Quantcast
Channel: Flickering Myth
Viewing all 7138 articles
Browse latest View live

Movie Marathon VI - The Muppets

$
0
0
Luke Owen takes in a Muppet movie marathon...

Where 3 guys (this time joined by girlfriends and children) watch franchise movies one after the others. This marathon is sponsored by pizza.

(This was back in December, so I’m a bit late on the report – sorry!)

It’s time to play the music, it’s time to light the lights, it’s time to get things started on the Muppet Movie Marathon (it sort of fits the theme).

The last five marathon meetings have been a bit morbid in tone. Four of them have been about teenagers avoiding death and the other was centred around the human race losing out to apes. With that in mind (and it being a festive season), we decided to go with something a bit lighter in tone – The Muppets.


Since I was a kind, I loved The Muppets and have always said that they can do no wrong in my eyes. Even when they were producing sub-par programming like Muppet Tonight, I was behind them 100%. This year I even had the privilege of meeting Kermit and Miss Piggy following a press screening of the latest Muppet reboot. So, as you could well imagine, I was a little bit excited for this marathon…

10:48 – The Muppet Movie

Starting a bit later than usual (my fault), we dived into the first big screen adventure for The Muppets. As basically an allegory for the rise of Jim Henson, The Muppet Movie sees Kermit leave the swamp to find fame and fortune in Hollywood. Along the way he meets some new friends in the form of Fozzie Bear, Gonzo, Electric Mayhem and the love of his life Miss Piggy. It’s a wonderfully bizarre movie filled with a plethora of cameos, wonderful gags, excellent songs and just a beautiful warm feeling. The smile that spread across my face from the opening moments of the movie never left until after the credits had rolled. An excellent, excellent movie.

It should be noted that John Landis and Tim Burton provided puppet work during the final scene of this movie.

12:17– The Muppets sign the standard Rich and Famous contract and are now big stars. Next up - a trip to London.

12:33 – The Great Muppet Caper

While certainly not as good as The Muppet Movie, The Great Muppet Caper is a very enjoyable, entertaining and funny movie. It sags a little in the middle and the overly long Miss Piggy dance routine grows old quickly. But the film does feature one of my favourite gags from the Muppet movie franchise – Kermit and Fozzie are twins and everyone thinks they’re identical. It’s such a simple joke but it’s one that works every time it’s used with even Fozzie forgetting which twin he is. Call me simple, but this was a gag that has me in stiches.

It should be noted that John Cleese has the funniest cameo in this movie.

14:05– It’s not perfect and a bit rough around the edges, but it’s a great movie none the less. Up next, Frank Oz takes the director’s chair for a Muppet movie that is like no other…


14:10 – Muppets Take Manhattan

Muppets Take Manhattan sees our heroes graduate from high school with plans to take their musical Manhattan Melodies to New York in order to get it on Broadway. They struggle however which leads to the group splitting up to go their separate ways leaving Kermit to work in a diner still trying to get the musical made to reunite his friends. I really, really love this entry into the franchise. The jokes are funny, the story is very sweet and there are is some great characterisation. Call me soft, but Kermit and Miss Piggy’s wedding in front of the cast of The Muppets and Sesame Street is absolutely beautiful. It’s also unique within the Muppets cannon as it’s the only film that doesn’t break the fourth wall and reference the fact it’s a movie. It shouldn’t really be that big of a deal but when you’re watching a lot of these, it really stands out. This movie also gave us the introduction of Muppet Babies– a cartoon I remember very vividly as a child. While I really like this movie, I don’t think everyone else was overly impressed with it. But its sweet ending is quite emotional and one that I won’t soon forget.

It should be noted that The Muppets do a lot better taking of Manhattan than Jason did.

15:38– Kermit and Miss Piggy finally tie the knot. But it’s not within cannon however as The Muppets were heading into adaptation territory – and first up, their most famous one to date.

15:42 – Muppets Christmas Carol

When people put together lists of movies they watch at Christmas, you can almost guarantee that 90% of them will contain this film – and for good reason. Muppets Christmas Carol just a brilliantly well put together movie that does a marvellous re-telling of Charles Dickens’ classic tale while still maintaining that unique Muppet charm. Michael Caine is outstanding as Scrooge and the supporting Muppet characters are used to perfection. Couple this together with great jokes, wonderful sight gags and a fantastic soundtrack and you have one of the best Muppet movies ever made. This movie is so good; it made my Desert Island collection!

It’s also worth noting that this is the first movie that The Muppets put out after the death of Jim Henson and Richard Hunt.

It’s also worth noting that this movie features Simon from The Inbetweeners' Mum.

17:01– Scrooge has learnt the true meaning of Christmas and the reason we chose to do The Muppets as a marathon (it was nearly Christmas) is over. What next for the adaptation years…


17:18 – Muppet Treasure Island

A favourite among my fellow Movie Marathon co-founders, but one that I didn't really get on with. Don’t get me wrong, Muppets Treasure Island a really decent film and a very funny one but for some reason I just didn't enjoy it as much as the previous movies. The songs are great and the jokes work but there was something missing. However, something that did work for me in this is Tim Curry’s fantastic portrayal of Long John Silver – a role he is clearly having a lot of fun with! Muppet Treasure Island is by no means the worst movie in the franchise, but it’s also nowhere near the best.

It’s also worth noting that the little kid in this movie would grow up to make hilarious The Kevin Bishop Show.

It should also be noted that my old housemate auditioned for this film and got turned down. He still holds a grudge to this day.

18:50– When planning this marathon, our fear was that this would be the last good movie until the final instalment. Where we correct in our assumptions?

19:15 – Muppets From Space

In a nutshell, yes. There was something not quite right about Muppets From Space that I couldn't quite work out while watching the movie but as the film has played around my head for the last few weeks I think I've worked it out.

First off, it’s a Muppet Tonight movie rather than a Muppet Show movie which means that the jokes are less ‘fourth wall breaking’ and more ‘pop culture’ based. Secondly, one of the charming things about the Muppet movies are the songs – and this one doesn't have any original ones. It just doesn't make the film feel like a true Muppet movie and even the re-recorded version of “ I'm Going To Go Back There Someday” (originally from The Muppet Movie) was left on the cutting-room floor. And lastly, it sort of ruined the earlier jokes of calling Gonzo a ‘Whatever’ by giving him a species and a backstory – something his character didn’t need. The whole movie is a bit of a mess and no amount of Pepe or Bobo could make the film worth watching.

It’s also worth noting that this film features Hulk Hogan making references to WCW – a company that was already in bad financial states and would go bust a few years later. Actually, that’s not really anything of note.

It’s probably more worth noting that this would be the last film to feature Frank Oz who would retire from puppeteering.

20:44 – So Gonzo is an alien but has decided to stay with The Muppets. From here, The Muppets would take an extended hiatus from the cinema world, but would have a couple of TV movie adventure before making their return. We decided to watch just one of them.


20:57 – Muppets’ Wizard of Oz

There was debate among the co-founders whether this movie should be included as we've always stated that we wouldn't include non-theatrical movies in marathons. But I owned the DVD so I fought to include it. I also own A Very Merry Muppet Christmas Movie but that was left off for reasons I now kind of regret - mainly because I would have rather watched that average movie than sit through this awful one.

For starters, the quality of the film in terms of both design and cinematography is really bad. I know it was made for TV, but it just looks so awful and cheap to the point where it’s hard to watch. On top of that, the performances are bad and Ashanti is somehow more wooden than Kermit The Frog as Scarecrow. The film is also paced badly which makes it a chore to sit through and the songs (while at least original) are nowhere near as catchy as previous instalments. Muppets’ Wizard of Oz was never going to be the highlight of the marathon, but I didn't think it would be the lowest of the low points.

It should be noted that this film features a cameo from Quentin Tarantino. Yep.

22:24– I have no idea how that film managed to be so long. Just one more movie to go, and it’s easily on the best.

22:35 – The Muppets

In the previous 5 meetings, we've only ever ended a marathon with a good movie on 2 of them (Planet of the Apes and Final Destination) so it was a really refreshing change of pace to end on a great one this time round (and proves that most horror remakes are garbage).

After a long hiatus away from cinema screens (while they stank up TV instead), The Muppets are back on form thanks to a wonderful script from star Jason Segel and Nicholas Stoller. The songs are insanely good, the story is perfectly crafted the jokes and beautifully self-aware. What still amazes me to this day that a lot of the Muppet performers (Steve Whitmire included) wanted to have their names taken off the credits as they didn’t think the script wasn’t up to the standards of The Muppets (fart shoes being a particular port of contention). Oh, but Muppets’ Wizard of Oz was your Citizen Kane was it? Please.

Regardless of whether the Muppet performers liked it or not, The Muppets is a simply fantastic movie that put these wonderful characters back into the public eye.

00:08 – A perfect way to cap off the most successful marathon to date. Only one really bad film and one average film in the bunch – a lot better than Halloween that’s for sure.


