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Comic Book Review - Mars Attacks Popeye

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Luke Owen reviews the first instalment of IDW's January crossover series... 

Mars Attacks Popeye
Mars Attacks Martians invade five different IDW timelines and universes this month, starting with their assault on Sweethaven. How can Popeye, Alice the Goon, the Sea Hag the rest of the one-eyed sailor’s friends and foes possibly contend with this threat from beyond the stars?

The first instalment of IDW’s Mars Attacks ‘Insert other comic title here’ kicks off with a fun, hilarious and very well written entry as the Martians take over the small town of Sweethaven with humorous results. And unlike IDW’s Infestation series, this one has hit the ground running.

I've been fairly critical of IDW’s Mars Attacks re-launch and felt that a lot of the time the writers miss the mark. However Martin Powell has captured everything that makes Popeye great while also managing to insert a lot of the tongue in cheek humour of the Mars Attacks franchise. Even little gags like Popeye calling them "Marsh-kins" and other mis-pronunciations create a great sense of fun to make an enjoyable read. This coupled with Terry Beatty’s art and lettering, which has really captured the spirit of the original E.C. Segar comics, makes Mars Attacks Popeye one of the most fun comics I've encountered in recent times. "It yis what it yis".

If I did have one complaint about the issue (which will sound odd given the previous paragraph) is that there is a little too much Popeye and not enough Mars Attacks. From start to end, the Martians appear in about 10 panels with very little to do other than play second folly to the Sea-Hag. This is a common issue in the on-going Mars Attacks series, but here it’s highlighted further as the Martians aren't even seen as a real threat. Still, this is not a major problem and shouldn't put you off reading the title as it’s a great read.

I've never been the biggest fan of IDW’s Infestation series which ran for the last two years and I think replacing those with this Mars Attacks... series should be a refreshing change of pace. I am really looking forward to the next few weeks which sees the Martians attack the Ghostbusters, Transformers and even rock band KISS before climaxing with Zombies vs. Robots. This could be a very fun ride, but they have got a tough act to follow.

Luke Owen is a freelance copywriter working for Europe’s biggest golf holiday provider as their web content executive.


Movie Review - Pitch Perfect (2012)

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Pitch Perfect, 2012.

Directed by Jason Moore.
Starring Anna Kendrick, Rebel Wilson, Skylar Astin, Brittany Snow,Anna Camp, Ester Dean, Ben Platt, and Adam DeVine.

Pitch Perfect movie poster

SYNOPSIS:

A feisty coed joins a collegiate a cappella group and upgrades their song selection for the 21st century during the run-up to a major competition.

Pitch Perfect

When I saw the initial trailers for this film I was one hundred per cent convinced that this was going to be a horrible attempt at a chick flick piggy backing off the success of shows like Glee and films like High School Musical. The only reason I went to see the film was actually because of my boyfriend (yep, I think he's a teenage girl at heart). What I experienced is definitely a contender for my Top Ten of 2012.

Pitch Perfect is more than a chick flick. It is an intelligent, funny and relevant comedy that isn't just for girls despite all the singing and dancing.

Anna Kendrick is refreshing in the lead female role due to the lack of clichés surrounding her characterisation. Other standout performances come from Rebel Wilson and Anna Camp off of True Blood. An almost all female ensemble cast shatter the assumption that girls aren't funny - there are many laugh-out-loud moments in this film. The biggest name in the film perhaps, Brittany Snow, unfortunately does not give her best performance and her acting is somewhat uncomfortable and forced.

Another mention should be made towards the soundtrack. The "mashups" made by Kendrick's character, Beca, are modern and keep in tone with the whole tone of the film. Along with this, the a capella numbers, though not as polished as the Glee ones (arguably less autotuned too) are well placed within the context of the plot, with no one spontaneously breaking into song (thank God).

The setting of the story in a university instead of a high school as well as more mature jokes mean that Pitch Perfect is made available to a wider audience without becoming an American Pie frat boy  fart joke comedy, and not distancing itself too much from a girly chick flick like Mean Girls. What I like about Pitch Perfect is that it's not a rom com, it's more of a female bildungsroman for the modern audience. I never saw myself liking a film like Pitch Perfect, but I found myself laughing and even applauding. Definitely the dark horse of the year.

Flickering Myth Rating - Film ★ ★ ★ ★ / Movie ★ ★ ★ ★ ★

Kirsty Capes

DVD Review - The Girl (2012)

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The Girl, 2012.

Directed by Julian Jarrold.
Starring Toby Jones, Sienna Miller, Penelope Wilton, Imelda Staunton, Sean Cameron Michael, Candice D'Arcy, Carl Beukes, Conrad Kemp and Adrian Galley.

The Girl Toby Jones Sienna Miller

SYNOPSIS:

Cast as the lead in Alfred Hitchcock's The Birds, unknown actress Tippi Hedren finds herself the target of the filmmaker's sexual desires as he attempts to mold her into the ultimate 'Hitchcock blonde'.

The Girl Sienna Miller Tippi Hedren

It's the early 1960s and British filmmaker Alfred Hitchcock (Toby Jones) is preparing to follow up his masterpiece, Psycho. For his next project, Hitch is planning his most ambitious feature to date, and every actress in Hollywood is vying for the role of Melanie Daniels, the female lead in The Birds. However, the legendary director has his sights set on an unknown - a young model by the name of Tippi Hedren (Sienna Miller), whom he believes he can mold into the ultimate 'Hitchcock blonde'. Plucked from obscurity, Hedren is thrust into the limelight as the star of The Birds and Hitchcock's subsequent film Marnie, but her success comes at a high price as she finds herself the victim of the director's increasingly obsessive sexual desires.

Co-produced by the BBC and HBO Films, director Julian Jarrold's (Brideshead Revisited) made-for-TV movie The Girl presents us with a study of the troubled relationship between the legendary director and his leading lady, as well as a fascinating insight into the creation of both The Birds and the under-appreciated Marnie. However, it's also extremely blunt in its depiction of Hitchcock as la sadistic sexual predator - a bitter, cruel and lecherous old man whose abhorrent behaviour is tolerated solely for his ability to churn out classic after classic. While Hedren has described the film as an accurate account, several of the director's former stars and associates have come forward to speak out in his defense. Clearly there's some degree of truth to the events, but it's a shame that the producers chose to present such a one-sided portrayal - and hammer this home time and time again - as it detracts from what is otherwise a fairly solid drama.

