990)

$
0
0
With Arnold Schwarzenegger returning to the big screen in The Last Stand, the Flickering Myth writing team look back at their favourite Arnie movies. Next up, Tori Brazier with 1990's Kindergarten Cop...

Directed by Ivan Reitman, Kindergarten Cop is a gloriously nineties, bonkers hash of cop-thriller and comedy, starring Hollywood’s favourite Austrian Schwarzenegger in the heart of his unexpected funny-bone flourish (post-Twins, pre-Junior).

Arnie begins in safe territory as hard city detective John Kimble, hot on the trail of drug kingpin and psychopath (handy when those two come together) Cullen Crisp (Richard Tyson), all grizzled and Terminator-like in a trench coat and holding a very large gun. Kimble finds himself in unfamiliar terrain however when it emerges that the only person who could testify against the criminal is his ex-wife, about whom the police know nothing save the name of the school her son attends in Astoria, Oregon. When Kimble’s wise-cracking professional partner (and, conveniently, former schoolteacher) O’Hara is taken violently ill, it is left to the macho detective to save the operation and go undercover himself as a teacher at the boy’s school.  Cue classroom chaos.

Kindergarten Cop has to be one of the weirder merges of many genres in one movie: a gripping cop chase with detective Arnie, child-based comedy slapstick with fish-out-of-water teacher Arnie, awkward almost-romantic moments alongside a pretty teacher with tender leading-man Arnie, and a strong thread of action-hero Arnie runs throughout as he rescues children/teachers/parents/partners from various mishaps and misfortunes.  It cannot be argued that the man doesn’t offer range. He also handles working with both children and animals (in this case, a ferret) with aplomb. The film satisfyingly offers up some classic Arnie movie moments too, such as his “It’s not a TU-mour!” conversation with ‘Morbid Kid’ and a solid Schwarzenegger scream following on from one of the best “Shut ups!” in cinema history.

The characters, stereotypical as some of them may be, also go a long way to ensure that Kindergarten Cop rises above some of the other merely mediocre child-based comedies of the early 1990s. In Pamela Reed as his partner Phoebe O’Hara, Arnie has one of his best co-stars as she goes completely against the grain of actresses usually found in a Schwarzenegger movie, and equally actors usually found as the other half of a crime-fighting duo. Her flippancy and double act with Kimble are both delightfully refreshing. Many of the children are also given characteristics in addition to Crisp, Jr. and ‘Morbid Kid’, as we have ‘Fat Kid’ who eats everyone else’s lunches, the kid who is extremely vocal about his knowledge of the reproductive system, and ‘Little Princess’, who refuses to be one of Kimble’s “deputy trainees”. In addition, it is always nice to see a man, drugs baron or no, who will still listen to what his mother tells him, particularly when she is as overbearing and nasty as Eleanor Crisp (Carroll Baker), and who will go to the trouble of ensuring that they maintain matching hairdos.

Kindergarten Cop can also teach its viewers valuable lessons:  for example, one should never trust a man with a ‘flicky’ fringe or an alliterative name. This is also the film in which I first came across the Gettysburg address, and in which I learned perhaps the most important lesson of all - which has stayed with me ever since- that of “stranger danger”.

Tori Brazier

The Week in Spandex - Marvel's Phase Two and Beyond, The X-Men Universe, Man of Steel, Arrow, Batman and more

$
0
0
Our weekly round up of all the latest stories from the world of screen superheroes, including Iron Man 3, Thor: The Dark World, Black Panther, Captain America: The Winter Soldier, Guardians of the Galaxy, Heroes for Hire, The Wolverine, X-Men: Days of Future Past, The Amazing Spider-Man 2, Man of Steel, Arrow, Amazon, Batman: The Dark Knight Returns, DC Nation, Ultimate Spider-Man, Doctor Strange and more...

Robert Downey Jr. Gwyneth Paltrow Iron Man 3Phase Two of the Marvel Cinematic Universe gets underway in just a few short months with the release of Iron Man 3 and a new image has arrived online showing a suited up Tony Stark (Robert Downey Jr.) and Pepper Potts (Gwyneth Paltrow), while Don Cheadle (War Machine) told Collider that the cast and crew are heading to Los Angeles for what must surely be the last round of filming on the Shane Black-directed solo sequel. Cheadle also offered up the following 'spoiler': "I’m not supposed to say that he kills Robert Downey Jr.’s character. Is that a spoiler? That would be a spoiler. You knew that was coming. You read the comic books. No. I will just say that the buddy relationship that these guys have gets tighter. The third act set piece for the big finale is bigger and badder. It’s just a lot more..."

...Sticking with War Machine for a moment and it seems that Marvel may have intended for the character to kill Sam Rockwell's Justin Hammer at the end of Iron Man 2, with ComicBookMovie posting a series of storyboards from artist John Mann showing Ivan Vanko (Mickey Rourke) taking control of Rhodey's armor and gunning down Hammer at the Stark Expo...

...Chris Hemsworth's God of Thunder is going to have his hands full this November as he squares off against Loki (Tom Hiddleston), Malekith the Accursed (Christopher Eccleston) and Algrim the Strong / Kurse (Adewale Akinnuoye-Agbaje) in Thor: The Dark World, and AAA has been speaking about his dual role this week, revealing quite a lot about what we can expect from his character in the Alan Taylor-directed sequel: "I got a massive opportunity to play two characters in the movie: Algrim and Kurse... It's going to be such an epic. And both of the characters; I have blonde hair, blue eyes, pointed ears, fangs, horns; everything you could want as boy in an action hero movie. It's amazing. The fighting was really demanding. For instance, Kurse is the one that does all the fighting. It's forty pounds of extra weight and the good thing about it is that it's very flexible and elastic. I have a routine before I put it on: I stretch and do all my pilates. You see this big creature doing pilates, it's great. And then we'd have to go fight. Me and Chris [Hemsworth] go toe-to-toe... [Thor and Kurse] fight differently. Chris has his hammer while Kurse is very animalistic, he's got horns. So I tried to go with that flow. My movements are [basically] like an animal: twisting my body, turning my head, all kinds of things. Kurse is meant to be extremely powerful, nothing can stop him. It's a great ride. There's fights everything in the movie. Loki gets his fair share of fights; [one of which] is between him and I as well. The great thing about Kurse is he is having it with everybody. But yes, Loki has some amazing fights. [Fans] are really gonna be happy with this movie. Everybody gets their little shine. I won't tell you what really happens, but there's some great surprises..." Akinnuoye-Agbaje also went on to reveal that he's been talking to Marvel about another upcoming role (presumably relating Guardians of the Galaxy), as well as expressing his desire to play Black Panther; read more here...

Thanos The Avengers
...Marvel has officially announced that Captain America: The Winter Soldier and Guardians of the Galaxy will both receive 3D releases when they hit cinemas next year, while a Disney press release included two brief synopses: "CAPTAIN AMERICA: THE WINTER SOLDIER will pick up where Marvel’s The Avengers leaves off, as Steve Rogers struggles to embrace his role in the modern world" and "GUARDIANS OF THE GALAXY, based on the Marvel comic books of the same name, features an unlikely cast of characters who must team up in order to defeat a cosmic force of epic proportions." So, that's Thanos then, surely..?