So the big question is, why is that only Muppets Christmas Carol gets the thumbs up from the general public? It’s considered a classic by many and yet Muppets Take Manhattan and The Muppet Movie are almost forgotten relics that no one gives attention to. Sadly, I actually have no answer. Perhaps with the resurgence in popularity these films will get the credit they deserve from a new generation of Muppet fans. When I was at the press conference for The Muppets, I spotted a kid no older than 5 wearing a Kermit The Frog t-shirt and with a huge smile on his face to meet his hero in person. Pretty good going for a piece of felt that first entertained audiences back in the 70s.

From Best To Worst:

1.The Muppets
2.Muppet’s Christmas Carol
3.The Muppet Movie
4.Muppets Take Manhattan
5.The Great Muppet Caper
6.Muppet Treasure Island
7.Muppets From Space
8.Muppets’ Wizard of Oz

Total runtime (including breaks): 13 hours, 20 minutes

We quite enjoyed the lighter tone of this marathon as a nice break from the dark tones of previous entries. For the next one however, we’re going to mix it up with a series that went from dark and serious to light and goofy before going back to serious.

Next Time: Godzilla (Showa series)

Luke Owen is a freelance copywriter working for Europe’s biggest golf holiday provider as their web content executive.

The nominations for the 85th Academy Awards announced

$
0
0
Awards season stepped up into top gear today as the Academy of Motion Picture Arts and Sciences revealed the nominations for the 85th Academy Awards, with Oscars host Seth MacFarlane (Family Guy) and actress Emma Stone (Gangster Squad) announcing the contenders for this year's honours.

As with this week's BAFTA nominations, it's Steven Spielberg's Lincoln that secures the most nods, pulling in twelve in total, while Ang Lee's Life of Pi followed closely on its heels with eleven. Both are among the contenders for Best Picture and will contest the prestigious accolade against Amour, Argo, Beasts of the Southern Wild, Django Unchained, Les Miserables, Silver Linings Playbook and Zero Dark Thirty.

Spielberg and Lee also received Best Director nominations alongside Michael Haneke (Amour), Benh Zeitlin (Beasts of the Southern Wild) and David O. Russell (Silver Linings Playbook), with Ben Affleck (Argo), Quentin Tarantino (Django Unchained) and previous Oscar winners Tom Hooper (Les Miserables) and Kathryn Bigelow (Zero Dark Thirty) all failing to make the cut.

In the acting categories, there are nods for Bradley Cooper (Silver Linings Playbook), Daniel Day-Lewis (Lincoln), Hugh Jackman (Les Miserables), Joaquin Phoenix (The Master) and Denzel Washington (Flight) for Leading Actor, while Jessica Chastain (Zero Dark Thirty), Jennifer Lawrence (Silver Linings Playbook), Emmanuelle Riva (Amour) and Naomi Watts (The Impossible) are nominated for the Leading Actress Oscar alongside 9-year-old Quvenzhané Wallis (Beasts of Southern Wild) - the youngest person ever to contest that particular award.

Meanwhile, despite Warner Bros. lobbying hard these part few months, Christopher Nolan's The Dark Knight Rises failed to secure a single nomination, although the superhero genre is represented by Marvel's The Avengers, which is up for Best Visual Effects with The Hobbit: An Unexpected Journey, Life of Pi, Prometheus and Snow White and the Huntsman.

Here are the 2013 Oscar nominations in full:

Best Picture
Amour
Argo
Beasts of the Southern Wild
Django Unchained
Les Miserables
Life of Pi

Lincoln
Silver Linings Playbook
Zero Dark Thirty

Best Director
"Amour" - Michael Haneke
"Beasts of the Southern Wild" - Benh Zeitlin
"Life of Pi" - Ang Lee
"Lincoln" - Steven Spielberg
"Silver Linings Playbook" - David O. Russell

Best Actor in a Leading Role
Bradley Cooper - "Silver Linings Playbook"
Daniel Day-Lewis - "Lincoln"
Hugh Jackman - "Les Miserables"
Joaquin Phoenix - "The Master"
Denzel Washington - "Flight"

Best Actress in a Leading Role
Jessica Chastain - "Zero Dark Thirty"
Jennifer Lawrence - "Silver Linings Playbook"
Emmanuelle Riva - "Amour"
Quvenzhané Wallis - "Beasts of Southern Wild"
Naomi Watts - "The Impossible"

Best Actor in a Supporting Role
Alan Arkin - "Argo"
Robert De Niro - "Silver Linings Playbook"
Philip Seymour Hoffman - "The Master"
Tommy Lee Jones - "Lincoln"
Christoph Waltz - "Django Unchained"

Best Actress in a Supporting Role
Amy Adams - "The Master"
Sally Field - "Lincoln"
Anne Hathaway - "Les Miserables"
Helen Hunt - "The Sessions"
Jackie Weaver - "Silver Linings Playbook"

Best Animated Feature Film
"Brave"
"Frankenweenie"
"ParaNorman"
"The Pirates! Band of Misfits"
"Wreck-It Ralph"

Best Writing - Original Screenplay
"Amour" - Michael Haneke
"Django Unchained" - Quentin Tarantino
"Flight" - John Gatins
"Moonrise Kingdom" - Wes Anderson & Roman Coppola
"Zero Dark Thirty" - Mark Boal

Best Writing - Adapted Screenplay
"Argo" - Chris Terrio
"Beasts of the Southern Wild" - Lucy Alibar & Benh Zeitlin
"Life of Pi" - David Magee
"Lincoln" - Tony Kushner
"Silver Linings Playbook" - David O. Russell

Best Music - Original Song
"Before My Time" from "Chasing Ice," music and lyrics by J. Ralph
"Everybody Needs a Best Friend" from "Ted," music by Walter Murphy, lyrics by Seth MacFarlane
"Pi's Lullaby" from "Life of Pi," music by Mychael Danna, lyrics by Bombay Jayashri
"Skyfall" from "Skyfall," music and lyrics by Adele Adkins and Paul Epworth
"Suddenly" from "Les Miserables," music by Claude-Michel Schönberg, lyrics by Herbert Kretzmer and Alain Boublil

Best Music - Original Score
"Anna Karenina"
"Argo"
"Life of Pi"
"Lincoln"
"Skyfall"

Best Foreign Language Film
"Amour" (Austria)
"Kon-Tiki" (Norway)
"No" (Chile)
"A Royal Affair" (Denmark)
"War Witch" (Canada)

Best Cinematography
"Anna Karenina"
"Django Unchained"
"Life of Pi"
"Lincoln"
"Skyfall"

Best Costume Design
"Anna Karenina"
"Les Miserables"
"Lincoln"
"Mirror Mirror"
"Snow White and the Huntsman"

Best Documentary - Feature
"5 Broken Cameras"
"The Gatekeepers"
"How to Survive a Plague"
"The Invisible War"
"Searching for Sugar Man"

Best Documentary - Short
"Inocente"
"Kings Point"
"Mondays at Racine"
"Open Heart"
"Redemption"

Best Film Editing
"Argo"
"Life of Pi"
"Lincoln"
"Silver Linings Playbook"
"Zero Dark Thirty"

Best Makeup and Hairstyling
"Hitchcock"
"The Hobbit: An Unexpected Journey"
"Les Miserables"

Best Production Design
"Anna Karenina"
"The Hobbit: An Unexpected Journey"
"Les Miserables"
"Life of Pi"
"Lincoln"

Best Sound Editing
"Argo"
"Django Unchained"
"Life of Pi"
"Skyfall"
"Zero Dark Thirty"

Best Sound Mixing
"Argo"
"Les Miserables"
"Life of Pi"
"Lincoln"
"Skyfall"

Best Visual Effects
"The Hobbit: An Unexpected Journey"
"Life of Pi"
"Marvel's The Avengers"
"Prometheus"
"Snow White and the Huntsman"

Best Short Film - Animated
"Adam and Dog"
"Fresh Guacamole"
"Head over Heels"
"Maggie Simpson in 'The Longest Daycare'"
"Paperman"

Best Short Film - Live Action
"Asad"
"Buzkashi Boys"
"Curfew"
"Death of a Shadow (Dood van een Schaduw)"
"Henry"

The winners of the 85th Academy Awards will be announced on February 24th.

DVD Review - Baraka (1992)

$
0
0
Baraka, 1992.

Directed by Ron Fricke.

Baraka DVD cover

SYNOPSIS:

A montage of photographed images telling, “The story of our planet, and human interaction within it.”

Baraka

Cinema is by definition a visual medium, and if this is the beating heart of cinema, then director Ron Fricke and producer Mark Magidson’s Baraka adopts this identity with power. The opening narration of the Baraka trailer introduces it as, “A challenge, a warning, a gift, a blessing… Baraka.” The closing narration describes the film as, “A cinema experience unlike any other. The power, rage and essence of life itself.” Baraka runs for approximately 96 minutes, and whilst the three minute trailer is only a limited peek of the film in its full form, from just these few minutes derives the impression that it is a piece of monumental filmmaking.