Authenticity issues aside, The Girl does a good job of recreating the period setting, along with several iconic scenes from Hitchcock and Hedren's two films - most notably, the phone booth and attic attacks from The Birds, the latter of which sees Hedren pelted with live birds for five days on end as Hitch 'searches for the perfect take' and punishes her for rejecting his advances. Sienna Miller gives one of her best performances as the naive and inexperienced actress, and she is ably backed up by a solid supporting cast that includes Imedla Staunton (Vera Drake) as Alma Reville and Penelope Wilton (The Best Exotic Marigold Hotel) as Peggy Robertson. However, like all of his movies, the real star of the show here is Alfred Hitchcock, and Toby Jones delivers an excellent turn, capturing the Master's voice and mannerisms to perfection whilst managing to add some depth to the one-dimensional character he's been given. Comparisons will inevitably be drawn with Anthony Hopkins' portrayal in Hitchcock, but as I'm yet to see Hitchcock, those comparisons won't be drawn by me - although I will say that based upon what I've seen of Hopkins' in the various Hitchcock trailers, I'll be impressed if he manages to match what Jones has accomplished here.

Overall, The Girl makes for interesting enough viewing and is definitely worth picking up if you're a fan of Hitchcock (and can get over the completely negative portrayal), or if you have an interest in the Golden Age of Hollywood. Still, by overlooking Hitchcock's motivations entirely and presenting him as little more than a dirty old man, The Girl comes off more as a missed opportunity than a masterpiece.

Flickering Myth Rating: Film ★ ★ ★ / Movie ★ ★ ★

Gary Collinson is a writer and lecturer from the North East of England. He is the editor-in-chief of FlickeringMyth.com and the author of Holy Franchise, Batman! Bringing the Caped Crusader to the Screen.

DVD Review - Piranhaconda (2011)

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Piranhaconda, 2011

Directed by Jim Wynorski.

Starring Michael Madsen, Rachel Hunter, Shandi Finnessey, Terri Ivens, Robert 'Rib' Hills and Chris De Christopher.

Piranhaconda DVD cover

SYNOPSIS:

Part Snake! Part Fish! All Killer!

Piranhaconda

No budget maestro Roger Corman and his merry band of exploitation filmmakers are back with another made for TV giant monster movie in the form of Piranhaconda which, as you may have guessed, is about a half-piranha-half-anaconda monster who eats people. Pure genius right?

Shown last year on the Syfy channel, Piranhaconda is a pseudo-sequel to Sharktopus and shares the same problems that film had. It also carries the burden and issues of other movies of its ilk such as Dinoshark, Megashark vs. Giant Octopus and Dinocroc vs. Supergator– they’re all great ideas and fantastic titles made by terrible filmmakers with dodgy scripts.

Let’s not beat around the bush, Piranhaconda is meant to be a bad film. I get that. It’s meant to have its tongue placed firmly within its cheek and it’s meant to have terrible acting, bad dialogue and cheesy effects. You've only got to look at the back catalogue of director Jim Wynorski to see that he is a man who revels in making bad movies inexpensively. In fact, he’s the director of one of my all-time favourite ‘so-bad-it’s-good’ guilty pleasure horror movies, Chopping Mall (where shopping will cost you an arm and a leg). But while Chopping Mall was a bad movie (and it is a bad movie), it was at least made well enough to be watchable and enjoyed from behind closed doors. The problem with Piranhaconda (and all the other Roger Corman Syfy movies) is that it’s just a terribly made film.

For starters, if you can’t do half-decent CGI special effects, then don’t bother. If your movie is going to look no better than a low-rent Dreamcast game then look for other alternatives for putting your monster on screen. Every single frame the Piranhaconda is seen on film is laughable and it ruins any chance of tension and/or scares.  If you look back to giant monster movies like Jaws or Gojira, those filmmakers found other ways round their budgetary restraints (or technical failings in the case of Jaws) by using on-set practical effects with skilled special effects crew members. Piranhaconda however just uses half-arsed CGI that movies in the early 90s would be embarrassed by.

Secondly, there is a little thing in successful movies called ‘pacing’. Within the first 15 minutes of Piranhaconda there are 4 deaths from 3 separate attacks, all with the titular monster in full glory on screen. All this does is dilute the monster’s impact on its audience as well as desensitise them to the deaths. By the time the movie comes to an end, you’re almost sick of seeing people get killed because you've seen it no less than two dozen times and they've all looked the same. It amazes me that Mike MacLean couldn't think of any other ways of killing off his characters other than “Piranhaconda eats them”. This is quite possibly the laziest monster movie in terms of writing and directing I have ever come across.

And lastly, when creating a giant monster movie, it is usually helpful if your monster is threatening or at the very least looks good. While it was a terrible film, the Sharktopus creature was an interestingly designed creature and could have been threatening if handled by better filmmakers. The Piranhaconda on the other hand is just a bland and boring creation. It doesn't overly resemble an anaconda because it looks like just your average snake and its Piranha face doesn't look to dissimilar to that of an ordinary snake. The name may be a clever amalgamation, but the monster’s design is just as lazy as the script writing.

Sigh. It’s such a shame that I am once again sitting here writing up a review of a terrible giant monster movie from Roger Corman. I desperately want to like this series of movies as it appeals to my love of deadly creatures causing havoc. However each new addition to the Corman collection depresses me more and more. Piranhaconda is a terrible, terrible movie that should be avoided at all costs.

Flickering Myth Rating: Film ★ / Movie ★

Luke Owen is a freelance copywriter working for Europe’s biggest golf holiday provider as their web content executive. You can follow him on Twitter @CGLuke_o

Godzilla gets new casting rumours, loses producers and gains another new script writer

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Godzilla movie poster
It was only a few weeks ago that Dan Lin was praising Legendary Pictures' 2014 Godzilla reboot and now many sources are reporting that there is trouble in paradise for the movie and his role within it.

According to Variety there has been a tussle for power between Legendary's Lin and Roy Lee and Warner Bros. (who will be distributing the movie worldwide apart from Japan which will be dealt with by Toho) as they have differing ideals on how the film should be - which could explain the most recent change to the script.

Back when the film was announced in 2011, David Callaham (The Expendables) wrote the first draft which was then re-written by David S. Goyer (Batman Begins) before being re-written again by Max Borenstein (The Seventh Son) before landing in the hands of Drew Pearce (Iron Man 3). Now it seems that Frank Darabont (The Mist) has taken on the task to re-write the relaunch for The King of the Monsters. Signing on as the fifth writer for the project, Darabont now has a short amount of time to turn the script around before the film heads into production.