...You'd think that between Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, Guardians of the Galaxy and The Avengers 2 that Disney and Marvel Studios have enough on their hands with Phase Two of the Marvel Cinematic Universe, but that hasn't stop them from drawing up plans for their third round of movies; already confirmed to arrive after The Avengers 2 is Edgar Wright's long-in-development Ant-Man adaptation, and while Marvel have plenty of properties to choose from for Phase Three (see Black Panther, Blade, Daredevil, Doctor Strange, The Inhumans, The Punisher and Runaways, to name but a few), Marvel's Head of Television Jeph Loeb has now teased the possibility of another superhero team making their debut in the MCU: "Just like we just announced Guardians of the Galaxy, we are certainly looking at the Heroes for Hire franchise which is Luke Cage and Iron Fist..."

Hugh Jackman in The Wolverine...With Disney and Marvel Studios pushing full steam ahead on the MCU, it's easy to forget that another shared Marvel universe is about to step up a gear over at 20th Century Foxas the studio attempts to replicate the success of The Avengers with its X-Men franchise. First up comes the latest solo outing for Hugh Jackman in The Wolverine, and while we're still waiting on that first trailer, Fox may have paved the way for its arrival with the release of a new still featuring Logan in his new Japanese surroundings...

...Having only recently wrapped The Wolverine, Hugh Jackman is set to don the claws once more this spring as filming gets underway on X-Men: Days of Future Past, with Bryan Singer bringing together members of the original X-Men trilogy and X-Men: First Class casts for an adaptation of the classic 1982 comic book arc. So far confirmed alongside the Les Miserables star are Patrick Stewart and James McAvoy as Professor Xavier, Ian McKellen and Michael Fassbender as Magneto, Jennifer Lawrence as Mystique and Nicholas Hoult as Beast, while Jackman tells The Daily Mail to expect plenty more additions to the ensemble cast: "You wouldn't have enough room on the page after you've listed them all. Every other actor who's ever put on a superhero uniform will be in it. There's an element of time travel and, naturally, it will be action-packed..."

...During an interview with SciFi Now, Fox's Marvel creative consultant Mark Millar offered up a few thoughts on how Wolverine should be utilised in the studio's X-Men universe: "You don’t want to have him out there all the time, because I think if you’ve got him in X-Men and Wolverine movies and they’re all running at the same time, it’s a little bit too much but as long as you’re smart with it and there’s a lot of other characters to explore as well. The X-Men universe is about the same size as the Marvel universe in terms of the number of titles it sustains at any one time, so there’s a ton of stuff to play with there and a lot of characters I’d like to explore there too..."

Green Goblin Gwen Stacy
...According to a report over at HitFlix, Andrew Garfield's wall-crawler could find himself going up against his arch-enemy the Green Goblin in The Amazing Spider-Man 2, although instead of Norman Osborn under the mask it will be his son Harry, portrayed by Chronicle star Dane DeHaan, with director John Krokidas apparently introducing DeHaan as the Goblin during a Q&A at the premiere of Kill Your Darlings; Jamie Foxx (Django Unchained) is also set tangle with Spidey as Electro, while Shailene Woodley (The Descendants) will play Mary Jane Watson and Emma Stone (Gwen Stacy), Martin Sheen (Uncle Ben) and Sally Field (Aunt May) will all reprise their roles from last year's reboot when filming gets underway next month...

...While Marvel seem to be dominating the superhero movie headlines with a tonne of upcoming projects, Warner Bros. does have one DC Comics adaptation set to hit the screen this year in Man of Steel, and Russell Crowe had a few words about the Zack Snyder-directed Superman reboot earlier this week: "It's very complicated, it's really complex. I don't think anybody has really tried to get into the psychology of what it must be like to be Superman and what people would really respond like in a modern society if somebody like that just popped up. I think Zack Snyder was given a great deal of responsibilty because when it comes to comic book heroes and superhero films the top of the food chain is Superman. I think the biggest indicator for me of how it's looking is that the financier of the film has sent me gushing emails, he just loves it. "I'm really looking foward to seeing it, it's a massive undertaking. It takes you on the ground to Krypton, it takes you to a planet where the sun is four times larger than ours and you get to experience that stuff and if you've seen the trailers you realize that this Superman is not just floating through the air held up by a wire, this Superman is super sonic. I'm really looking forward to the way that people will respond to it..."

Seth Gabel Count Vertigo Arrow
...The CW's Arrow returned from its midseason break on Wednesday as Firely arrived in Starling City, and now we have our first look at another familiar DC face set to guest star in an upcoming episode, with TV Guide releasing the first images of Seth Gabel (Fringe) as The Count (a.k.a. Count Vertigo). The Huffington Post also caught up with executive producers Marc Guggenheim and Greg Berlanti for a lengthy chat about what's in store for Stephen Amell's Emerald Archer during remainder of the season, including comments on Slade Wilson / Deathstroke (Manu Bennett), The Dodger (James Callis) and Roy Harper (Colton Haynes), the return of Deadshot (Michael Rowe) and The Huntress (Jessica De Gouw), and the future of the Dark Archer (John Barrowman), Tommy Merlyn (Colin Donnell), Moira Queen (Susanna Thompson), Thea Queen (Willa Hollan) and Laurel Lance (Katie Cassidy)...

...With the success of Arrow, The CW is looking to increase its superhero output and network president Mark Pedowitz took the chance to update the status of the currently-in-development Wonder Woman pilot Amazon during the Television Critics Assocation's winter press tour: "We haven’t thought about her in terms of Wonder Woman. We’re waiting to see the script and are busy casting Diana. I have not seen [David E. Kelley's pilot] but this is an origination story Smallville." Meanwhile, if STV is to be believed, Scottish actress Amy Manson (Torchwood, Being Human) is in the running for the role of the Amazon Princess and has already made it through two stages of auditions...

...Pedowitz also discussed the possibility of The CW exploring other DC characters on the small screen, although Batman fans hoping to see the Caped Crusader returning to television following the conclusion of Christopher Nolan's trilogy with The Dark Knight Rises will be disappointed to hear that the character remains off limits: "At this time, no [we can't create a Batman show]. And regarding your next question, regarding is Batman going to make a trip to Starling City, they’re not in the same state..."

The Joker in Batman: The Dark Knight Returns, Part 2...With just over a week go to until the North American Blu-ray and DVD release of Batman: The Dark Knight Returns, Part 2, Warner Bros. has released a new clip from the animated movie featuring the Dark Knight on horseback as he rallies the Sons of Batman [see here], in addition to new images of Batman (Peter Weller), The Joker (Michael Emerson) and Superman (Mark Valley) and video interviews with their respective voice actors [see here]...

...Head over to The World's Finest for a selection of images and clips from this weekend's DC Nation offerings Young Justice and Green Lantern: The Animated Series, the latter of which sees Sinestro making his long-awaited debut, voiced by DC animation regular (and Hellboy) Ron Perlman...

...Shifting over to Marvel's animated output and Ultimate Spider-Man returns for its second season this coming Monday with a special one-hour primetime premiere on Disney XD and this past week saw the release of a new season two trailer [see here] along with a clip featuring a meeting between Spidey and Dr. Curt Connors [see here]...

...Marvel has a couple of feature-length offerings set for release in 2013 in Iron Man: Rise of Technovore and Iron Man & Hulk: Heroes United, and it looks like we'll be seeing plenty more over the next few years, with Jeph Loeb telling Word Balloon that fifteen animated movies are currently in various stages of development. Be sure to listen to the full podcast for more on Marvel's upcoming animated projects, including the new series Avengers Assemble and Hulk and the Agents of S.M.A.S.H., both of which will join Disney XD's Marvel Universe programming block later this year...