Baraka is the result of a challenge issued to storytellers by American mythologist Joseph Campbell. What I understand of this challenge is that in ‘The Power of Myth’, Campbell propositioned storytellers to tell the “Only myth worth telling.” That myth is the story close to us all, an age old story, “The story of our planet, and human interaction within it.” From Campbell’s challenge, Fricke and Magidson tell the ‘Greatest story ever told’, exploiting the universal language of the image, coupled with the original music of Michael Sterns, in a film devoid of words. Baraka tells a story “Beyond nationality, religion and linguistic separation”, told as Campbell hoped with “The eye of reason.”

Frick’s 1985 film Chronos also expelled the use of words, and seven years later Frick and Magidson’s Baraka regressed to the earliest days of cinema, to adopt the identity of a silent film in color. Baraka however tells an expansive story never before told within the silent era or within the realm of silent cinema. It is a contribution to silent film, a companion piece to Frick’s 1985 Chronos, of which Frick and Magidson’s 2011 film Samsara is now a companion piece. Whilst The Artist may have received plaudits as a tribute to silent cinema, Frick and Magidson’s work as brought silent cinema from the days of black and white film into color. Further still their works maintain that silent cinema can tell ambitious stories that transcend the language and cultural divides other cinema is forced to regularly confront.

Baraka is a film that exists to answer a challenge, and telling the story of a tumultuous relationship between the planet and its inhabitants, the violence of both man and nature, it acts as a warning. As the closing narration of the trailer states, it is “A cinema experience unlike any other. The power, rage and essence of life itself.” From an intriguing origin story, Baraka is pure cinema, a monumental achievement, and just as it tells an expansive story, it too transcends cinema, to be a film of the art forms past, its then present, and future, challenging cinema in the urgency of its need to technologically advance, merging the past and present, and asking questions of the nature of cinema as language. Image and sound speak to us as unique individuals, a catalyst for unique emotional reactions, and by the film’s conclusion perhaps this is its greatest achievement, to adopt universal languages of sound and image to communicate with us in telling the story of our ancestors and our world.

Now, twenty years after its original release, Baraka will be re-released Monday, January 14th on DVD, Blu-ray Dual Play and Blu-ray box-set alongside Samsara.

Flickering Myth Rating - Film: ★ ★ ★ ★ / Movie: ★

Paul Risker is a freelance writer and contributor to Flickering Myth, Scream The Horror Magazine and The London Film Review.

Comic Book Review - Teenage Mutant Ninja Turtles: Secret History of the Foot Clan #1

$
0
0
Chris Cooper reviews the first issue of IDW's four-part miniseries Teenage Mutant Ninja Turtles: Secret History of the Foot Clan...

Teenage Mutant Ninja Turtles: Secret History of the Foot Clan #1"Demons, ninjas, and hostile takeovers-what more can you expect from a TMNT comic? The first instalment of this new miniseries reveals a history never told before about the original founder of the Foot. Join the Turtles as they get a history lesson that they will never forget!"

Wow. Let’s not beat around the bush here. This is an awesome comic. If I could somehow capture it in a bottle and drink it, it would taste heavenly. SHOTFC (It is a long title!) rather obviously travels back hundreds of years to show us the early history of The Foot. I was fearful that it would be a lame tie in or a cash grab, as no one who reads the main series (check out my previous reviews) would want to miss out on details that could add to the story in the present. I needn’t have worried.

Issue 1 looks beautiful. I mean really gorgeous. The style and colours fuse perfectly and really suit the time period. My experience of one guy working on both writing and artwork is poor, so I am mightily impressed by Mateus Santolouco, who nails it. I don’t know why the TMNT are on the front, as they are barely in the book, though their design is very cool. If it keeps up this level of artwork and storytelling it can keep going and I’d happily buy it each month. I’m very intrigued as to how this will all tie together, but will keep my theories to myself for now. Santolouco (who can move onto the main title anytime and it would be fine by me) and Burnham have crafted a fantastic tale with plenty of action and drama. Plus there are Samurais and lots of sword fighting, which we all know is awesome.

The last page is surprising, in a very cool way. What a great way to finish an issue; leaving me salivating at the prospect of next month’s issue. It’s not often you get to the end of a comic and your jaw drops at what just happened. SHOTFC #1 has slipped under my radar like a ninja and hit hard. That I can’t wait to read issue 2 should tell you all you need to know.

Chris Cooper

Aaron Johnson set for the lead in Godzilla?

$
0
0
It may be having a lot of turmoil at the moment behind the scenes with producers Dan Lin and Roy Lee getting booted off the project and Variety reporting today that Legendary Pictures are going to court over it, but Gareth Edward's reboot of the classic Japanese monster rolls on with the new rumour from Deadline that Kick-Ass 2 star Aaron Johnson is in line for the lead role.

Should the rumour be true, Johnson will join a list of other names including Henry Cavill (Man of Steel), Scoot McNairy (Monsters) and Caleb Landry Jones (Contraband) as possibilities to lead Godzilla's first big screen outing since Godzilla: Final Wars in 2004.

This will be the second big screen adaptation for the King of the Monsters outside of Japan, where he has featured in 28 movies over the last six decades. The Godzilla reboot, set for release on May 16th 2014, will mark The Big G's 60th birthday. The film is being helmed by Monsters director Gareth Edwards and has been described as a realistic take on Godzilla with a serious tone that is more reminiscent of his first outing in Gojira.

Aaron Johnson will be back on the big screen this year with the sequel to 2006's Kick-Ass, this time directed by Jeff Wadlow (Never Back Down).

We reported earlier in the week that Godzilla has now hired on its fifth writer in the form of horror-maestro Frank Darabont (The Shawshank Redemption).

Comic Book Review - The Superior Spider-Man #1

$
0
0
Anghus Houvouras reviews the first issue of The Superior Spider-Man...

"THEN!... Peter Parker spent a lifetime living up to the responsibilities his powers foisted upon him but his Amazing story finally ended dramatically in the historic Spider-Man #700. NOW!…The new Amazing Spider-Man has arrived and he is better in every single way. Smarter, stronger…Superior."

Spoilers ahead...

Good stories often get lost in the drama of hyperbole.  Dan Slott has been engaged in a crazy chess match with readers ever since it was discovered that he was mind wiping Peter Parker in favor of a Doctor Octopus-driven Spider-Man .  Reactions to the storyline have ranged from intrigued to enraged.  This kind of pot stirring is often a publicity stunt posing as a plot line.  I have a hard time hanging that label around the neck of The Superior Spider-Man #1 which hit the stands on Wednesday.  Though I have to admit Slott and Marvel seem to be engaged in an epic case of buyer's remorse on the premise they've sold readers.

Now that Octavius is in control of Spider-Man , he plans on living the kind of life Parker never could.  He will be ruthless where Peter showed resolve.  He will employ his sizable intellect to toy with his villains.  His plan to create a newer, more effective Spider-Man is the most interesting thing to happen to the character in ages. 

I'm loving the Octavius inner monologue.  The whole thing feels like an episode of the Venture Brothers, and that's never the bad thing.  Watching Doctor Octopus abandon the inhibitions that held back both Parker and Spider-Man is comedy gold.   He ogles Mary Jane and revels in the brutal beat down of his former allies.  There a ridiculous amount of ego on display from Octavius as he takes on a second string version of the Sinister Six.  He scoffs at the flimsy excuses of villainy (bench warmers like Beetle and Speed Demon) and employs a number of tactics and techniques in his effort to create a superior Spider-Man. 

The only problem I had came with the last page.  It's a potential deal breaker for the whole enterprise.   The final page reveals a Star Wars inspired Blue Ghost / Dead Jedi version of Parker who is somehow still hanging around in spite of his recent demise.  The reset button is basically laid out in the final panels, giving us a crystal clear path to everyone's favorite web slinger coming back from the dead.  This move should surprise no one.  Everybody knew the status quo would be restored, but so soon? 

This is where comic books fail as a medium.  Couldn't Marvel have waited a few issues before invalidating the concept?  Unlike a lot of people, I was pretty happy to see Slott and company tinkering with the formula.  Superior Spider-Man is ripe with potential and has made the character interesting again.  Rather than gives us a year or two of stories with Octavius dealing with the fallout of stealing Parker's life, instead we get a hackneyed Jekyll and Hyde style set up that will no doubt see Parker fighting for control.  It shows a lack of commitment to the premise and opens the back door way too soon.  Marvel is hedging their bets instead of going all in.  The nicest way to put it would be 'disappointing'.  The more honest description would be 'insulting'.  It's typical of Marvel editorial and the entire Marvel NOW! initiative.  I've been a fan of many Marvel NOW! books, but they lack the fearlessness of their arch rival DC who basically shuttered their entire comic universe to start from scratch in an effort to find relevancy.  Marvel NOW! is a more half hearted approach to reinvention, and The Superior Spider-Man may be the most salient example of an editorial team afraid of taking a real risk.

There's a reason the mainstream comic book industry has turned into an endless series of reboots and relaunches: creators aren't allowed to take the characters anywhere unexpected for more than a handful of issues.  Marvel got me reinvested in Spider-Man for the first time in a decade.  And with one page in Superior Spider-Man #1, they've managed to erode my confidence in their ability to tell new stories. 