Another point of contention between Warner and Legendary comes down to casting choices. Warner (as you can well imagine) wants a big name star to headline the movie to draw in audiences. According to several sources, Warner are interested in Henry Cavill (Man of Steel) and Joseph Gordon-Levitt (Looper) for the lead role. However the JGL rumour has already been debunked with new reports that he may be joining the cast of Sin City: A Dame to Kill For. Legendary on the other hand are looking to cast either Scoot McNairy (Monsters) or Caleb Landry Jones (Contraband) for the lead role of Gareth Edwards' (Monsters) reboot.

All of this has led to plenty of tension between Warner and Legendary. As per Variety's report, this has led to Dan Lin and Roy Lee being ousted from the Godzilla project and replaced by Mary Parent, the producer on Legendary's other kaiju endeavour Pacific Rim.

With all of the script changes and no casting choices being made, it should come as no surprise that there has been a lot of problems behind the scenes of Godzilla's return to the big screen after a 10 year hiatus (or 15 if you're going by American versions). However with Godzilla scheduled to be going into production on March 14th in Hawaii, there's just over two months for Darabont to get the script re-write finished and for Warner and Legendary to agree on casting to hit their 2014 release date (and Godzilla's 60th birthday).

A new CES trailer for Pacific Rim

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Pacific Rim
Guillermo del Toro (Pan's Labyrinth) caused quite a stir last month with the release of the first trailer for his upcoming giant monsters vs. giant robots epic Pacific Rim, and now Warner Bros. and Legendary Pictures have debuted a new alternative trailer to coincide with the 2013 International Computer Electronics Show in Las Vegas. Although similar to its predecessor, the CES trailer does include snippets of previously-unseen footage, mainly based around the film's Jaegers (they're the giant robots, if you're not already aware); check it out after the official synopsis:

"When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity’s resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes—a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi)—who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind’s last hope against the mounting apocalypse."


Pacific Rim stars Charlie Hunnam (Sons of Anarchy), Idris Elba (Prometheus), Rinko Kikuchi (The Brothers Bloom), Charlie Day (Horrible Bosses) and Ron Perlman (Hellboy) and is due to hit cinemas on July 12th.

Joseph Gordon-Levitt confirmed for Sin City: A Dame to Kill For

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Joseph Gordon-Levitt
Dimension Films has officially announced via a press release that Joseph Gordon-Levitt (The Dark Knight Rises, Looper) has joined the much anticipated sequel Sin City: A Dame to Kill For. The actor is will play Johnny, a cocky gambler who disguises a darker mission to destroy his most foul enemy at his best game.

Directed by Robert Rodriguez (Machete Kills) and Frank Miller (The Spirit), Sin City: A Dame to Kill For has been written by Miller and William Monahan (The Departed) and has all the ingredients of a fantastic film.

“Johnny is a new character in the Sin City world and we are excited for what Joseph will bring to the role,” said Rodriguez and Miller with regards to the casting.

"I love how the first movie uses VFX, not to make fake things look real, but to create a heightened world unburdened by the look and feel of reality," said Gordon-Levitt. "Plus, nobody makes a badass like Mr. Rodriguez."

Gordon-Levitt will be joining an incredible ensemble cast which includes Mickey Rourke (The Wrestler) as Marv, Jessica Alba (Fantastic Four) as Nancy, Rosario Dawson (Trance) as Gail, Jaime King (My Bloody Valentine) as Goldie / Wendy, Dennis Haysbert (The Unit) as Manute and Jamie Chung (The Man with the Iron Fists) as Miho.

Sin City: A Dame to Kill For is due for release on October 4th.

Brad Pitt eyeing Pontius Pilate role?

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Brad Pitt Pontius Pilate
Warner Bros. is planning to bring the story of Pontius Pilate to the big screen. Those familiar with the New Testament will recognise Pilate as the Roman prefect who ultimately sanctioned the crucifixion of Jesus Christ. According to Deadline, Brad Pitt (Fight Club) is eyeing the leading role as the biblical villain.

The screenplay from Vera Blasi (Woman on Top, Tortilla Soup) is said to offer a human look at the religious figure and, according to Blasi, is based in historical fact, detailing Pilate's life up until the fateful order. Blasi also penned the screenplay for Peter Webber’s (Girl with a Pearl Earring) upcoming historical drama Emperor starring Matthew Fox (Lost) and Tommy Lee Jones (No Country for Old Men).

Biblical dramas are becoming ever more popular with a lot of buzz surrounding Darren Aronofsky’s (Black Swan) Noah starring Russell Crowe (Gladiator) and Emma Watson (The Perks of Being a Wallflower), which is due for release next year.

Pitt has been keeping himself very busy lately with a number of films including the zombie epic World War Z directed by Marc Forster (Quantum of Solace), Twelve Years a Slave from director Steve McQueen (Shame) and Ridley Scott's (Blade RunnerThe Counselor.

The Flickering Myth Podcast #2 - Top 10 Movies of 2012

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The second episode of The Flickering Myth Podcast is now live...

The first episode of the podcast was so much fun, we just had to come back and do another one! To ring in the New Year and celebrate Flickering Myth's Top Ten Movies of 2012, the podcast team got together to give their thoughts on the list which includes Argo, The Hobbit: An Unexpected Journey, Chronicle, The Avengers and The Dark Knight Rises.

Not only that, but the team also discussed 2012 as a whole, as well as looking towards 2013 with previews of Man of Steel, Pacific Rim, Oblivion and Star Trek Into Darkness. Oli Davis even gives a very brief review of Sick: The Life & Death of Bob Flanagan, Supermasochist which was released on DVD for the first time last year. It's... well it's something alright.

Featured on this episode are Luke Owen, Martin Deer, Kirsty Capes, Oli Davis, Anghus Houvouras and Rohan Morbey, accompanied by a selection of the soundtracks to each movie.

The episode is now live so if you refresh your iTunes or RSS feed it should automatically update. However, you can also listen to Episode 2 directly in the player below:


If you want to get involved in next month's podcast, email luke@flickeringmyth.com with the subject heading "Podcast Questions" with your thoughts and views to feature in February's episode.

Marvel has some fun with the Superior Spider-Man controversy

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Someone at Marvel definitely has a sense of humour judging by a recent teaser released by the company. Writer Dan Slott has received death threats from some fans who are livid over the mind-twisting storyline that sees Otto Octavius occupying the body of their beloved Peter Parker.  With the end of The Amazing Spider-man and the arrival of the Superior version of the Wall Crawler, Slott will be accompanied by artist Humberto Ramos, who will be replacing colleague Ryan Stegman once the first story arc is completed.