...And finally, here's another for the 'what might have been' drawer, with Roman Coppola (A Glimpse Inside the Mind of Charles Swan III) revealing that he'd held discussions with Marvel about directing a Doctor Strange movie back in the 90s: "You know, I did [have the desire to make a superhero movie], but I could again. I was a huge comic book fan comic book fan growing up, within reason. I was a fan of Spider-Man and all that stuff. Actually, I met Stan Lee 15 or 20 years ago when Marvel had the worst reputation for their adaptations. They had made a really terrible Fantastic Four movie and some other things. I met him with my dad and we said, ‘Oh, wow, I wish we could be involved. How great would it be to make a really accurate version of one of these films?’ I had the aspirations to make a Doctor Strange movie, which I worked on quite a bit. I ended up coming out on the other side, since I told someone I was working on a comic book movie and they said, ‘Do you really want to work for a studio to get pushed around for three years and not make something that’s personal?’ To make a movie like that where I could really use my sensibility would be fantastic. That type of work now is a product, and there’s a manner in which it’s made. Now I think it’d be better to spend those three years to do something better." And his ideal casting choice for the role of Dr. Stephen Strange? Why his cousin Nicolas Cage, of course... 

Holy Franchise, Batman! Bringing the Caped Crusader to the Screen - Available now via Amazon.co.uk and Amazon.com.

Gary Collinson


First official image from Kick-Ass 2

$
0
0
The first official image from the upcoming superhero sequel Kick-Ass 2 has arrived online courtesy of Entertainment Weekly (via Popculturology), which sees Aaron Taylor-Johnson's costumed crime-fighter alongside Jim Carrey's Colonel Stars and Stripes, the leader of a group of masked heroes known as Justice Forever. Oh, and lets not forget about his canine companion Sophia...

Jim Carrey and Aaron Taylor-Johnson in Kick-Ass 2

Here's the official synopsis for Kick-Ass 2:

Kick-Ass, Hit Girl and Red Mist return for the follow-up to 2010's irreverent global hit: Kick-Ass 2. After Kick-Ass' (Aaron Taylor-Johnson) insane bravery inspires a new wave of self-made masked crusaders, led by the badass Colonel Stars and Stripes (Jim Carrey), our hero joins them on patrol. When these amateur superheroes are hunted down by Red Mist (Christopher Mintz-Plasse)—reborn as The Mother F%&*^r—only the blade-wielding Hit Girl (Chloë Grace Moretz) can prevent their annihilation. 

When we last saw junior assassin Hit Girl and young vigilante Kick-Ass, they were trying to live as normal teenagers Mindy and Dave. With graduation looming and uncertain what to do, Dave decides to start the world's first superhero team with Mindy. Unfortunately, when Mindy is busted for sneaking out as Hit Girl, she's forced to retire—leaving her to navigate the terrifying world of high-school mean girls on her own. With no one left to turn to, Dave joins forces with Justice Forever, run by a born-again ex-mobster named Colonel Stars and Stripes. 

Just as they start to make a real difference on the streets, the world's first super villain, The Mother F%&*^r, assembles his own evil league and puts a plan in motion to make Kick-Ass and Hit Girl pay for what they did to his dad. But there's only one problem with his scheme: If you mess with one member of Justice Forever, you mess with them all. 

Kick-Ass 2 is based on the comic book sequel by Mark Millar and John Romita Jr. and sees Jeff Wadlow (Never Back Down) taking over directing duties from Matthew Vaughn (X-Men: First Class). Also appearing in the cast alongside Aaron Taylor-Johnson, Chloe Grace Moretz, Christopher Mintz-Plasse and Jim Carrey are Clark Duke as Marty / Battle Guy, Yancy Butler as Angie D'Amico, Lyndsy Fonseca as Katie Deuxma, Donald Faison as Doctor Gravity, Lindy Booth as Night Bitch, John Leguizamo as Javier, Robert Emms as Insect Man, Andy Nyman as The Tumour, Olga Kurkulina as Mother Russia, Daniel Kaluuya as Black Death, Morris Chestnut as Marcus Williams and Claudia Lee as Brooke. The film is set for release in North America on June 28th and will arrive in the UK on July 19th.

Roman Polanski BFI Retrospective - Chinatown (1974)

$
0
0
Simon Columb attends the Roman Polanski retrospective at BFI Southbank...

Roman Polanski remains a fascinating filmmaker to this day. Alongside Andrej Wajda and Jerzy Skolimowski, Polanski came to the fore in the late 1950s in Poland. The BFI in London are screening all of Polanski’s films during January and February 2013 and throughout January, essays on separate films will be released here on Flickering Myth in the hope that you too can join us in reflecting on Polanski’s diverse and ever-expanding career. Next up is 1974's Chinatown...

Chinatown, 1974.

Starring Jack Nicholson, Faye Dunaway, John Huston, Perry Lopez, John Hillerman, Darrell Zwerling and Dianne Ladd.

Since Cul-de-sac, many things had changed for Roman Polanski. After one-and-a-half years of marriage to Sharon Tate, in 1969, she was murdered - while pregnant - by the Charles Manson 'family'. Chinatown was released in 1974 - only five years after the tragic event. It was the final film Polanski would direct in America before the subsequent sexual abuse in 1977. This is a film that portrays his state of mind at the time - capturing a fleeting moment in his career whereby he was surely a victim to the grotesque tragedies of the world.

Crucially, 'Chinatown' refers to an area where Jake Gittes (Jack Nicholson) worked when he was an LA cop. It is a place, in his past, which he wants to forget. He can't forget it - the world so "alien to the main patterns of the city that it seems part of another, ineffable geography". Dana Polan writes how "to enter Chinatown is to leave the space of bearable rationality and personal security". We can only imagine how Polanski's happiness with Tate was shattered by murderers who broke into his personal home to destroy his life. Though a script by Robert Evans, there is something deeply relevant about this film in Polanski's career at this specific moment in time...

Those who have yet to see the film should be aware that Jake Gittes is a private investigator; often hired to take pictures of unfaithful spouses. Mrs Mulwray hires him to snoop on her husband, only for Gittes to find that Mrs Mulwray was not who she claimed to be - and the real Mrs Mulwray (Faye Dunaway) seems to harbour her own secrets about her husband. Gittes investigates and begins to uncover a deeper, corrupted political angle whereby the cities water supply is becoming redirected to an area that Noah Cross (John Huston) intends to turn into property. It is a film that you can enter knowing nothing, because we only find information out as Gittes does - and, as a screenplay, it is one of the best (it features in Syd Field's Screenplay: The Foundations of Screenwriting as an example of perfect script writing).

Polan explains in his essay Chinatown: Politics as Perspective, Perspective as Politics how there are two 'strands' of detective stories. One whereby the plot will drive the story forward, and the events of the past are detected without damaging the events in the present. The other strand explains how the past directly affects the present - "the past reaches out and engulf the detective, to entangle him in its spell". The latter is what Chinatown adheres to. Capitalism and authority are already established at the beginning of the film - Gittes is simply unaware of how corrupt and against "the man" these two features in his society truly are. It appears that his old colleague Lt. Escobar (Perry Lopez) represents authority; Noah Cross (John Huston) represents capitalism. Both are against him - and the film ends on a completely pessimistic note.

The very nature of identity is also explored as, from the very start, the question of who Mrs Mulwray is confuses you as to who people are. To support this, Gittes investigation leads to his own face becoming physically changed, as Polanski himself plays the role of "Man with a Knife" sent to threaten Gittes. Events and actions change who you are - Polanski's past affects who he is as a filmmaker; victims of abuse are changed completely. Scars remain and, when you realise - as Gittes does - how sordid, corrupt and selfish humans can be, your entire outlook changes. Its not just Chinatown that is corrupt - it's society itself.