I'm wondering how many issues before they hit the reset button?  I was thinking at least a  year before they restored the status quo, but Marvel might not have the stones to make this one last a year.

Still, in spite of their missteps, here's a lot to like about this issue.  Ryan Stegman's art is wonderfully kinetic and plays well to the over the top story that Slott is telling.  Other than the eye rolling final page, The Superior Spider-Man is a much improved and entertaining take on one of comics' most popular characters. 

Anghus Houvouras

Roman Polanski BFI Retrospective - Repulsion (1965)

$
0
0
Simon Columb attends the Roman Polanski retrospective at BFI Southbank...

Roman Polanski remains a fascinating filmmaker to this day. Alongside Andrej Wajda and Jerzy Skolimowski, Polanski came to the fore in the late 1950s in Poland. The BFI in London are screening all of Polanski’s films during January and February 2013 and throughout January, essays on separate films will be released here on Flickering Myth in the hope that you too can join us in reflecting on Polanski’s diverse and ever-expanding career. Next up is 1965's Repulsion...

Repulsion, 1965.
Repulsion 1965 movie poster

Starring Catherine Deneuve, Ian Hendry, John Fraser and Yvonne Furneaux.

As an interesting starting point, it is worth noting that Night of the Living Dead filmmaker George A. Romero insists that Repulsion is the best horror film of all-time. To support his claim, critic Bosley Crowther claimed it is an “absolute knockout” whilst other filmmakers, namely Darren Aronofsky, cites Repulsion as an influence (and it is clear in Black Swan how it has influenced Aronovsky). The first of Polanski’s ‘Apartment’ trilogy (preceding Rosemary’s Baby and The Tenant), Repulsion ensured Polanski would be taken more seriously across continents as the film was his first English-language feature, and the fact that it made a “healthy box office”secured financing for his next film, Cul-de-sac.

Repulsion tracks the slow, mounting madness in Carol (Catherine Deneuve), a single beautician who shares a flat with her sister Helen (Yvonne Furneaux). From the outset, she is clearly an outcast – often staring into space, losing track of her surroundings and becoming increasingly uncomfortable with the advances of Colin (John Fraser) and the confident sexuality of her sister's married lover Michael (Ian Hendry). Helen and Michael decide to go on holiday to Italy, leaving Carol on her own – whereby her madness begins to take over her life. She is haunted by the prescence of a man in the flat – nightmares whereby he rapes her in bed. Hands stretch out from walls and Carol acts out irrationally, murdering men who attempt to seduce her.

True to a recent article in Sight and Sound by Philip Horne, within the flat, Carol creates an environment that becomes grotesque – a rabbit is left to rot, and a razor blade lingers in the background of scenes until the inevitable, shocking use of it. Repulsion doesn’t have the same social conscience of Knife in the Water (indeed, there is very little evidence to support such an interpretation) but the role of Carol, our scared-of-sex lead, is open to consideration. From male filmmakers, are they claiming that women who would turn down their advances are crazy? Are women who refrain from sex (Carol is mocked in the pub amongst Colin’s friends as a virgin) clearly missing a few cogs? Having said that, other than Colin, virtually all the other male characters are crude, sexist and sex-obsessed. The women who work alongside Carol additionally attest to the horrid attitudes of men. With this in mind, do we assume that Colin represents the rare occurrence of a man who is good – or is his singularity in the film an example of how unlikely a character truly is?

Repulsion 1965
Carol’s madness is not seen as a mental defect throughout the film - though Helen’s lover Michael does recommend medical help for her. This is a passing comment – and not the core of the film. Her increasing madness results in her attack on both the “good guy” Colin and the lecherous landlord (Patrick Wymark). Andrew Martin, in notes handed to viewers of the film at the BFI, writes that “Polanski asserts that the film is not… study of a sexual pathology, but is about … signs that someone among us is in crisis”. It is difficult, up unto that point, to agree with such a safe interpretation. Doesn’t the unfaithful husband Michael “save” her, almost heroically, as he carries her out in his arms? The only “good guy” is killed; aren’t we to assume he is foolish in pursuing such a “frigid” woman? Everything argues that a fear of sex becomes a problem unto itself… until the final shot.

Polanski, it seems, views this film as an example of someone in crisis. It begs the question – why is Carol in crisis? What has happened to establish such a repulsion of men? The final shot shows us the family portrait. Carol, as a child, is in the centre – looking to the right, in a manner similar to her detached gaze that she has held throughout the film (from the first shot). Follow her gaze and we land on her father, slightly in shadow. Her mother is almost completely obscured by shadow, but it is clear she is there. The large portrait – a portrait we have seen throughout the film – includes many other family members, but in the final shot, these three members of the family are the only people who are not completely covered in shadow. Polanski seems to hint that Carol was a victim of abuse - her disgust and repulsion of men, firmly rooted in her upbringing. Her mother may have been aware, but she did not help or stop the situation. Her detached gaze shows that, even at a young age, something was wrong. The image from the outset of a happy family, her sister with her head gently resting on her Mother’s lap full of smiles, has no such resentment.

The use of the eye, of a razor blade, of flies buzzing around a corpse of an animal, all point towards surrealism. The cracking walls and overgrown potatoes show a mind disintegrating throughout the film – but the roots are before the film. Surrealist elements equally hint at something more than what is on screen. Interestingly, after watching Chinatown, the outcome of events is similar and, in another parallel, the ants that lay on the floor in Ida Sessions' kitchen in Chinatown precede an outcome that explores father-daughter child-abuse. Repulsion truly is a milestone in Polanski’s career – and as only the second film in his canon, you cannot help but be astonished at how confident he is in exploring such multi-layered events within such a small space and context. Polanski had truly arrived.

For more on the BFI's Roman Polanski retrospective, or to book tickets, visit the official site.

Simon Columb

New Twin Peaks style TV show from M. Night Shyamalan

$
0
0
Fans of Twin Peaks were disappointed recently when rumours of the show’s revival were shot down. However according to Deadline, Fox has announced a new show in the mold of Twin Peaks which may interest fans of the cult TV series starring Kyle MacLachlan as Agent Dale Cooper.

The new TV show called Wayward Pines is from M. Night Shyamalan (The Sixth Sense) and Chad Hodge (The Playboy Club) and is based on the best-selling novel Pines by Blake Crouch. The show centres on Secret Service agent Ethan Burke who arrives in the bucolic town of Wayward Pines on a mission to find two missing federal agents. But instead of answers, Ethan’s investigation only turns up more questions. Each step closer to the truth takes Ethan further from the life he knew, from the husband and father he was, until he must face the terrifying reality that he may never get out of Wayward Pines alive.

The new show sounds extremely similar to Twin Peaks so will be very interesting to see if Shyamalan can re-create the magic that made that show such a huge success. Wayward Pines will be executive produced by Hodge, Shyamalan, Donald De Line (Green Lantern) and Ashwin Rajan (Devil).

Giveaway - Win tickets to the Montgomery Clift season at BFI Southbank

$
0
0
Throughout February, BFI Southbank is presenting a season of films starring American actor Montgomery Clift, including such classics as A Place in the Sun, From Here to Eternity, I Confess,The Misfits and Red River, and to celebrate we're offering three readers the chance to win a pair of tickets to a film of their choosing.

Montgomery Clift in The Misfits

Charismatic and insightful, Montgomery Clift bought a potent sensitivity to his portrayals which make him the most modern of Hollywood legends. He shared the screen with Katherine Hepburn, Marlon Brando and Elizabeth Taylor; was directed by John Huston, Alfred Hitchcock and Vittoria De Sica; and brought to life the writings of Tennessee Williams, Theodore Dreiser and Arthur Miller. A troubled psyche and tragic personal life shortened his career, yet there’s still much to celebrate.

Along with the aforementioned films, the season also includes Freud, The Heiress, Raintree County, The Search, Suddenly, Last Summer, Wild River and The Young Lions. You can check out a full list of all the screenings and purchase tickets here.

BFI

To be in with a chance of winning a pair of tickets, firstly make sure you like us on Facebook (or follow us on Twitter)...


...Then complete your details below, using the subject heading "CLIFT". The competition closes at midnight on Saturday, January 26th. The competition is open to everyone, but of course you'll have to make your own way to the screening.

 
 By entering this competition you agree to our terms and conditions, which you can read here.

First trailer for Danny Boyle's Trance

$
0
0
James McAvoy in Trance
After directing the opening ceremony of the London 2012 Olympics, Academy Award-winning filmmaker Danny Boyle (Slumdog Millionaire) delivers his first film since 2010's 127 Hours this year with the art heist thriller Trance, which has just received its first trailer.

Based on the 2001 TV movie of the same name by Joe Ahearne (Doctor Who), Trance has been scripted by Ahearne and Boyle's long term collaborator John Hodge (Shallow Grave, Trainspotting), andstars James McAvoy (X-Men: First Class), Vincent Cassel (Black Swan) and Rosario Dawson (Sin City). Check out the official synopsis, and watch the trailer below...