The Superior Spider-Man Dan Slott

The Superior Spider-Man #1 is out tomorrow.

The Last Stand red band trailer released online

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The Last Stand movie poster
We're big fans of Arnold Schwarzenegger here at Flickering Myth, so there's a lot of excitement swirling around for the former Governor's return to top-billing in Kim Jee-Woon's (The Good, the Bad, the Weird) English-language debut, The Last Stand, which has received a new red band trailer via Yahoo! Movies ahead of its theatrical release later this month.

The Last Stand sees Arnie starring as Ray Owens, a former LAPD narcotics officer who now serves as sheriff of the sleepy border town of Sommerton Junction. However, Owens' semi-retirement is shattered when a drug baron makes a desperate dash for the border - a route that takes him and his band of mercenaries on a collision course with Owens, who is forced to rally his team and make a 'last stand' against the bad guys.

Joining Arnie in the cast of The Last Stand are Johnny Knoxville (Jackass), Eduardo Noriega (The Devil's Backbone), Forest Whitaker (The Last King of Scotland), Peter Stormare (Fargo), Jaimie Alexander (Thor), Genesis Rodriguez (Casa de mi Padre), Luis Guzman (The Taking of Pelham 1 2 3), Zach Gilford (Friday Night Lights), Rodrigo Santoro (300) and Harry Dean Stanton (Alien).


The Last Stand hits North American cinemas on January 18th and opens in the UK on January 24th.

The Hobbit edges out The Impossible at the UK box office

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UK box office top ten and analysis for the weekend of Friday 4th - Sunday 6th January 2013...

The Hobbit An Unexpected Journey movie poster
It's a new year, but there's a familiar face atop the UK box office chart as Peter Jackson's The Hobbit: An Unexpected Journey edged out The Impossible to claim the first box office title of 2013 and take first place for the fourth weekend in a row - the only film of 2012 to do so. Nevertheless, The Impossible put up a strong fight, posting an opening haul of £4,034,470, which was just £40k short of The Hobbit (albeit with three days of preview screenings included), while Ang Lee's Life of Pi continued to perform well in third, adding another £3.35m for a total of £17.86m to date.

In fourth place, Dustin Hoffman's British comedy drama Quartet debuted with a solid £2,294,917 (including three days of previews), while the Tom Cruise action thriller Jack Reacher was the only other film to break seven figures, pulling in £1.68m in fifth. Meanwhile, as a result of the two newcomers, the rest of the chart all fell two spots apiece from last time out, with Pitch Perfect, Parental Guidance, Rise of the GuardiansSkyfalland Tinker Bell and the Secret of the Wings rounding out the top ten and getting the UK box office off to a fantastic start.

Number one this time last year: Mission: Impossible - Ghost Protocol

1. The Hobbit: An Unexpected Journey - £4,075,781 weekend; £44,870,320 total (4 weeks)
2. The Impossible - £4,034,470 weekend (New)
3. Life of Pi - £3,353,579 weekend; £17,857,428 total (3 weeks)
4. Quartet - £2,294,917 weekend (New)
5. Jack Reacher - £1,682,561 weekend; £7,160,319 total (2 weeks)
6. Pitch Perfect - £917,135 weekend; £4,928,013 total (3 weeks)
7. Parental Guidance - £884,319 weekend; £3,371,022 total (2 weeks)
8. Rise of the Guardians - £725,281 weekend; £11,247,265 total (6 weeks)
9. Skyfall - £541,401 weekend; £101,572,493 total (11 weeks)
10. Tinker Bell and the Secret of the Wings - £516,952 weekend; £3,375,684 total (4 weeks)

Incoming...

After preview screenings this past Friday and Saturday, horror sequel Texas Chainsaw 3D (cert. 18) opens wide on Wednesday, while Thursday sees the release of Ruben Fleischer's hotly-anticipated crime thriller Gangster Squad (cert. 15), which features an impressive ensemble cast including Sean Penn, Ryan Gosling, Emma Stone and Josh Brolin. However, the real challenge to The Hobbit's hold on the chart will likely come on on Friday with the arrival of Tom Hooper's adaptation of Les Misérables (cert. 12A), starring Hugh Jackman, Russel Crowe, Anne Hathaway and Amanda Seyfried. You can read our Les Misérables review here.

The Hulk has a smashing attitude with the Mjolnir

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When I receive emails that declare: "THINK GREEN - SAVE PAPER - THINK BEFORE YOU PRINT!", I cannot help but think that this teaser from Marvel features the perfect superhero spokesperson for the cause. I image, however, that Thor would not be a fan of the idea considering that The Hulk is playing with his Mighty Mallet.

Indestructible Hulk Mjolnir
  

The Directors Guild of America announces the nominees for the DGA Award

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We may have just got a sneak preview at the nominees for the Best Director Oscar today as the Directors Guild of America announced the contenders for this year's DGA Award, with Ben Affleck (Argo), Kathryn Bigelow (Zero Dark Thirty), Tom Hooper (Les Miserables), Ang Lee (Life of Pi) and Steven Spielberg (Lincoln) all set to contest the prestigious honour.

Kathryn Bigelow and Tom Hooper are both recent recipients of the DGA Award, having won for The Hurt Locker and The King's Speech, while Ang Lee has twice been honoured - for Crouching Tiger, Hidden Dragon and Brokeback Mountain - and Steven Spielberg has collected a hat-trick of gongs for The Color Purple, Schindler's Listand Saving Private Ryan. However, it's a first nomination for Ben Affleck, who will be hoping to go one better and secure his first Oscar nod for directing when the Academy announces its nominees on Thursday.

The recipient of the DGA Award has went on to be named Best Director at the Academy Awards for nine years in a row now, and only six times in sixty-four years has the DGA winner failed to replicate the success with an Oscar. However, while twenty-one of the past twenty-five DGA nominees have secured Oscar nominations, you have to go back to 2009 for the last time that all five matched, so Affleck, Bigelow, Hooper, Lee and Spielberg all face an anxious wait over the next couple of days...

The DGA Awards will be presented on Saturday, February 2nd.

Michael Bay announces a new Transformers trilogy

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Michael Bay Transformers
Last February it was announced that Michael Bay would continue his involvement with the Transformers movie franchise by helming a fourth instalment in the blockbuster series, but it now looks like the Pain & Gain director is set to extend his stay even further.