Ironically, Polanski manages to shoot the film in a manner that verges on perfection. In high-definition too, at the BFI, the picture is sharp and bright. The intense heat of California bearing down on the characters - you can actually see each bead of sweat on their brow. How interesting that, considering the deeply cynical story explored, it is framed in a picturesque world that is Hollywood through-and-through.

Despite how much larger in scale it is, and the clear urban setting, this film still is in keeping to the Polanski tradition in many ways. In the same manner as Cul-de-sac, Knife in the Water and even The Ghost Writer, it is a 3-way story. You have Jake and his agency who are at odds with those in authority and power (Noah Cross and Lt. Escobar), whilst Evelyn Mulwray has her own different angle to the situation present a three-way triangle as characters are often at odds with each other.

Furthermore, water remains at the core of the story as it is the foundations of the corrupt property purchases by Noah Cross. It is through the control of a natural, god-given right, that Gittes manages to see how even something everyone should have access to, has been controlled. Repulsion uses water almost as a coffin for the lone "good guy" in the film; Cul-de-sac has the entire castle surround by water; whilst Knife in the Water is set on a boat at sea. Again, Polanski uses this element to reflect the unpredictability of nature - almost to highlight how we, are ultimately animals seeking power and dominance over others. Further to this - he says there is no God. We are all left to stew in our own filth - which we see come to the fore in the final act.

In many professions, the maxim to always "bring a solution; not a problem" is often stressed. In theory, this should ensure we continue to grow, adjust and improve - and not wallow in a place of self-pity by dwelling on the past. But there is a problem with this, as then we can ignore the flaws and mistakes of the past for the sake of moving forward - doomed to make the same mistakes. Chinatown ends as Jake has failed to protect Evelyn and fails to protect her daughter. By the final act, we know who Katherine (Belinda Palmer) is - and the true horror underneath the surface is evident. But Gittes cannot control the outcome - Noah shielding and "protecting" his daughter/granddaughter from the deceased Evelyn. Gittes is told to "forget about it", as if that is the best solution ... but we know, that this is a deeply rooted problem in LA, spreading much further than Chinatown and out into the orange groves and coast of the area.

An interpretation of Repulsion that explores the abuse and incest within that film is revisited in Chinatown as this is the outcome of the relationship between Evelyn and Noah. And, akin to Repulsion, it is the father-daughter relationship that irreversibly affects Evelyn. Clearly Polanski shows his anger about the abuse of families - but I think there is a very telling moment in the film when Evelyn reveals the abuse. Evelyn explains what happened to her to Jake, and he asks "he raped you...?" to which she responds by shaking her head in dismissal. This implies that she, in some respect, feels responsible for the situation. We would be very unhappy about a film that in anyway implies that a victim of child-abuse is somehow responsible - because, simply through their age alone, they are not. Gittes does not attempt to clarify the situation - arguing that she should not feel responsible - instead accepting what had happened to be the case. But these past mistakes we need to learn from - not ignore. Many of these attitudes towards sexism, capitalism, abuse-of-authority and society as a whole remain relevant. Polanski was in a dark place at the time - cynically telling us to forget about it all. We need to not forget and ensure that we reflect on these aspects of society to stop it from repeating itself.

This may be the true tragedy of the film as it hints at the sexism of the time-period - and only three years later, Polanski himself was arrested for the sexual assault of a 13-year-old girl.

For more on the BFI's Roman Polanski retrospective, or to book tickets, visit the official site.

Simon Columb

Giveaway - Win American Mary on Blu-ray

$
0
0
The first ladies of horror, Twisted Twins Jen and Sylvia Soska, team up with the thinking person's scream queen Katharine Isabelle (Ginger Snaps) to bring you American Mary. Hot off it's UK theatrical tour, American Mary comes to DVD and Blu-ray on 21st January 2013.

Mary (Isabelle) is an increasingly broke medical student who, in her efforts to make ends meet, becomes drawn into the world of underground surgery and body modification with shocking results. To celebrate the release of American Mary and courtesy of Universal Pictures (UK) we’re giving away a copy of the film on Blu-ray!

Read on for a synopsis, and details of how to enter the giveaway...

"One of the year’s most horrific highlights, American Mary tells the story of broke student Mary Mason (Katharine Isabelle) who grows disenchanted with medical school and the doctors she once idolised. The allure of easy money sends a desperate Mary through the gruesome world of underground surgeries but soon finds they leave more marks on her than the so-called freakish clientele…Smart, sexy, funny and utterly gorgeous to look at, American Mary features a standout lead performance from award-winning actress Katharine Isabelle, and puts the Soska Sisters, aka the Twisted Twins, squarely at the forefront of modern genre filmmaking."

Pre-order American Mary on DVD.

To be in with a chance of winning, firstly make sure you like us on Facebook (or follow us on Twitter)...



...Then complete your details below, using the subject heading "MARY". The competition closes at midnight on Saturday, February 2nd. UK entrants only please.

 
 By entering this competition you agree to our terms and conditions, which you can read here.

My Favourite Arnie Movie - Terminator 2: Judgment Day (1991)

$
0
0
With Arnold Schwarzenegger returning to the big screen in The Last Stand, the Flickering Myth writing team look back at their favourite Arnie movies. Next up, Scott Davis with 1991's Terminator 2: Judgment Day...

I remember the day so vividly when I was first introduced to the world of The Terminator. My uncle, a young buck at the time, and my Grandad, were my real source for all things film. Their collection of horror, sci-fi and bootleg movies were what drew me in, firstly with a terribly dark bootleg of Batman in 1990, then later with A Nightmare on Elm Street Part 3: The Dream Warriors. Not the film but the cover: a demonic Freddy Kruger staring at me as if to say "watch me, you're not too young". Then there was An American Werewolf in London, a definite no-go due to its content. My Grandad, however, thought otherwise, and helped me smuggle the film home in one of those Video Library cases.

Then, when I stayed over one cold Autumn weekend, I managed to convince him to rent Terminator 2: Judgment Day, even though I knew nothing about it, except that the great Arnold Schwarzenegger was the star, and I knew him from Twins (which again I thank my Grandad/Uncle for introducing me too). Something about him astride that motorbike, with that leather jacket firmly grasping his huge frame that drew me in. Even if in reality, it had very little to do with the narrative of the film, it did make Arnie look like the coolest man alive.

So there I was, about 11, sitting with my grandparents watching what I thought was confusing and horrible. Not surprisingly, in the days that followed, I suffered terrible nightmares of Arnie cutting off his arm flesh to reveal his robot arm, turning it right at me, right into my eyes. Since that day nearly two decades ago, I've realised that despite the nightmares, T2 stayed with me, and has ever since as the single greatest film I'd ever sat through (barring childhood favourite Masters of the Universe of course.)

James Cameron's technical brilliance and envelope-pushing reached one of its many peaks with T2. Not just a masterpiece in special effects, for which countless movies are forever in its debt, it's a stunningly written piece of action cinema, merging the old "little men can make a difference" with awe-inspiring set pieces and the aforementioned CGI.

Opening once more in the midst of the story's epic war for the future with the machines, Terminator 2: Judgment Day begins as it means to go on: a punishing, frenetic, nightmarish vision of how humanity gets outfought and out-thought by the very same machines it invented. The legendary brainchild of director James Cameron after a feverish dream back in the 80s, T2 was the biggest movies of 1991, breaking box-office records across the globe, and reaffirming both Cameron and Schwarzenegger's place as height-weights of their field.