"Fine art auctioneer Simon (McAvoy), in league with a gang led by underworld boss Franck (Cassel), plots the audacious theft of a masterpiece by Goya from a major public auction. When Simon double-crosses the gang during the robbery, Franck retaliates violently and knocks him unconscious. In the aftermath of the heist, Simon sticks stubbornly - and perhaps shrewdly - to his claim that the violent trauma has left him with no memory of where he stashed the artwork. Unable to coerce the painting's location from Simon, Franck and his associates reluctantly join forces with a charismatic hypnotherapist (Dawson) in a bid to get him to talk. But as they journey deeper into Simon's jumbled psyche the boundaries between reality and hypnotic suggestion begin to blur and the stakes rise faster and far more dangerously than any of the players could have anticipated."


Trance is set for a UK release on March 27th, with a North American date yet to be confirmed.

ABC to produce live action Star Wars TV show?

$
0
0
Among the many projects George Lucas had with the Star Wars franchise, there was one that had been rumoured for many years - the live action TV series. Much like the Star Wars comic books, it should come as no surprise that since Disney purchased the series from Lucasfilm, ABC are now returning to this idea once again.

Producer Rick McCallum has said before that over 50 one-hour scripts have been written for the ambitious and effects heavy project which would necessitate a budget much larger than that of a normal TV show (around $5 million per episode). These scripts, written by the likes of Ronald D. Moore (Battlestar Gallactica), were set in the 20 years between Revenge of the Sith and A New Hope. The rumours of the TV show have been quiet for some time, but it now seems that the House of Mouse owned ABC (who are also producing the Avengers spin-off show S.H.I.E.L.D) are very interested in the idea.

"We’d love to do something with Lucasfilm" said ABC president Paul Lee in an interview with Entertainment Weekly. "We're not sure what yet. We haven’t even sat down with them. We’re going to look at [the live-action series], we’re going to look at all of them, and see what’s right. We weren’t able to discuss this with them until [the acquisition] closed and it just closed. It’s definitely going to be part of the conversation."

Lee makes no guarantees that we'll be seeing a galaxy far, far away on ABC's network as he's unsure if they can juggle a TV series and movie franchise running simultaneously.

"It’s going to be very much up to the Lucasfilm brands how they want to play it," he continued. "We got to a point here with Marvel, a very special point, where we’re in the Marvel universe, and very relevantly so, but we’re not doing The Avengers. But S.H.I.E.L.D. is part of The Avengers. So maybe something oblique is the way to [approach the Star Wars universe] rather than going straight head-on at it."

Star Wars: Episode VII is heading for a 2015 release, with no director as of yet.

Second Opinion - Gangster Squad (2013)

$
0
0
Gangster Squad, 2013.

Directed by Ruben Fleischer.
Starring Josh Brolin, Ryan Gosling, Emma Stone, Sean Penn, Robert Patrick, Michael Pena, Anthony Mackie, Giovanni Ribisi, Nick Nolte and Josh Pence.

Gangster Squad movie poster

SYNOPSIS:

In 1940s LA, a group of incorruptible police officers band together to stop an up and coming mafia boss. Throwing aside due process and badges and replacing them with bullets and anonymity, their violent ways lead to a war for the West Coast.

Ryan Gosling and Emma Stone in Gangster Squad

It’s strange that in noir movies, LA’s always portrayed as morally bankrupt. Beautiful but deadly. You’d think that Hollywood would want to portray itself better. But then there’s the promise that perhaps you yourself could join in the party, that you could become a free willing smart aleck who doesn’t pay attention to the rules. The mystery is always what’s bought me to noir, both the mystery of the crime and the characters themselves. And that’s exactly what Gangster Squad tries to ape.

Other classic noir traits are set up. Along with the setting itself and the cynical characters, there’s the femme fatale Grace Faraday (Emma Stone) and gangster boss (Sean Penn). Snapping and smart dialogue throughout the first act creates a wry and kinda funny first twenty minutes. I was prepared for an interesting movie, an all-out film noir, perhaps harking back to the days of Robert Mitchum and the like.

Then I realised it’s probably more relative to The Untouchables, a movie it can’t help but be compared to because of the nature of the story. A team of hard-as-nails police officers attempting to stop a crime boss from taking over anything and everything. It does seem, actually, that Gangster Squad is an Untouchables for a new generation. This is only a review of one of them, mind, so take that however you will.

The production values are top notch pretty much all round. Production, art and set design all deserve special mention, as well as costuming, with the recreation of the noir 40s LA near perfection. The look of the film doesn’t exactly lend itself to film noir, however, with a vaguely generic sheen that suggests director Ruben Fleischer hasn’t quite found a signature style yet.

The glitz and glamour are on display, so it’s fitting the cast are who they are. Every actor fits into their part well, whether it’s Josh Brolin’s earnest, do-gooding but above all soldier of a man John O’Mara or Ryan Gosling’s Jerry Wooters, a pretty-boy with a pessimist’s outlook.

The performances in Gangster Squad are all understated (except Penn’s, more on him in a bit). Just like a noir movie they are never trying too hard on the surface. Unfortunately, none of the actors are really given anything substantial to work their way through. Like the movie itself, the characters start out as interesting, with the promise of more underneath. But it soon turns out there isn’t and it eventually falls into the trap of being all plot and no character development.

The people we find in the story are never given more than a minimal backstory. It’s like if the minor characters from the X-Men franchise got bored and decided to travel back in time to fight crime. You’ve got defining characteristics such as ‘good at aiming’ and ‘good at throwing knives’. We never delve too far into John O’Mara’s times in the war or the reasons Jerry Wooters fell out of love with his job, his city and himself. It’s a service that the characters were given something as opposed to just being there, but I was just craving a bit more substance amongst the acres of style on display.

It’s this substance that could’ve been used to create a more morally ambiguous set of characters. Along with all the other classic noir traits, another promise of broken people in a harsh city is set up but not really followed through.

I’m not craving another ‘it’s better because it’s darker’ story, because we have enough of those already and more still to come, but the cynical nature of noir easily gives its characters a certain amount of coolness. What made Philip Marlowe entertaining was his sly and world-weary nature. John O’Mara’s somehow naïve hero wins the day because what starts out as noir ends up as an action film, with heroes saving the girl and punching the bad guy in the face.

It’s because of this blunt sequence of events that emotional heft is lost. And if an action scene is going to be included, at least don’t make its major plus point an advancement of plot. There was, at least for me, no excitement during the car chases or fight scenes. They were put together well enough, but had neither exhilaration or tension, nor heart racing moments, to be considered special.

Sean Penn is quite the revelation. In between bouts of brooding and simmering near the top of the pan, his Mickey Cohen displays meanness and bravado in equal amounts. Cohen’s pride takes over the screen and is his defining trait, his like for the easy life beaten only by his constant push for progress. As a retired ex-boxer turned mafia boss, Penn exudes menace and the promise of violence at almost every turn. Intensity is probably a word that can be applied equally to the character of Mickey Cohen as well as Sean Penn, so it’s not a surprise Penn’s is easily the most entertaining and eye-catching performance.

Unfortunately, Gangster Squad is nothing more than eye catching. The lack of substance is the thing, with a lacking in the development of character and relationships between them. Interesting ideas are introduced but then dropped, in favour of vaguely cliché beats and stock character moments. It’s a missed opportunity that’s entertaining at the time, but unmemorable almost as soon as the lights come up.

Flickering Myth Rating - Film: ★ ★ / Movie: ★ ★ ★

Matt Smith

DVD Review - Samsara (2011)

$
0
0
Samsara, 2011.

Directed by Ron Fricke.


SYNOPSIS:

Samsara casts a beautiful light on 25 countries and the stories and landscapes of each.


Nearing the first hour of Samsara director Ron Fricke shows us a series of assembly lines. Disturbing in some senses (the sheer monotony of the job or the slaughter of chickens, cows and pigs), they are also hypnotic sequences. They are followed with an ironic look at supermarket shopping and fast-food consumerism and subsequently by presentations on the body, surgery, air-dolls and then strippers. It highlights the structure of the documentary in its awareness of universal parallels. Furthermore, from shining a light on the minutiae of life, it implores you to look at the art of it.

In its entirety, Samsara is a glorified screensaver (by no means a negative) – a series of moving pictures that are they purely to be looked at. If cinema is based on the notion of watching, this film embodies that concept better than most. For one hour and forty minutes Fricke presents the most striking features about the world around us. Some shots come and go without you taking much notice but the majority of what has been shot on the 75mm camera warrants every bit of your attention.

There are too many to list although special mention must go to the Chinese formations and synchronised prayer rituals photographed with as much meticulous detail as the group movements themselves. Much like the assembly lines, there is an allure to the uniformity. Some parts are quite disturbing, like one showing a man transform himself into a creature closely resembling that of the Pale Man in Pan’s Labyrinth. On the whole, however, it is a suitable feature for families – an educational and eye-opening depiction of life.