Having taken to his official site today to reveal that up-and-coming actor Jack Reynor (Dollhouse, What Richard Did) has joined the cast of Transformers 4, Bay also confirmed that the as-yet-untitled sequel will be the first instalment in a new trilogy...

I just hired a great new actor for Transformers 4 to star against Mark Wahlberg. Jack Reynor, he is an Irish kid that came to America with 30 bucks in his pocket. Pretty ballsy. Seriously, who does that? 

Anyway I spotted him in a great little Irish movie WHAT RICHARD DID. This kid is the real deal. Transformers 4 is not a reboot. That word has been floating around on the net. 

This movie takes place exactly 4 years after the war in Chicago. The story makes a very natural transition, and reason as to why we have a whole new cast. This Transformers will feel very different then the last three. We are embarking on a new trilogy. 

Michael 

While the news is unlikely to generate much excitement among Transformers fans, Bay has previously suggested that the fourth movie would see him set the franchise up for "the next guy" so perhaps he's eyeing a producer role on Transformers 5 and 6. Saying that, he also said that Transformers: Dark of the Moon would be his last...

Transformers 4 is currently set for release on June 27th, 2014.

Rick Ross cast on Magic City

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Magic City will be returning to Starz this summer and a familiar face to Miami natives will be making an appearance. Miami rapper Rick Ross has been cast as a character named “Butterball,” the proprietor of an illegal Cuban / American gambling house in Miami known as a "bolita."

According to Indiewire, Ross is a fan of the show and visited the set last year. He met Mitch Glazer, the show’s creator, who was able to find a role for him. There is no word on how many episodes Ross will feature in but this is his first foray into acting so he may not appear much given his lack of acting experience.

Honestly, I don’t like it when non-actors get roles in movies and TV just because they’re famous. Maybe Ross has some hidden acting talents that he can showcase, otherwise he probably won’t make much of an impact on the show.

Natural High: The Making of Irvine Welsh’s Ecstasy

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Trevor Hogg chats with filmmaker Rob Heydon about his feature length debut along with actors Adam Sinclair and Billy Boyd...


Irvine Welsh and Rob Heydon
“After seeing the film Trainspotting [1996] and The Acid House [1998] in cinemas in Canada with a Scottish writer friend, Paul McCafferty who eventually co-wrote the screenplay for Ecstasy [2011],” recalls filmmaker Rob Heydon as to the when he was introduced to the works of author Irvine Welsh.  “I first became aware of Irvine Welsh when I was at Drama School and the novel Trainspotting had just been released,” states Scottish actor Adam Sinclair (To End All Wars).  “Everyone in the school was doing the famous speech, ‘Choose a job.  Choose a big fucking television.  Choose life.’ All these kids over Scotland were reading books from an author who wrote the same way they spoke. He was very much part of a generation writing about stuff that most of the youth could relate to. It made them feel like they had a voice. Then the film happened and Scotland was put on the map in an international arena.”  The story about heroin addicts resonated with Billy Boyd who is best know for playing one of hobbits in The Lord of the Rings trilogy (2001 to 2003).  “Everybody was reading Trainspotting.  It was quite a big book at the time the world over not only in Britain.  I read it and then there was a play made while I was at drama school at the Traverse Theatre in Edinburgh which I missed.  Kelly Macdonald [No Country for Old Men] was working in a bar called the Brunswick Cellars and I remember meeting her there.  I had just left college and was about to do the play of Trainspotting as the film was about to come out.  We were talking about Trainspotting and Irvine Welsh, and how great it was to work on his stuff and what was the difference between the play and the film?  I didn’t audition for the film because I was still at drama school when it was being made but I was in the play and we toured Britain which was amazing.  It was a cross of being an actor and a rock star because the theatres would usually sellout in minutes.  Before the play would go on we would play a lot of Leftfield, a lot of great club music and people were so up for the play.  That was cool.  Irvine Welsh is well known.  It probably is thought about as a cult [following] as he writes about the underbelly of society or the stuff people don’t want to talk or write about.  I love the way he writes.  Like with Lloyd in Ecstasy; it might be people involved in the darker side of society but doesn’t mean that they’re not intelligent or poetic.”


Being a fan and filmmaker, Rob Hayden acquired the movie rights to the short story The Undefeated which was included in the best-selling book Ecstasy: Three Tales of Chemical Romance by Irvine Welsh.  Lloyd Buist (Adam Sinclair) attempts to start his own enterprise selling ecstasy pills with his buddies Ally (Keram Malicki-Sánchez) and Woodsy (Billy Boyd) which puts him in conflict with volatile drug dealer Solo (Carlo Rota) who feels betrayed.  “It helped and hindered,” admits Rob Hayden when discussing the popularity of the cinematic predecessor helmed by Danny Boyle (Slumdog Millionaire), and starring Ewan McGregor (The Impossible) and Robert Carlyle (The Full Monty).  “People will always compare any Irvine Welsh film to Trainspotting, but Ecstasy is not Trainspotting nor Wizard of Oz [1939] or Lawrence of Arabia [1962].   It is a Cinéma vérité [ala French New Wave]; a style film meaning on location sound, and shot on location with a mostly hand held camera. Ecstasy is a small slice of a life story about a clubber in Scotland.”  Adam Sinclair observes, “The success of Trainspotting was always going to be big boots to fill. A lot of people wanted it to be Trainspotting 2; however, this was never the intention of the filmmakers or even by Irvine himself who said he wrote Ecstasy as his attempt at a twisted love story. We had to acknowledge in the film that this was a brainchild of the same man but then it stands as a film in its own right. But the comparisons will always be made and that is due to the huge success of Trainspotting.”  Co-star Billy Boyd adds, “It did a bit because Trainspotting was the movie of it’s time.  It’s an incredible film.  Beautifully shot and acted, a great story. Coming from the same writer it has to be there.  But we forgot about and because Rob Hayden has his own style and philosophy on life; a lot of that is in Ecstasy as well as Irvine’s incredible writing. There is a lot of Rob Hayden in there so it’s obviously a different thing.  I don’t think we got to caught up with it other than the people are from the same place.”