And, as with the original (arguably better) film, Schwarzenegger is the key player. Back in 1984, his almost mute portrayal of the killing machine that will not stop turned Hollywood heads, and helped define his career as the 80s action god.

As good as he was in the first; T2 is arguably Schwarzenegger's acting height. Such is his conviction and power as The Terminator, it's easy to overlook his work. Granted, his range is limited, but not before, nor since, has Schwarzenegger displayed the perfect concoction of grace, wit and *charm* that Cameron wrestled from those tree-trunk arms. The support from Hamilton, Furlong, Patrick and the always-brilliant-but-underrated Joe Morton is uniformly superb, but it's Schwarzenegger who is the stand-out amongst the action and end-of-the-world.


Its power is unmistakable, and it’s in it human moments amongst the mayhem that raise the film above all its imitators, and it's Schwarzenegger, who as the friendlier Terminator here, who shines in these moments. Who hasn't watched the film ending as our "hero" battles the inferno of lava just enough to give his thumb-up to Edward Furlong's John Connor, and blubbered like a baby? I have. Many, many times.

And it's that moment, amongst all the other wonderful ones in this monolith of a movie, which has always stuck with me. With just one gesture, amidst all the mayhem, destruction and awkward robot smiles, T2 truly sticks in the mind forever, and rightfully takes its place amongst the great movies of the century.

Scott Davis

Game of Thrones season 3 'Invitation to the Set' behind-the-scenes video

$
0
0
Game of Thrones season 3
HBO has released a brand new behind-the-scenes video for Game of Thrones, which invites fans to the set of the epic fantasy series and features comments from the cast and crew, along with some behind-the-scenes footage and a few brief glimpses of action from the hotly-anticipated third season.

Contributing to the latest behind-the-scenes peek at Game of Thrones season three are executive producers David Benioff and D.B. Weiss and cast members Peter Dinklage (Tyrion Lannister), Richard Madden (Robb Stark), Michelle Fairley (Catelyn Stark), Diana Rigg (Lady Olenna Tyrell), Natalie Dormer (Margaery Tyrell) and Ciaran Hinds (Mance Rayder).

Look closely, and you'll also spot a few more new faces:


Game of Thrones season three gets underway in North America on HBO on March 31st, 2013.

Mama scares up a lot of interest at the box office, The Last Stand eerily prophetic...

$
0
0
Mama poster
Ticket buyers in North America made something abundantly clear this past weekend.  Number one, horror films are still very much in vogue as the Guillermo del Toro produced Mama debuted with an impressive $26 million opening weekend.  Del Toro's above the title productions have been an interesting and inconsistent affair in terms of both quality and box office.  In comparison, Mama grossed more in its opening weekend than the entire run of his 2011-produced Don't Be Afraid of the Dark.  January has been kind to horror in recent years, and it seems like Universal has found the sweet spot for scary stories. 

Lesson number two: Audiences didn't seem very eager to welcome back Arnold Schwarzenegger whose new film The Last Stand opened abysmally at ninth place with $5.6 million.  The first few months of 2013 will be interesting since three major action stars of yesteryear are opening high profile action films.  Schwarzenegger's return was all but rebuked.  Soon, Sylvester Stallone will release Bullet to the Head, and February 14th sees the return of John McClane as Bruce Willis stars in A Good Day to Die Hard.  It's funny that these large scale, high octane action films have practically become throwbacks to an earlier era of cinema.  Do Schwarzenegger, Stallone, and Willis have anything left in the chamber?

Willis does.  I'm hardly going to bet against the fifth Die Hard or his upcoming presence in high profile sequels like GI Joe: Retaliation and RED 2.  Stallone might have a hard time getting anyone to care about movies not named Rocky or Rambo or action star stuffed spectacles like The Expendables movies.  I'm not sure what's going to happen to Schwarzenegger.  The Last Stand seems to very clearly tell us that Schwarzenegger + Guns might no longer equal profit.  Maybe they should put that Twins sequel on hold for a second...

It's also important to see just how well The Last Stand performs overseas where these older iconic action heroes still generate more interest.

Zero Dark Thirty continues to hold strong and basking in the afterglow of award season love.  The espionage procedural brought in $16 million in its second week.  Jessica Chastain's Golden Globe win bodes well for her Oscar chances.  At this point it's about as mortal a lock as any category out there.

Silver Linings Playbook is also benefiting from the critical love.  After expanding to 2500+ theaters the movie brought in $10 million and moved all the way up to third place.  Harvey Weinstein has been rolling this one out slowly since just before Christmas and may be able to get this this one to the $75 million or more by the time the gold statuettes are handed out. 

The new thriller Broken City starring Mark Wahlberg and Russell Crowe opened soft with $9 million in tickets sold which was good enough for fourth place.  The marketing for this one was kind of nebulous and never really provided a solid hook.  Fortunately having two big stars in the film was enough to prevent this film from an embarrassing Last Stand sized opening.  Given the modest reported budget of $35 million, Broken City isn't a disaster, but given the amount of competition in the marketplace don't expect it to stick around very long. 

Fifth place went to the crime thriller Gangster Squad which had a pretty steep drop of 60% week over week with $8.7 million in ticket sales.

Next week sees another trio of wide releases.   Jason Statham stars in his annual crime/action outing, this time with Jennifer Lopez in tow for the unfortunately named Parker.  After Jack Reacher and John Carter, I would think studios would have gotten the memo and stopped naming their movies after the lead character.  Also, the star studded anthology comedy Movie 43 his theaters, and Jeremy Renner stars in the 3D action fantasy Hansel & Gretel: Witch Hunters.  Hard to pick a winner out of this bunch.  Statham is usually good for a $12 - $15 million opening.  Anthology movies are something of a head scratcher.  With all that star power, I would expect a decent opening but the film has almost zero marketing presence, and at just 2000 screens I'm not expecting a lot.  Hansel & Gretel feels like a good idea with lackluster execution.   Then again, I said the same thing about every Underworld film and those were all able to make a few bucks.  See you next week. 

Here's your top films for North America...

1. Mama
Weekend Estimate: $26 million

2. Zero Dark Thirty
Weekend Estimate: $16 million; $58 million total

3. Silver Linings Playbook
Weekend Estimate: $10 million; $57 million total

4. Broken City
Weekend Estimate: $9 million

5. Gangster Squad
Weekend Estimate: $8.7 million; $34 million total

Anghus Houvouras

Steven Spielberg and Tom Hanks to produce new World War II miniseries for HBO

$
0
0
Tom Hanks and Steven Spielberg
Following the acclaimed World War II dramas Band of Brothers and The Pacific, Steven Spielberg and Tom Hanks are set to produce a third WWII miniseries for HBO, with The Hollywood Reporter revealing that the as-yet-untitled project "will explore the aerial wars through the eyes of enlisted men of the Eighth Air Force - known as the men of the Mighty Eighth." The miniseries will be based upon historian Donald L. Miller's Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany, and will see Spielberg and Hanks serving as executive producers alongside Gary Goetzman.