Some viewers may switch off after only a few minutes, realising there is no narration or narrative and only the image and soundtrack to dictate any emotion/impetus. Nevertheless, ignore for a brief amount of time the conventions of regular cinema and you will be transported into numerous cultures, all with their own eccentricities and beauties. There would also be many reasons for revisiting the documentary after its initial viewing; trying to work out the locations for each segment is not an easy task but certainly an interesting one.

Flickering Myth Rating - Film: ★ ★ ★ ★ / Movie: ★ ★ ★

Piers McCarthy - Follow me on Twitter.

Movie Review - Irvine Welsh's Ecstasy (2011)

$
0
0
Irvine Welsh's Ecstasy, 2011

Directed by Rob Heydon.

Starring Adam Sinclair, Kristin Kreuk, Billy Boyd, Carlo Rota, Keram Malicki-Sánchez, Natalie Brown, Olivia Andrup, Stephen McHattie, Dean McDermott and Colin Mochrie.

Irvine Welsh's Ecstasy

SYNOPSIS:

A drug runner discovers true love and a whole lot of trouble as he attempts to become a dealer of ecstasy pills.

Irvine Welsh's Ecstasy movie

The movie opens with Lloyd Buist (Adam Sinclair) narrating about the joys of taking ecstasy pills and what it takes to be a successful drug runner under the most uncomfortable of circumstances; the Scotsman has two buddies with whom he goes prowling the nightclub dance floors named Ally (Keram Malicki-Sánchez) and Woodsy (Billy Boyd).  

When Ally suggests that time is passing them by Lloyd decides to strike it out on his own by skimming off some product from his volatile boss Solo (Carlo Rota).  The trouble is Solo can sniff out a double-cross a mile away.  While having a dance party in the basement of a church Lloyd encounters Heather Thompson (Kristin Kreuk) and he starts to feel a natural rather than an artificial high.  When the police raid the gathering Heather and Lloyd escape together and so begins their romantic entanglement; their bliss is interrupted by Solo continually upping the debt owned to him by Lloyd which puts the lives of the two lovers in grave danger.

Here is the thing.  I knew when Solo had an underlining move closer to him that a headbutt would immediately follow and guess what, it did.  There was a sense that the boxes were being checked off.  The interaction between Lloyd and his alcoholic father (Stephen McHattie) felt like scenes inserted to make the main character sympathetic rather than packing an emotional weight.  Solo attempt to play a psychotic seems forced unlike Ben Kingsley in Sexy Beast (2000) where I had nightmares of meeting him in a dark alley.  The trouble is that I never made a connection with Adam Sinclair and Kristen Kreuk whereas the supporting cast of Keram Malicki-Sánchez and Olivia Andrup made for an intriguing and believable pairing.  It also helps that Andrup looks rather fetching in a Catholic school girl outfit which she discards in what is best described as a fast forward sex scene.  

The time lapse photography, slow motion and fast forward of images, the spinning camera moves, freeze frame name captions, and pulsating dance music are incorporated to induce the sensation brought on by taking ecstasy pills. The stylized editing, sound effects and camera work is a cool idea but lacks the finesse of Requiem for a Dream (2000) where Darren  Aronofsky skillfully integrated all of those elements to create a disturbing depiction of addiction spinning out of control. The intoxicating combination of author Irvine Welsh and filmmaker Danny Boyle which resulted in Trainspotting (1996) is a hard one for writer-director Rob Heydon to compete with and unfortunately the end result is a low rather than a high.

Flickering Myth Rating - Film: ★ ★  / Movie: ★


Bill Pullman says Independence Day 2 could go ahead without Will Smith

$
0
0
Bill Pullman in Independence Day
It has been on the 'could be coming' line for some time now but Bill Pullman has given an update on the sequel to the 1996 blockbuster Independence Day and how it may go ahead without Will Smith.

“The Will Smith part of it may be ongoing, but I think there’s strategies for both [situations]," said Pullman during an interview with CraveOnline, revealing that director Roland Emmerich and producer Dean Devlin have a back-up plan should Smith decline the opportunity to return for the sequel. "I like what I have to do in both of them. I’m not in an old age home in a wheelchair being wheeled out for one more moment. It’s a very interesting conception of what happens to Whitmore between then and when it picks back up.”

Pullman - who is currently back in the White House as the star of the NBC sitcom 1600 Penn - goes on to say that Independence Day 2 could go into production "within a year", but he has his reservations: "Nobody’s holding their breath because it’s been continually plagued.”

Joss Whedon talks Avengers 2, S.H.I.E.L.D. and Iron Man 3

$
0
0
Joss Whedon and Samuel L. Jackson The Avengers
If there is one person who is insanely busy in Hollywood at the moment, it's Joss Whedon. After the massive success of Marvel's The Avengers, Whedon was signed on by Marvel to act as creative consultant on the Phase Two movies as well as write and direct The Avengers 2.

Speaking with MTV, he gives some updates on the script for Avengers 2 which should be finished in "a couple of months". In the interview, he also gives some insights into his thought process for the sequel: "Don’t go bigger; go deeper... All of these people have met, so you have that out of the way. Now you can spend your time just digging in — and by digging in, I mean with a scalpel, to cause pain."

As anyone who has been following the intermittent updates from Whedon will know that the man is planning a more character-driven sequel, rather than trying to 'top' the original movie.

He also gives an update on his return to TV for the Avengers spin-off S.H.I.E.L.D.: "[We start filming] a week from Tuesday. You have to bring a bit of spectacle to [S.H.I.E.L.D.]; it’s got to be bigger than your average cop show. But at the end of the day, it’s about the peripheral people. It’s about the people on the edges of the grand adventures. The whole point of the show is that even with all these big things, the little things matter. It’s about people who don’t have super powers. There will be some people with powers, there will be FX, and there will be the spectacle of science-fiction storytelling — but all played on a very human, small level. That’s the appeal of the thing."

Iron Man 3 movie poster
And finally, Whedon goes on to say that he's yet to see a cut of Shane Black's Iron Man 3, but he did give some information about his role as Marvel's Phase Two creative consultant: "I read all the scripts and I give notes on everything. I’ll look at cuts when they’re ready to show me. I’ll talk to directors if they want to. I try to make myself useful without being intrusive. I’ve gotten to be a part of all of them. That’s a dream job for a kid like me."

Iron Man 3 is scheduled for release on April 26th in the UK and May 3rd in North America and sees Robert Downey Jr. back as Tony Stark / Iron Man alongside Gwyneth Paltrow (Pepper Potts) and Don Cheadle (Rhodey / War Machine). Newcomers to the cast include Ben Kingsley (Hugo) as The Mandarin, Guy Pearce (Prometheus) as Aldrich Killian, Rebecca Hall (The Town) as Maya Hansen, James Badge Dale (The Lone Ranger) as Eric Savin / Coldblood, Ashley Hamilton (Sunset Beach) as Jack Taggert / Firepower, Xuegi Wang (Bodyguards and Assassins) as Chen Lu and William Sadler (The Shawshank Redemption) as Sal Kennedy.

In other Phase Two news, several websites are also reporting that James Gunn's Guardians of the Galaxy will start filming this summer at Shepperton Studios here in the UK, which was home to both Thor: The Dark World and Captain America: The First Avenger.

X-Men take uncanny measures for Marvel NOW!

$
0
0
The cryptic teasers keep on coming from Marvel; this time around the Uncanny X-Men get the one word treatment which suggests a revolutionary approach from writer Bryan Michael Bendis and new artist for the series Frazier Irving.

Uncanny X-Men teaser

Mike Tyson to appear on Law & Order: SVU

$
0
0
Mike Tyson The Hangover
Looks like Mike Tyson is finally going to be making his TV acting debut. Tyson’s publicist spoke with Entertainment Weekly and said he will be shooting an episode of Law & Order: Special Victims Unit later this month.

The former boxer will play Reggie Rhodes, “a murderer on death row who is also the victim of a difficult childhood.” The episode is set to air on February 13th. I'm not too sure how this will go for Tyson considering he isn’t a very good actor. Seems like a ploy to possibly bump the ratings.

Mike Tyson may be best known for his boxing career but his appearances in The Hangover films have given him a whole new fan base. Last year, he created the Mike Tyson Cares Foundation and he also performed a one-man show on Broadway.

The Week in Spandex - The Avengers 2, Guardians of the Galaxy, Blade, Hellboy 3, X-Men, Fantastic Four, Powers and more

$
0
0
Our weekly round up of the latest news stories from the world of screen superheroes, including The Avengers 2, S.H.I.E.L.D., Guardians of the Galaxy, Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, Blade, AKA Jessica Jones, The Incredible Hulk, Hellboy 3, Dark Universe, Justice League, The Wolverine, X-Men: Days of Future Past, Fantastic Four, Arrow, Amazon, Powers, Ultimate Spider-Man, Wolverine and the X-Men, Thor & Loki: Blood Brothers, DC Nation, Superman: Unbound, Batman: The Dark Knight Returns, Part 2 and more...