The project had been in development since 2000.  “Yes and no,” responds Rob Hayden when asked whether the long delay resulted in his initial big screen vision evolving into something different. “The music was better and the only scene that had to be cut from filming was two scenes of special effects.”  A particular literary moment involving Lloyd and Heather, the married woman he falls in love with was a top priority for the native of Toronto, Ontario to adapt cinematically.  “The scene where the couple is opening up on bed after making love for the first time; the delivery by Adam Sinclair and Kristin Kreuk [EuroTrip] mixed with the music was perfect.”  As for the key of retaining the spirit of the source material, Hayden remarks, “Keeping the voice of Irvine Welsh alive in the characters while making a story that works for the screen.”  Despite the delay in the production, certain casting decisions did not change.  “Billy Boyd I met with in Scotland in 2002 and he was always attached to the project. Woodsy was written specifically with him in mind.”  The writer-director gave the performer from Glasgow, Scotland a couple of books to read.  There was a lot of stuff about conspiracy theories, aliens, spirituality, and religion,” recalls Boyd.  “I was reading a lot of that stuff so I could get into the head of someone who was trying to think outside of the box.  Who was trying to get other ideas of what is reality? What is life?   Why are we here?  I read a lot of that kind of stuff and religious texts of from different things such as the Bhagavad Gita and stuff from The Bible.”  Boyd was not alone in waiting for the movie to be made. “I lived with the character of Lloyd for several years before we eventually got round to filming, so over that time I gathered lots of little things that I thought were him,” reveals Adam Sinclair. “When I arrived on set I had his shoes [Very important. Always know what kind of shoes your character wears. It changes so many things], and several items of clothing. I also filled in all the blanks as to his backstory. The audience never finds this out but it does give me more to play within each scene.”


“Obviously after the cult following that came up after Danny Boyle's film, and everything it did for all the cast, doing an Irvine Welsh story seemed like the perfect opportunity for a young Scottish actor,” recalls Adam Sinclair as to what led him to screen test for Ecstasy.  “I read the script having already read the book and related to the character of Lloyd. Many of his life experiences were similar to my own and I was part of the dance culture that was growing in Scotland in the 1990s. Not sure what landed me the role but I do remember dropping my trousers in one audition. Maybe that was the cruncher.”  The native of East Kilbride, Scotland did not rely solely on the screenplay.  “For research, I went back and read Irvine's entire back catalogue. I could see that every character he writes has a little element of him in there, so I decided to take little bits from each of them. The story we did was only a novella so I had to get more information about who this guy was. The book Glue was an extremely helpful read.  The script also had a lot of musical references and with my wife being a deejay I had her make me the film's playlist; that got me back to a time and place I remembered very well from my younger days.”  Sinclair remarks, “When I'm acting, I try not to base a performance on anything I've seen before because then it becomes exactly that, a performance. I tried to relate every scene to a personal experience and deliver the lines as honestly as possible.”  The actor and the protagonist of the tale have become entwined.  “I don't see Lloyd as a character so much anymore; he feels like an old aspect of me, a phase I grew out of. He is the eternal Peter Pan, shunning most responsibilities but with his heart in the right place. A kind of state that most of us are in in our youth, but as we grow older we take on more responsibilities and therefore have to step up and be answerable for what we do in life.  Lloyd was coming round to that by the end of the film.”


Almost every shot in the movie features Adam Sinclair.  “The only test of endurance was doing all of the dancing stuff,” states Sinclair.  “When you have a location for filming you usually only have it for that day so all the dance scenes are filming consecutively. After a 14 hour day of that I could barely walk to the toilet back at my hotel.   Being in most scenes is a great thing for an actor as you really get to live with and be the character, unlike most gigs where you show up for a few days filming here and there; this means you constantly have to find him again and again.  A particular sequence focuses on the facial reaction of the actor who is bent over while the drugs to be smuggled are shoved into a rather painful hiding place.  “To be fair, I was just going for pure comedy in that scene. I was trying to get the timing right for the laugh.”  The central performer of the dark romantic comedy developed a creative partnership with his director.  “Rob and I talked a lot up to and over the course of filming; he was very open to my ideas and personal experiences that I could bring to the table. From here, we would work out what was going to be best for the scene and the movie. The process felt very collaborative so I never felt he was telling me what I had to do.”  When it came to portraying the part of the Woodsy, Billy Boyd remarks, “Before we started filming, I wasn’t sure of the style which Rob was going to film so I was trying to get the character real and believable and as intense as it could be.  Once you get on his set and see what the style is and how everyone else is pitching their performance you become part of that world.”


Getting the costume right was important in helping Billy Boyd to immerse himself in playing Woodsy.  “Rob did an interesting thing that made it difficult but also wonderful; he didn’t say, ‘Look. This is 1992.’  And you go, ‘I know exactly what they’re wearing and the music they’re listening to.’  As a deejay you would want to know that but you wanted it set in a never time, not an exact moment.  In a way you have to be specific and real with your character but also slightly a stereotype of a clubber or deejay.  I went classic. I said to the costume lady, ‘It has to be Adidas Trainers or Adidas Sambas or something like that and top has to be a Fred Perry.  You could wear that now or you could’ve worn it in 1992.”  Reflecting on his character, Boyd states, Although Woodsy is quite intense, dramatic and takes too much drugs which puts him in a different consciousness, he’s real and looking for the truth.  Woodsy is a searcher; if he was born into money and his parents put him on the right path he would have taken a year out in India and found what he was looking for.  But being someone born in Leith with no money, Woodsy found that by taking ecstasy, dancing and getting into the music.”  To research his role, Boyd sought the expertise of a professional deejay.  I did meet with Davey Forbes here in Glasgow who is a big deejay though he is now more of a music producer.  He was a deejaying in the early 1990s all of the big raves here out in fields in Perth.  Davey taught me how to deejay with vinyl.  I went to his studio and we spent a couple of nights as he would do matching all of that stuff which I loved. Some of my favourite moments on-set were between takes when you could play the music and try to mix it.  It was good fun.  Davey was a huge help in finding Woodsy and also little things that deejays do.  How do you slow down a record or speed it up?”  The Hospital Sequence where Woodsy declares, ‘My drugs are better than yours!’ is a favourite of the actor.  “That was one of those moments where Rob let you do your thing. There were some lines for that but it was a small scene.  Rob had set-up the supporting cast to do this band thing; I was supposed to be conducting it and trying to past the days.  I’ve spoken to drug addicts before when doing Trainspotting and they were talking about how your day is based around the drug.  Where to get it?  Where to take it?  His days would have been filled with the drugs, the music, picking up the right records and to be in a hospital which have given him terrible drugs to help him with what he’s dealing with.  Woodsy was trying to find some joy in there and felt he was helping people.  With Rob, when I asked to ad-lib it a bit he let that go.  We did tones of takes of it and I could see him in the corner of my eye giggling away behind the monitor.  It was good fun.”