First broadcast in 2001, Band of Brothers followed the template laid out by Spielberg with Saving Private Ryan and told the story of the men of Easy Company from D-Day preparations through to V-J Day. The miniseries featured a huge cast that included the likes of Damian Lewis, Ron Livingston, Donnie Wahlberg, Michael Fassbender, James McAvoy, David Schwimmer, Neal McDonough, Dexter Fletcher, Simon Pegg, Tom Hardy and Stephen Graham, and won six Emmy Awards and a Golden Globe. It was followed in 2010 by another ten-part series, The Pacific, which followed two US marines, Eugene Sledge (Joseph Mazzello), Robert Leckie (James Badge Dale) and John Basilone (Jon Seda) through the Pacific theater of World War II, and went on to surpass Band of Brothers' awards haul with a total of eight Emmy wins.

According to THR, negotiations for this latest miniseries have been going on for several months, and now that the source material has been optioned the project will officially move into development.

Downton Abbey Season 3 - Episode 3 Review

$
0
0
Kirsty Capes reviews the third episode of Downton Abbey season 3...

Downton Abbey
Thank the lord! The first episode this season that doesn't include a wedding. About time too! There's a lot going on both upstairs and downstairs this episode, so bare with me as I run you through it.

First off, Sybil's back again, yay! Our favourite Downtoner by far. Although it's not on good terms. Turns out that as the Irish war for independence heats up, Branson's been getting into trouble and burning down an aristocrat's house. Not really the best move you can make when you're married to an aristocrat's daughter and her whole family aren't overly keen on you already. Obviously Lord Grantham is furious (and understandably too), but for the sake of Sybil and the baby, he calls in some favours and Branson manages to narrowly avoid arrest, but only if he stays out of Ireland forever. This seems like a fair deal to me (and the family), but Branson isn't having it. I mean, really, how selfish can you get? Branson really doesn't do any favours for himself this episode. Anyway, eventually Branson agrees to stay at Downton and have the baby there. What a pillock. He has majorly gone downhill since series two.

Meanwhile another possible felon is Bates and he's getting worried because he hasn't heard form Anna for a while and he's a bit worried and kind of hurt too. But Anna hasn't heard from Bates either. Turns out, Bates' new evil cellmate who's got a grudge against him is in cahoots with the guards and they've been hiding all his incoming and outgoing mail. Poor Bates and Anna! Elsewhere downstairs, Daisy is chuffed because finally after some pushing and shoving a new kitchen maid, Ivy, has been hired - meaning Daisy gets to be second in command in the kitchen. But it's not all good as Alfred has now taken a shine to Ivy, which means Daisy is giving her a super hard time. Another love triangle.

Downton AbbeyAll the hiring has come about because finally Matthew has decided to invest in his wife and future and hand over his inheritance to Downton. He's getting pretty broody but Mary doesn't seem so keen. As a benefactor he gets to have much more involvement in the running of Downton, and he uncovers some money mismanagement by Robert in the books. But Robert, who is shaping up to be really bad with money (and an all-round plonker), dismisses Matthew's claims and suggestions and makes out he knows everything. I'm really not liking Robert this series. And trust me, he only gets worse.

Meanwhile, Ethel is still knocking about and she's finally 'fessed up to Isobel her big secret. She's given up her son to his grandparents because she wants him to have a decent life (eg one where he doesn't know his mother is a prostitute). Isobel disapproves, but what can you do? Isobel needs to stop poking her nose into everyone else's business.

And for me the biggest triumph of this episode is that Edith has finally caught a break. She's written to a newspaper about women's rights (or lack thereof) in the 1920s. Girl power, Edith! And the letter's gotten published - something that was super rare for the time period. Obviously Robert disapproves, but he would, wouldn't he? Edith is definitely going up in my esteem this series. And I'm so glad her luck is changing, hopefully we can say the same for Daisy soon, too!

Kirsty Capes

Giveaway - Win To Walk with Lions on DVD

$
0
0
To Walk with Lions DVD cover
To Walk with Lions - the acclaimed follow up to Born Free starring Richard Harris as renowned animal conservationist and lion expert George Adamson - is set for its first UK widescreen release on DVD on Monday January 28th, and to celebrate we have two copies of the film to give away to our readers courtesy of the fine folk at Second Sight Films.

Read on for a synopsis and details of how to enter the competition...

"Set in Kenya in the late 1980s, British backpacker Tony Fitzjohn (John Michie) is fired from his safari guide driving stint and lands a job assisting the aging George Adamson at his wildlife reserve. After a shaky start with the lions, Tony soon develops a rapport with the animals and also a strong bond with George who continues to battle the government and poachers to protect the magnificent creatures that mean so much to him."

To be in with a chance of winning, firstly make sure you like us on Facebook (or follow us on Twitter)...



...Then complete your details below, using the subject heading "LIONS". The competition closes at midnight on Saturday, February 2nd. UK entrants only please.

 
 By entering this competition you agree to our terms and conditions, which you can read here.

DVD Review - Unit One: Season 1

$
0
0
Unit One - Season 1.

Created by Peter Thorsboe.
Starring Mads Mikkelsen, Charlotte Fich, Lars Brygmann, Waage Sandø, Erik Wedersøe, Trine Pallesen and Lars Bom.


Unit One UK DVD

SYNOPSIS:

Based on actual, real-life crimes, Unit One follows an elite mobile police force as they are dispatched to assist local police in solving some of the most complex and high profile cases Denmark has ever seen.

Mads Mikkelsen in Unit One

Due to the popularity of recent "Nordic Noir", re-releases of Danish television series are cropping up habitually. One such re-release is Unit One ("Rejseholdet"), a police thriller that ran from 2000 until 2004. It follows an elite police force that are sent to help with various cases. Its cast, as advertised, appear in a number of Scandinavian shows including Borgen, The Killing and Wallander. The notable star is Bond villain Mads Mikkelsen, with top billing despite him only being a supporting character. The star of this show, even with it seeming an ensemble piece, is Charlotte Fich.

Unit One is based on real cases that happened around Denmark over 20 years, bringing a bleak, gritty edge to the programme. It's not always so dark and the lighter moments (such as quips between the team) play out equally well. It's tone will appear perfectly common thanks to our own ITV drama The Bill and US imports such as 24 and CSI. The theme tune, one of the first memorable elements, has a similarly frustrating jingle to The Bill and could put you right off, as pathetic at that seems. Get past the laughable music (theme tune and poor soundtrack) along with some quite boring episodes and it may have you hooked.

With 9 episodes, each just under an hour long, Unit One's first season is not a grade-A piece of drama though by episode 7 it begins to grip you, as the cases become more intense and the characters start to seem familiar. Each character gets the detail they need in order for you to feeler obliged to follow and care about them, some more than others. Fich as the team leader, Ingrid, gets the most screen time but understandably so; a woman high up in the ranks with a quaint home life sounds dull but is magnified and altered from time to time in interesting ways.

Mikkelsen as Fischer and his best friend/partner La Cour are the next best inclusions to the group, with the latter regarded highly for his "sensitivity" and someone you always want to learn more about. Mikkelsen is a fantastic screen presence but has only the basic story-lines to play with (bar one in which the case becomes warped with his domestic life). The rest are merely standard extras to the team, yet Johnny Olsen stands out as a refreshingly abnormal crew member.

Most episodes revolve around a stand-alone case and these are not always so thrilling. The two-parters, notably 8 and 9, give reason for your attention and, more so, your willingness to continue on with seasons 2 to 4.

It's a distinctly average first season, although it matures into something more special in the final three hours of collective runtime. Give it that time and you may earn yourself a new foreign favourite. For those not especially enamoured by the first 2 or 3 episodes, save your time for more deserving titles (perhaps the other Nordic Noirs or maybe the seminal HBO series The Wire).
Piers McCarthy

DVD Review - The Possession (2012)

$
0
0
The Possession, 2012.