Joss Whedon Marvel The AvengersIt's a bumper edition of The Week in Spandex this week, and we'll get things underway with the latest comments from Joss Whedon, who's been speaking about his role as creative consultant on Phase Two of the Marvel Cinematic Universe: "I read all the scripts and I give notes on everything. I’ll look at cuts when they’re ready to show me. I’ll talk to directors if they want to. I try to make myself useful without being intrusive. I’ve gotten to be a part of all of them. That’s a dream job for a kid like me." Of course, Phase Two will culminate with Earth's Mightiest Heroes assembling once again under Whedon for 2015's The Avengers 2, and the director has revealed that he's "a couple of months away" from finishing the script, as well as touching upon his approach to the blockbuster sequel: "Don’t go bigger; go deeper... All of these people have met, so you have that out of the way. Now you can spend your time just digging in — and by digging in, I mean with a scalpel, to cause pain...."

...As well as his various Marvel feature film duties, Whedon is also set to return to television for the studio's first small screen offering S.H.I.E.L.D., and he went on to provide an update on the pilot, which he's set to direct later this month for ABC: "[We start filming] a week from Tuesday. You have to bring a bit of spectacle to [S.H.I.E.L.D.]; it’s got to be bigger than your average cop show. But at the end of the day, it’s about the peripheral people. It’s about the people on the edges of the grand adventures. The whole point of the show is that even with all these big things, the little things matter. It’s about people who don’t have super powers. There will be some people with powers, there will be FX, and there will be the spectacle of science-fiction storytelling — but all played on a very human, small level. That’s the appeal of the thing..."

...Considering the apparent demise of Agent Phil Coulson in The Avengers, it came as a surprise when Clark Gregg was announced as heading up the cast of Marvel's S.H.I.E.L.D., leading to much speculation over how the fan favourite might return from the dead. If you were thinking the prequel route would be the answer then think again, as ABC President Paul Lee has confirmed to IGN that the pilot will follow on from last summer's epic ensemble: "There is no question that [S.H.I.E.L.D.] is part of the Marvel Universe. In fact, the story takes place after the battle for New York." However, rather than directly tying into MCU, the emphasis on S.H.I.E.L.D. will be squarely geared towards its own roster of original characters: "There are characters in it, Coulson, who clearly comes from Avengers. So it’s part of the world, but we’re going to be very, very careful that we don’t tread on the toes of the features and build a whole new world. And that’s what Joss Whedon does better than anybody else. He’s built a world for us..."

Marvel's Guardians of the Galaxy concept art
...Shifting back to Marvel's big screen properties now and it's been reported that filming on 2014's Guardians of the Galaxy will get underway this summer, with the production set to follow Captain America: The First Avenger and Thor: The Dark World by shooting at Shepperton Studios in the UK. There has of course been a tonne of casting rumours surrounding the James Gunn-directed space epic over the past few weeks, although Joseph Gordon-Levitt (The Dark Knight Rises) has now pulled out of negotiations with Marvel for the role of Peter Quill / Star-Lord, having opted instead to sign on to another comic book adaptation in Robert Rodriguez and Frank Miller's Sin City: A Dame to Kill For. Other candidates rumoured to be under consideration for Star-Lord include the likes of Jim Sturgess (Cloud Atlas), Zachary Levi (Thor: The Dark World), John Krasinski (The Office), Joel Edgerton (Zero Dark Thirty), Lee Pace (The Hobbit: An Unexpected Journey), Michael Rosenbaum (Smallville) and Eddie Redmayne (Les Miserables), while Isaiah Mustafa (The Three Stooges), Brian Patrick Wade (The Big Bang Theory) and Dave Bautista (The Man with the Iron Fists) have been linked to the role of Drax the Destroyer. Expect to hear plenty more names linked to this one as the cast starts coming together...

...In other Phase Two news, the Hindustan Times is reporting that director Shane Black is heading over to India this month to scout locations for Iron Man 3, despite the fact that the Robert Downey Jr.-headlined solo sequel is just three-and-a-half months away from release; Jaimie Alexander has been doing the press rounds to promote the release of The Last Stand, and took the opportunity to discuss her return as Lady Sif in Thor: The Dark World [see Collider and I Am Rogue]; and Anthony Mackie (Gangster Squad) spoke to MTV about his forthcoming role as Sam Wilson in Captain America: The Winter Soldier, revealing that he's seen his costume ("I look like a bad mother-what"), as well as hinting at the possibility of further outings for Falcon after his debut next year...

...With six movies already on their forthcoming slate (including Edgar Wright's Ant-Man), it would seem that Disney and Marvel have plenty on their hands for the time being, but looking beyond Phase Two and comic book movie regular David S. Goyer (Man of Steel) has told IGN that he expects to see Blade back on the big screen somewhere down the line: "Disney-Marvel owns Blade again. Blade is not the most Disney-fied character, but look, he was a tertiary character; very few people knew who he was. Those films, worldwide, have made a half billion dollars and spawned video games and action figures and things like that. So I think it would be crazy not to see another iteration of Blade at some point." Asked if he'd be interested in returning to the world Daywalker following his work on the original Blade trilogy and its small-screen spin-off Blade: The Series, Goyer responded: "I’ve done so much Blade. At a certain point you’re just like, 'How many Blade stories can I tell?' We were scraping the bottom of the barrel even in the first iteration. It was a little hard. Probably not, but you never know... I never thought I’d do a Superman film, and that ended up happening, so..."

AKA Jessica Jones Marvel
...Despite the ABC network pulling the plug on development on Melissa Rosenberg's (Twlight, Dexter) pilot episode for AKA Jessica Jones, the writer and producer has told IGN that she's still hopeful that the Alias adaptation will find another home: "Marvel is trying to set it up somewhere else. They’re looking at a lot of different possibilities. I don’t know if it’s an ABC show. It might be a cable show, really. The graphic novel is the first one that Marvel did that was meant to serve an adult audience. I toned it down a little bit for network, but it’s very, very easy to translate that into cable. Very easy... The graphic novel was so phenomenal that I really just wanted to bring that to the screen. It’s so raw, and I love this character that is kind of a B-level superhero. She’s not in one world or another, she’s a borderline alcoholic. She’s just a mess, but she’s driven by a need to do something greater, you know? She’s just this delicious character. Fun, you know? I’d love to write that character more, and I hope I get the opportunity..."

...One Marvel small screen project that looks to have ground to a halt is Guillermo del Toro's take on The Incredible Hulk, with the Pacific Rim director revealing that he's had no contact with Marvel about the potential series since Earth's Mightiest Heroes assembled last summer: "After The Avengers there's been complete radio silence. I had one more meeting after Avengers with Jeph Loeb from Marveland he said, 'We're working on it, we're waiting for a writer,' he gave me the name of the writer and their resume and I said, 'That sounds great, let's wait for him' because we had delivered a teleplay and I haven't heard since then."Perhaps Marvel has other plans for the Green Goliath...

...Guillermo del Toro fans will also be disappointed to hear that the long-rumoured Hellboy 3 also seems to have failed in its bid to secure financing, with del Toro telling Latino Review: "Well, a couple of weeks ago or months ago, I did make a couple of phone calls to test, to gauge the possibility of doing that because it’s a big movie. There’s no takers for a movie of that size. The two movies made their money back and a little bit. They were financially good, but one was fifty and the other one was eighty, eighty five. This is a hundred and forty. So no one wants to do that leap, from the financial side. So unless we find a way to do the mother of all kick starters...

Guillermo del Toro Justice League Dark...With both Hellboy 3 and The Incredible Hulknow looking dead in the water, del Toro has wasted little time in securing another comic book project to add to hisslate, with the ever-busy filmmaker revealing that he is officially attached to the rumoured Justice League Dark adaptation Heaven Sent, which isnow going by the name of Dark Universe: "I'm doing it.  I'm working on it.  I'm writing the outline...and we already are in talks with a writer.  A very, very good writer. I think people are going to be happy with who we have chosen, and he accepted..."

...Dark Universe isn't the only DC Comics team-up in development at Warner Bros., with the studio planning to follow up this summer's Man of Steel by having Henry Cavill's Superman line up alongside the other members of the Justice League in 2015. Of course, that opens up a host of casting possibilities, but it doesn't seem that Ryan Gosling (Gangster Squad) is keen to suit upfor any superhero movie, judging by his response to a question from ScreenCrave about whether he'd be up for playing the likes of Green Lantern or The Flash: "Well Ryan Reynolds is Green Lantern. I can get Flash basically. Here’s the thing. Drive was my attempt at the superhero movie. I had a costume and everything. The scorpion jacket. It was like my cape. It was like the idea of a guy that had seen too many superhero movies and then decided that he was going to make himself one..."