40 trips to the United Kingdom were required to compose the screenplay which was co-written by Rob Heydon and Ben Tucker with additional scenes supplied by Paul McCafferty.  “Locations in Canada that could play as Scotland or Amsterdam and locations in Scotland that worked for the story,” explains Heydon as to what he looked for during his location scouting which resulted in the principle photography taking place in Sault Ste. Marie, Ontario.  “The Nightclub was a perfect night out in Scotland. John Digweed is from Edinburgh and mentioned in the book; he happened to be playing the weekend we were in Edinburgh.”  The time spent on previous projects had an impact on the production.   “Working on music videos helps you learn how to shoot quickly. We had 14 days of main unit photography which is very short for any film. Then two days + one night in Amsterdam to cover that location and shooting on planes overnight on the flight over to Amsterdam then one another plane to Scotland. We shot in the airport in Edinburgh, and six days of mostly exteriors in Edinburgh; it was a VERY tight schedule for any feature film production. It is a miracle any film ever gets made, but especially hard for independent films.”  The cast had to be prepared for their roles once the cameras started rolling.  “We didn't have a lot of time on this shoot so most people were on their A game,” says Adam Sinclair.  “A lot of the really emotional stuff was given time together right, which I think it needed, but time was not our greatest ally.”  When comparing what it was like acting in a Hollywood blockbuster as compared to a $1 million production, Billy Boyd observes,  “When we were doing Ecstasy there were 50 people at lunch whereas with The Lord of the Rings there a thousand at some points.  Other than that the actual work of standing in front of a camera with other actors trying to get a scene to work with a director, the DOP and the lighting is exactly the same.  There is no huge difference.  In something like Lord of the Rings with Peter Jackson there was a lovely feeling where you kept on going until it was right.  If that took two days more than it was suppose to that was okay.  On independent productions you don’t have that but it creates a different energy.  The basic answer is that there is no great difference in being in an independent or a huge production.  It all comes down to getting the characters and scenes right.”


The Canadian Film Centre was a useful training ground.  “I helped produce a couple shorts there,” remarks Rob Heydon.  “It did help to know how to keep a film on track without much of a budget – think creatively!!!”  A number of cinematic influences were called upon during the making of Ecstasy.  “Stanley Kubrick [Paths of Glory], [Jean-Luc] Godard [Breathless], [François] Truffaut [The 400 Blows], and others in the French New Wave along with some Danny Boyle and Coen Brothers [Fargo] for good measure.”  Adam Sinclair states, “It's not so much I'm proud of any particular scenes, but there are scenes I watch and I can see I'm telling the truth. There's not a lot of acting shall we say. All the stuff surrounding his father was very soul bearing for me, as I was going through the same process with my own father at the time, so everything that Lloyd is going through emotionally was the same in my own life. I guess I'm proud that I had the courage to go there.”  Sinclair notes, “It's unique in the fact that fundamentally it’s a love story set against this gritty backdrop. The EDM [Electronic Dance Music] scene is growing again in Northern America so the younger ones will see a love story set in there world. To misquote Mr Welsh, ‘Nobody wants to see middle age rich people looking for love, like Sex and the City.’  Heydon agrees.  “It is a transformational love story from the love of Ecstasy to the Ecstasy of LOVE.”  Boyd points to another key element, the cinematic vision of the man behind the camera.  It was the first Rob Hayden thing that we’ve seen on the screen; he and Irvine Welsh worked well together.”  Hayden enthusiastically advises, “Watch it with an open mind. See where the story takes you!”


Many thanks to Rob Heydon, Adam Sinclair and Billy Boyd for taking the time to be interviewed.


To learn more make sure to visit the official websites for Irvine Welsh's Ecstasy and Irvine Welsh.

Trevor Hogg is a freelance video editor and writer who currently resides in Canada.

The nominations for the 33rd Golden Raspberry Awards

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Razzie Awards
As we wait with baited breath for tomorrow's announcement of the Oscar contenders, the Golden Raspberry Award Foundation has announced the nominations for the 33rd annual Razzies, which of course celebrates the very worst in cinematic achievement over the past twelve months.

This year's nominations are dominated by The Twilight Saga: Breaking Dawn - Part 2, which picks up a nod in every category - including two for Worst Screen Couple (Robert Pattinson / Kristen Stewart and Mackenzie Foy / Taylor Lautner). Meanwhile Razzie favourite Adam Sandler also has a strong presence, picking up eight nominations for That's My Boy, while Battleship followed closely with seven.

Here's the full list of Razzie nominations:

Worst Picture
Battleship
The Oogieloves in Big Balloon Adventure
That's My Boy
A Thousand Words
The Twilight Saga: Breaking Dawn Part II

Worst Director
Sean Anders - That's My Boy
Peter Berg - Battleship
Bill Condon - The Twilight Saga: Breaking Dawn Part II
Tyler Perry - Good Deeds / Madea's Witness Protection
John Putch - Atlas Shrugged: Part II

Worst Actress
Katherine Heigl - One for the Money
Milla Jovovich - Resident Evil: Retribution
Tyler Perry - Madea's Witness Protection
Kristen Stewart - The Twilight Saga: Breaking Dawn Part II / Snow White and the Huntsman
Barbra Streisand - The Guilt Trip

Worst Actor
Nicolas Cage - Ghost Rider: Spirit of Vengeance / Seeking Justice
Eddie Murphy - A Thousand Words
Robert Pattinson - The Twilight Saga: Breaking Dawn Part II
Tyler Perry - Alex Cross / Good Deeds
Adam Sandler - That's My Boy

Worst Supporting Actress
Jessica Biel - Playing For Keeps / Total Recall
Brooklyn Decker - Battleship / What to Expect When You're Expecting
Ashley Greene - The Twilight Saga: Breaking Dawn Part II
Jennifer Lopez - What to Expect When You're Expecting
Rihanna - Battleship

Worst Supporting Actor
David Hasselhoff - Pirannha 3-DD
Taylor Lautner - The Twilight Saga: Breaking Dawn Part II
Liam Neeson - Battleship / Wrath of the Titans
Nick Swardson - That's My Boy
Vanilla Ice - That's My Boy

Worst Screen Ensemble
Battleship
The Oogieloves in Big Balloon Adventure
That's My Boy
The Twilight Saga: Breaking Dawn Part II
Madea's Witness Protection

Worst Screenplay
Atlas Shrugged Part II
Battleship
That's My Boy
A Thousand Words
The Twilight Saga: Breaking Dawn Part II

Worst Remake, Rip-Off, or Sequel
Ghost Rider 2: Spirit of Vengeance
Pirannha 3-DD
Red Dawn
The Twilight Saga: Breaking Dawn Part II
Madea's Witness Protection

Worst Screen Couple
Any two cast members from Jersey Shore in The Three Stooges
Mackenzie Foy and Taylor Lautner in The Twilight Saga: Breaking Dawn Part II
Robert Pattinson and Kristen Stewart in The Twilight Saga: Breaking Dawn Part II
Tyler Perry and his drag in Madea's Witness Protection
Adam Sandler and Andy Samberg, Leighton Meester, or Susan Sarandon in That's My Boy

The 'winners' of this year's Razzies will be announced on February 23rd - one night before the Academy Awards.