Directed by Ole Borndeal.
Starring Jeffrey Dean Morgan, Natasha Calis, Kyra Sedgwick, Madison Davenport and Matisyahu.



SYNOPSIS:

A young girl buys an antique box at a yard sale, unaware that inside the collectible lives a malicious ancient spirit. The girl's father teams with his ex-wife to find a way to end the curse upon their child.


The Exorcist has inspired quite a lot of movies over the years and Ole Bornedal’s The Possession is certainly one of the better ones. Produced by Evil Dead maestros Sam Raimi and Robert Tapert, The Possession is “based on the true story” and centres around Clyde and his family who stumble upon the evil of the haunted dybbuk box that contains demon Abizu who possess his daughter Em. While clearly inspired by the William Friedkin classic, its yard sale set-up gives it a 80s era Twilight Zone feel but not played for laughs.

Bornedal praised The Exorcist for its slow and subtle build and its inspiration is evident in The Possession which moves at a methodical pace and savours every moment of every scene to leave its audience on the edge of their seats. From little things like a possible raccoon causing damage to their house to a fully possessed Em stalking her mother with a shard of glass, The Possession never lets up and it’s all the better for it. It’s so refreshing to see a modern horror movie that doesn't rely on the now-tired method of ‘peek-a-boo’ scares (or found footage for that matter). On only one occasion does Borndal resort to the ‘quiet moment leading to a loud sound scare’ and even then it’s not as forced as others would have done it. Instead it relies on clever shot choices and interesting visuals to scare its audience to great effect.

There are many great moments in the movie and Bornedal’s visual style really helps the film, but the stand out element of the movie is the fantastic performance from Natasha Calis as the possessed Em. She plays young and cute to an absolute tee, but when it comes to being a possessed foul mouthed demon, she is frighteningly good. She captures the change over with such grace and perfection that you’re amazed you’re watching a girl of her age doing it so well. Jeffrey Dean Morgan does a fantastic job as her father Clyde, but this is Calis’ movie and she shines brightly in it. I wouldn't be surprised if we started seeing more of this girl over the next few years and I really hope she is given some real mainstream chances to show what she can do.

The film is far from perfect though. While I praised the movie for its controlled pace, it can be a bit tedious at times and some moments aren't played to their full potential. Em’s scenes with smug dentist Brett could have been really effective and in some ways they are, but I just wish Bornedal had given these scenes more time with a more satisfying conclusion and spent less on Captain Exposition scenes with professors and Hasidic Rabbis. I do understand that the latter of the two is necessary, but the scene with the professor was extremely tenuous and forced.

With stunning visuals, effective scares and knock out performances from all of its cast, The Possession is a really, really good horror movie and one of the best I've seen in some time. If you like your horror movies slow, methodical and well put together and are willing to overlook some of its extraneous scenes, you will find a lot to enjoy with The Possession and I wouldn't hesitate in recommending it.

Flickering Myth Rating: Film ★/ Movie ★

Luke Owen is a freelance copywriter working for Europe’s biggest golf holiday provider as their web content executive. You can follow him on Twitter @CGLuke_o

DVD Review - The Royle Family: Barbara's Old Ring (2012)

$
0
0
The Royle Family: Barbara's Old Ring, 2012.

Directed by Caroline Aherne.
Starring Ricky Tomlinson, Sue Johnston, Caroline Aherne and Craig Cash.


SYNOPSIS:

Christmas is coming but Barbara is not happy. Not only has she lost her wedding ring but Jim has won on a scratch card she found down the back of the sofa whilst looking for the ring and has kept quiet about his hundred pounds winnings.



The law of diminishing returns could be attributed to The Royle Family as it produces its 5th Christmas special in 6 years, but there is just something about this special show that means it doesn't suffer the same fate as other British comedies.

For example, I loved Only Fools and Horses and still claim that 1996’s Time On Our Hands is one of the finest examples of British sitcom writing, but I am loathed to admit that every time it came back it lost a little bit of its magic. The Royle Family however always seems to always bring in the laughs while never feeling that it’s overstayed its welcome. There is something truly special about Caroline Aherne, Craig Cash and Phil Mealey's writing and characters that mean that the Royles can keep coming back to our TV screens year after year.

This year’s special sees Dave having problems with his “dickie”, their new neighbour scrounging off them, Joe looking for a “vacant lady” with a newspaper advert, Jim winning £100 on a scratch card found down the sofa and Barbara losing her wedding ring. That’s quite a lot of storylines to squeeze into a one hour long show which often means that Barbara’s Old Ring feels more like a sketch show (as a lot of the specials have done) rather than an extended episode of the show. That’s not a bad thing though as the jokes come thick and fast and aside from a few naff set-ups here and there, the whole special comes off as a winner.

The introduction of scrounging next door neighbour Carol is probably a reaction to the lack of Ralph Little, Jessica Hynes and the late Geoffrey Hughes and she does bring a new and welcome element to the specials, but you can’t help but look at her as a superfluous character. The episode had more than enough with its multiple storylines that Carol probably wasn't needed other than for Ahern and Cash to poke fun at ‘council estate Mums’. She’s only in two scenes and isn't given enough time for her character to be established among the recognisable cast. While I do think she is a good character, the episode could have survived without her.

The Royle Family: Barbara’s Old Ring is a really decent Christmas special from everyone’s favourite sitcom family. The jokes work, the writing is excellent and the performances are class. Plus, it’s just so nice to see this family back on our screens again. Long may their reign continue and I hope to see them again next year.

Luke Owen is a freelance copywriter working for Europe’s biggest golf holiday provider as their web content executive. You can follow him on Twitter @CGLuke_o

DVD Review - House of Lies - The First Season

$
0
0
House of Lies - The First Season

Created by Matthew Carnahan.
Starring Don Cheadle, Kristen Bell, Ben Schwartz, Donis Leonard Jr., Josh Lawson, Glynn Turman, Dawn Olivieri, Griffin Dunne and Richard Schiff.

House of Lies DVD cover

SYNOPSIS:

Marty Kaan and his three associate consultants are brought in by companies to help solve problems in business. They are often tactful, intermittently rash, and always successful – but life isn’t always so slick, as the four continually find out.

House of Lies

Thanks to Showtime’s lenient censorship rules (mostly in part to its premium cable licensing), programmes like Dexter, Californication and House of Lies are allowed to contain a lot of nudity. Gratuitous or not, sometimes a little skin adds to the entertainment factor. Sometimes.

House of Lies’ first episode begins with a nude Don Cheadle lying - arse up in the air - on top of a naked beauty. Striking for a first scene, it still gives you a good idea about what type of character Marty Kaan is. The next 12 episodes contain at least one incident similar to the pilot’s opening though they rarely develop characters or plot, appearing to be there purely because they can be. Nudity becomes just one of the distracting and detrimental factors to the narrative advancement.

Plot does not appear to be the show’s primary concern; instead, nifty visuals and a post-modern handling of exposition are clearly where the writers’ and directors’ priorities lie. Much like Hiro stopping time in Heroes and walking through the frozen environment, Marty Kaan has the power to halt any proceedings and talk to the audience as time stands still. The first few examples of this dynamic are exciting and fresh but you soon come to realise it’s merely a way to side-step going in to complete detail. While you’re dazzled at the image, Kaan explains some consultancy jargon that you needn’t feel implored to listen to. Due to this, many stories involving a new client are instantly forgettable and the only thing keeping you watching is the play between the four main actors.