...Hugh Jackman will be back as Logan this coming July in X-Men solo spin-off The Wolverine, and director James Mangold has taken part in a lengthy interview with Entertainment Weekly to discuss the upcoming film, which is based on the 1982 Wolverine comic book series by Chris Claremont and Frank Miller: "I felt it was really important to find Logan at a moment where he was stripped clean of his duties to the X-Men, his other allegiances, and even stripped clean of his own sense of purpose. I was fascinated with the idea of portraying Logan as a ronin – the definition of which is a samurai without a master, without a purpose. Kind of a soldier who is cut loose. War is over. What does he do? What does he face? What does he believe anymore? Who are his friends? What is his reason for being here anymore? I think those questions are especially interesting when you’re dealing with a character who is essentially immortal... We find Logan in a moment of tremendous disillusionment. We find him estranged. One of the models I used working on the film was The Outlaw Josey Wales. You find Logan and his love is gone, his mentors are gone, many of his friends are gone, his own sense of purpose – what am I doing, why do I bother – and his exhaustion is high. He has lived a long time, and he’s tired. He’s tired of the pain... There is a labyrinth of intrigue he enters, but the story is very simple, which is protecting those he loves from the kind of doom that seems to surround him..."

Famke Janssen Hugh Jackman
...It's been rumoured that Famke Janssen has shot a cameo in The Wolverine as Jean Grey, and if so, it seems she'll be appearing in flash back form, judging by her response to a question from SuperHeroHype about whether she'll be joining original X-Men members Jackman, Patrick Stewart (Professor X) and Ian McKellen (Magneto) and X-Men: First Class stars James McAvoy (Professor X), Michael Fassbender (Magneto), Jennifer Lawrence (Mystique) and Nicholas Hoult (Beast)in the cast of Bryan Singer's X-Men: Days of Future Past: "I'm sitting by the phone waiting, call me up Bryan! I think their challenge is that I died as Jean Grey and I died as the Phoenix, so what else can they do? If they bring a younger version back, they'll have to get a younger actress, so what is there left to do..?" 

...20th Century Fox will expand its Marvel output beyond the X-Men universe in March 2015 with the release of Josh Trank's Fantastic Four, and the studio's creative consultant Mark Millar has provided an update on how the reboot is shaping upunder the Chronicle director: "He's contemporarising it. I think he’s just making it work for the screen – he’s a great storyteller. Chronicle, if you think about it, was similar to Fantastic Four in that it was a bunch of people who were transformed into something more than human – that turned out almost his calling card to come and do something like Fantastic Four.What I wasn’t expecting actually was just how funny and likeable he could make this as well as getting the more awesome moments on screen – I use awesome in the traditional British sense and not the California sense awesome, you know? The Ridley Scott moments, and the Fantastic Four really are jaw-dropping in the same way you feel when you saw Alien for the first time. There’s some moments in this – not to be specific – that are actually gonna be phenomenal on screen and stuff you haven’t seen in a superhero movie before..."

...The CW's hit DC Comics adaptation Arrow returns from its midseason break this coming Wednesday and star Stephen Amell has been talking to MTV about what we can expect from the remaining batch of episodes, while executive producer Andrew Kreisberg spoke to SciFiNow about the introduction of another new DC villain Count Vertigo, who will be portrayed by Seth Gamble (Fringe): "The comic-book version of him, the Count Werner von Vertigo… when your last name is Vertigo of course you’re going to grow up to be a supervillain who uses vertigo as a weapon. That concept just doesn’t exist in our world, and we’ve never been shy about saying that we’ve taken all of our cues from Christopher Nolan’s Dark Knight trilogy, and how he took somebody like Ra’s al Ghul, played by Liam Neeson, who was immortal in the comics and presented a realistic take on how he could be immortal, by having a frontman who could be killed and allowing him to survive... There’s some characters who for the most part have transitioned literally from the comics to the show – like Deadshot [Michael Rowe], who despite his costume is still the world’s greatest assassin – and Deathstroke [Manu Bennett], and China White [Kelly Hu], but Count Vertigo is our first real, complete overhaul. We’re really excited about it..."

Adrianne Palicki Wonder Woman costume
...The CW is also busy developing another DC project, with screenwriter Allan Heinberg (Gilmore Girls) working on a pilot script for the Wonder Woman origin series Amazon. The network will be hoping for more success than producer David E. Kelley (Boston Legal) had over at NBC with his 2011 Wonder Woman pilot, which starred Adrianne Palicki (G.I. Joe: Retaliation) as the Amazon Princess: "I still believe [Wonder Woman] is viable for a television series. I think it's ripe to do it," states Kelley in a recent interview. "We made mistakes with ours. My only regret is we were never given a chance to correct them. We had a lot that was right about it and a great cast. In time, we could have fixed what we had done wrong, we just didn't get that chance... We would have gotten there and I wish we were afforded a little more time. I do believe in the potential of the series and I wish [The CW] well with it. I think it could be a great success..."

...Another pilot that failed to make it to series was that of Powers, FX's planned adaptation of Brian Michael Bendis and Michael Avon Oeming's ongoing superhero police procedural, but now FX president John Landgraf has given fans hope that the series may one day make it to the small screen, telling IGN that Powers is "still alive. We’ve been through so many incarnations. After we made the pilot, we actually developed three more [episode] scripts. So then we had a pilot plus three scripts, and we decided between the pilot and the scripts that it wasn’t quite the series that we needed it to be. When I say we, by the way, Brian Bendis is involved in every phase of this conversation and discussion. But one of the scripts was written by this guy named Charlie Huston, and he was a novelist. Both I and Brian and others thought, 'Wow, there is actually something in the tone of this.' So Charlie was approached, I think by Brian, and said, 'Look, would you be interested in taking on Powers?' And Charlie said, 'Well, I’ve never actually adapted anything before in my life. I have only written novels and stuff of my own, but Powers is my favorite graphic novel, and yes!' So what ended up happening was we reconstituted the whole thing around Charlie as the creator, with Brian. Charlie went up to Seattle, and they sat down and they talked, and read through all the books, and they came back with a new vision, basically. Essentially, a new pilot to begin with, which is a new, different story than the pilot that we shot. So that pilot is officially gone and dead, and the actors are all gone, but we’re developing a whole new pilot from scratch... I’m not going to put anything less than an absolutely great version of Powers on the air. That’s like remaking a great film into a good film, and I don’t want to do that..."

...We'll close this week with a quick round-up of all the recent animated superhero news... Ultimate Spider-Man returns to Disney XD on January 21st, and you can check out a new video preview here... The Facebook page 1 Million to Save Wolverine and the X-Men has been releasing pages from the script for the first episode of the aborted second season of Wolverine and the X-Men... ComicBookMovie has a selection of behind-the-scenes videos from the Marvel Knights motion comic Thor & Loki: Blood Brothers [see here], along with clips from this weekend's DC Nation offerings, including Young Justice and Green Lantern: The Animated Series [see here]... Having been off-limits to Green Lantern: The Animated Series due to the Ryan Reynolds-headlined feature film, Sinestro is finally set to debut in the show, where he'll be voiced by DC animation regular Ron Perlman... We've had our first look at Warner Home Entertainment's upcoming direct-to-video feature Superman: Unbound thanks to two images featuring Superman, Lois Lane and Supergirl... and finally, DC animation legend Bruce Timm and voice director Andrea Romano have taken part in an interview with Nerdy Rotten Scoundrel to promote the release of Batman: The Dark Knight Returns, Part 2, which arrives on DVD and Blu-ray on January 29th.

Holy Franchise, Batman! Bringing the Caped Crusader to the Screen - Available now via Amazon.co.uk and Amazon.com.

Gary Collinson


Giveaway - Win The Royle Family: Barbara's Old Ring on DVD

$
0
0
The Royle Family Barbara's Old Ring DVD
One of Britain’s best-loved families are back on DVD on Monday, January 21st with the release of The Royle Family: Barbara’s Old Ring, and to celebrate we have three copies to give away to our readers courtesy of ITV Studios Home Entertainment.

Read on for a synopsis and details of how to enter the competition...

It's beginning to look a lot like Christmas at The Royle's and Barbara's gone overboard with the presents. "If you can't spoil your family at Christmas when can you?" she asks, having spent a whole two hours in Poundland. A new neighbour moves on to the street with an impressive cleavage but will she be welcome on the sofa? In a flash of seasonal entrepreneurial spirit Dave reveals the idea he intends to pitch to Dragon's Den. Will it take off and make them rich? Or is Jim's scratch card more likely to bring in the Christmas cheer? Joe, next door, is looking for love and places an advert in the Lonely Hearts column, 'Vacant Lady Wanted'. Who could resist? 

The Royle Family: Barbara’s Old Ring stars Caroline Aherne, Ricky Tomlinson, Craig Cash and Sue Johnston and is written by Caroline Aherne, Craig Cash and Phil Mealey. Barbara’s Old Ring is directed by Caroline Aherne and produced by Lucy Ansbro.

To be in with a chance of winning, firstly make sure you like us on Facebook (or follow us on Twitter)...



...Then complete your details below, using the subject heading "MY ARSE!". The competition closes at midnight on Saturday, January 26th. UK entrants only please.

 
 By entering this competition you agree to our terms and conditions, which you can read here.
Viewing all 7138 articles
Browse latest View live