The cast is arguably where its strengths lie. Recent Golden Globe winner Cheadle (robbing Louis C.K of the more deserving win for Louie) has a charisma perfect for this type of role. He eats up his scenes though is perhaps too clear-cut (a straight up egotistical, job-obsessive, sex-crazed shark) to make a real impression in the contemporary television circuit. The character’s more fascinating quality is his relationship with his son, a 10 year-old with a confused sexual-orientation. It occasionally doesn’t help Cheadle that his supporting cast (mainly those working with him in the firm) are brilliant to watch. Ben Schwartz and Josh Lawson steal the show in every episode, whilst Kristen Bell’s Jeannie is written and acted with a lot more fervour than most of the men. The comedy of House of Lies rests squarely with the main four’s dialogue and interaction. It frequently makes you laugh out loud and keeps the light-hearted nature of the show always in mind. When seriousness strikes it is horribly noticeable, making the characters react unnaturally in comparison to their regular behaviour.

Such tensions arise with the “Rainmaker” and Galweather characters (Griffin Dunne and Richard Schiff – two great actors miscast for this). Their scenes are laced with lots of consultancy conversations and heavy exposition making the two wonderful actors a sight for sore eyes. As Galweather and the Rainmaker have considerable influence on the firm you would imagine their part in the programme wields some force. Despite this assumption the writers drearily introduce some conflict in relation to the firm’s owners leaving it as a boring cliff-hanger to the season’s finale.

Season 2 may be right around the corner but House of Lies has not done an awful lot to keep its audience ardently wanting more. If there is any type of hankering it will probably be for a Virgin America/Atlantic flight, a part of the show’s product placement that is never subtle. Had House of Lies been more lucidly devised it could have been a thrilling show. It sets out to present a dramatic and often humorous look at the world of slick consultancy yet struggles to maintain a consistent tone.

DVD Extras: Cast interviews, features on characters, costume and consultancy, and commentaries – none all that interesting but interviews do have some funny moments.

Piers McCarthy

The Gospel of American Mary - The Review

$
0
0
Here at Flickering Myth over the next five days we are in the words of the 'Twisted Twins' "Spreading the gospel of American Mary." Along with our American MaryBlu-ray giveaway, we will be featuring interviews with American Mary herself Katherine Isabelle, 'The Twisted Twins' Jen and Sylvia Soska, whilst taking a moment to discuss American Mary's generic 'horror' label, and the 'Twisted Twins' themselves speak out in a piece written exclusively for Flickering Myth. We ask only one thing of you in return: "Spread the gospel of American Mary..." 

American Mary, 2012.

Directed by Jen Soska and Sylvia Soska.
Starring Katharine Isabelle, Antonio Cupo, Tristan Risk, David Lovgren, Clay St. Thomas, Paula Lindberg, John Emmet Tracy and Twan Holliday.

American Mary UK DVD cover

SYNOPSIS:

Seeking work as a masseuse at a local strip club run by Billy (Antonio Cupo), cash strung medical student Mary Mason (Katharine Isabelle) finds an unlikely answer to her cash flow problems.  Events take an unexpected turn as Mary realises the cold hard cash people will pay for her surgical skills, leading her into the subversive world of body modification.

American Mary

American Mary is perhaps more fittingly categorised as a psychological thriller as opposed to horror, despite its horrific elements, the latter having been bandied about since its festival run, merely serving as descriptive shorthand. American Mary is a complex psychological thriller, though inevitably influenced by body horror to include fellow compatriot David Cronenberg. If American Mary’s singular identity as a horror film is overshadowed by the fact that it just as much a psychological thriller. Like Powell’s 1960 masterpiece Peeping Tom, American Mary is a horror in the shell of a psychological thriller.

It is the film that last year kicked the hornet’s nest, provoking ecstatic superlatives throughout its festival run, and whilst the directors are affectionately known as ‘The Twisted Twins’, they are ‘The Girls Who Kicked the Hornet’s Nest’, in the cinematic context of course.

A follow-up to their low budget exploitation debut feature Dead Hooker in a Trunk, American Mary marks a departure from gritty low budget cinema. American Mary is a decidedly more polished feature from start to finish. Remembering the adage of the importance of first impressions, the beautiful, gentle and moving sound of ‘Ave Maria’ to accompany Mary Mason’s silent introduction creates an immediate positive first impression. However, that said, such an impression can never be considered a fleeting moment in what is a definite departure from low budget filmmaking.

An on-going point of interest following DHIAT’s use of Bizet’s ‘Carmen Suite No.2 – Habanera’ to accompany the brutal murder of a hooker, is the employment of both Schubert and Bach’s renditions of ‘Ave Maria’, which is used not merely for effect, but to emphasise Mary’s innocence and her tragic journey as she compromises her soul for wealth, ambition and her attempts to attain her own personal ‘American Dream.’
Stories should be a journey for both the narrative’s protagonist and their audience, punctuated with a denouement that signals the change in the protagonist from the point of their introduction to the time of their departure. Mary Mason’s story arch is expertly constructed, in a state of perpetual motion, continually evolving, progressing (or regressing depending on your opinion), within the template of a fairy tale, Mason metamorphosing from a character of naïve innocence, to the wronged and vengeful woman who spirals into the darkness.

With a deft hand the film explores complex themes amidst an entertaining movie narrative. The story is in one sense about the loss of innocence and challenging the belief that people don’t change. As we share in her denouement, Mary becomes an agent of Jung’s psychology, of the first and second personality, suggesting that to be human is to find oneself in a constant internal/psychological tug of war. If this is so then it is subtle, the directors presence on shaping the character absent, and Isabelle bringing a natural and instinctive quality to her performance, perfectly walking the line between her two selves.

Mary is one of cinema’s victims, a woman who chooses fight over flight, and if she is monstrous in moments, it stems from how she is perceived and treated by those around her. If she is evil, which I do not believe she is, then she is a form of evil that is created and not born. Mary is a meditation of the way in which we are shaped by our surroundings and our impulsive and rational emotions. She is perhaps a perfect companion femme fatale to Linda Fiorentino’s Bridget Gregory in The Last Seduction. Whilst Gregory’s prologue is more ambiguous, both women have a cruel streak, and both are possibly shaped by the world, understood to differing degrees by ambiguity or lack of. This is the fascinating conundrum of Mary, and Isabelle expertly portrays Mary’s complexity and evolution in a breakout performance.

American Mary is a thoughtful and intelligent film, and one that does not have a singular interpretation. It can be viewed as a critique of the American Dream, and the personal sacrifice to achieve this dream. It could just as easily be read upon as a modern retelling of the Greek Myths, the tragic and intertwined relationships between the God’s transposed as surgeons, and mortal man, to the reading of the film as a postmodern fairy tale.

Original and thought provoking, American Mary provides a glimpse into the world of body modification that to most of us is alien; a world that has no reason to be thought of as subversive or its inhabitants demonised. This is the potential of cinema, of art, to simultaneously entertain and inform, and to challenge our pre-conceptions.

Not since the initial promise exhibited by directors Sam Mendes, Wes Anderson, Darren Aronofsky, Alexander Payne and Christopher Nolan have I felt the need for such anticipation, but the ‘Twisted Twins’ along with another promising young director Duncan Jones gives cause for excitement. 

Flickering Myth Rating - Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Paul Risker is a freelance writer and contributor to Flickering Myth, Scream The Horror Magazine and The London Film Review.
Viewing all 7138 articles
Browse latest View live