Movie Review - Broken City (2013)

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Broken City, 2013.

Directed by Allen Hughes.
Starring Mark Wahlberg, Russell Crowe, Catherine Zeta-Jones, Jeffrey Wright, Natalie Martinez, Alona Tal, Barry Pepper, Michael Beach and Kyle Chandler.

Broken City poster

SYNOPSIS:

An ex-cop trailing the wife of New York City's mayor finds himself immersed in a larger scandal.

Mark Wahlberg and Russell Crowe Broken City

It seems every other year or so we tend to get another crime thriller starring Mark Wahlberg. This year Wahlberg stars in Broken City alongside Russell Crowe. Wahlberg stars as Billy Taggert, a former police officer turned private investigator. He gets hired by the mayor of New York City, Hostetler (Russell Crowe), to follow his wife (Catherine Zeta-Jones) and find out who she’s having an affair with. Once Billy starts to follow the mayor’s wife around he soon finds himself in a bigger scandal than he originally thought.

There is plenty to like about Broken City but there is also just as much that makes it somewhat forgettable. Director Allen Hughes (Dead Presidents) brings a stylistic approach to the movie and makes it a gritty thriller. As far as gritty crime thrillers go, this one is pretty routine and brings nothing new to the table. That’s not always a bad thing but it would have been nice if they tried something we haven’t really seen before. With that being said there isn’t a dull moment and it’s always interesting.

One problem I had was the way they handle the relationship between Billy and his girlfriend played by Natalie Martinez (End of Watch). The movie spends at least twenty to twenty-five minutes showing their relationship and there’s a point where she leaves and they never bring her back or resolve their relationship. At one point Billy goes to visit her parents but that scene serves no value to the story or their relationship and is not needed at all. This sub-plot could have easily been taken out because it feels like they added it but didn’t know how to resolve it so they just never went back to it for the rest of the movie.

The strongest part of the movie is the cast. Mark Wahlberg gives another good performance here as the lead. Really it’s not often he gives a bad performance so this is nothing new. His scenes with Russell Crowe are great, its fun seeing them interact and they both play off each other very well. Catherine Zeta-Jones is underused here, as she has been in her last few movies. She’s just a plot device that could have been played by any other actress. Kyle Chandler, Barry Pepper and Jeffrey Wright all round out the main cast here and each of them don’t have a lot of screen time but they do well with what they have, especially Jeffrey Wright.

Broken City has nothing new or original to offer but for a movie released in January it’s rather good and the performances from Mark Wahlberg and Russell Crowe lift this to being above average.

Flickering Myth Rating - Film: ★ ★★ / Movie: ★ ★ ★

Jake Peffer

BAFTA announce the nominations for the 65th EE British Academy Film Awards

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This morning, Jeremy Irvine (War House) and Alice Eve (Star Trek Into Darkness) announced the nominations for the 65th EE British Academy Film Awards. Leading the pack with 10 nominations is Steven Spielberg's historical biopic Lincoln, while Tom Hooper's Les Miserables and Ang Lee's Life of Pi both received nine, followed by Sam Mendes' Skyfall with eight.

Although Bond's 23rd adventure has enjoyed huge success on these shores, becoming the UK's highest-grossing movie of all-time, Skyfall has to settle for a nomination in the Outstanding British Film category as Argo, Les Miserables, Life of Pi, Lincoln and Zero Dark Thirty battle it out for the Best Film BAFTA, while Michael Haneke (Amour), Ben Affleck (Argo), Quentin Tarantino (Django Unchained), Ang Lee (Life of Pi) and Kathryn Bigelow (Zero Dark Thirty) contest the Best Director award.

Here are the BAFTA nominations in full...

BEST FILM
ARGO – Grant Heslov, Ben Affleck, George Clooney
LES MISÉRABLES – Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh
LIFE OF PI – Gil Netter, Ang Lee, David Womark
LINCOLN – Steven Spielberg, Kathleen Kennedy
ZERO DARK THIRTY – Mark Boal, Kathryn Bigelow, Megan Ellison

OUTSTANDING BRITISH FILM
ANNA KARENINA – Joe Wright, Tim Bevan, Eric Fellner, Paul Webster, Tom Stoppard
THE BEST EXOTIC MARIGOLD HOTEL – John Madden, Graham Broadbent, Pete Czernin, Ol Parker
LES MISÉRABLES – Tom Hooper, Tim Bevan, Eric Fellner, Debra Hayward, Cameron Mackintosh, William Nicholson, Alain Boublil, Claude-Michel Schönberg, Herbert Kretzmer
SEVEN PSYCHOPATHS – Martin McDonagh, Graham Broadbent, Pete Czernin
SKYFALL – Sam Mendes, Michael G. Wilson, Barbara Broccoli, Neal Purvis, Robert Wade, John Logan

OUTSTANDING DEBUT BY A BRITISH WRITER, DIRECTOR OR PRODUCER
BART LAYTON (Director), DIMITRI DOGANIS (Producer)- The Imposter
DAVID MORRIS (Director), JACQUI MORRIS (Director/Producer) – McCullin
DEXTER FLETCHER (Director/Writer), DANNY KING (Writer) – Wild Bill
JAMES BOBIN (Director) – The Muppets
TINA GHARAVI (Director/Writer) – I Am Nasrine

DIRECTOR
AMOUR – Michael Haneke
ARGO – Ben Affleck
DJANGO UNCHAINED – Quentin Tarantino
LIFE OF PI – Ang Lee
ZERO DARK THIRTY – Kathryn Bigelow

DOCUMENTARY
THE IMPOSTER – Bart Layton, Dimitri Doganis
MARLEY – Kevin Macdonald, Steve Bing, Charles Steel
McCULLIN – David Morris, Jacqui Morris
SEARCHING FOR SUGAR MAN – Malik Bendjelloul, Simon Chinn
WEST OF MEMPHIS – Amy Berg

ORIGINAL SCREENPLAY
AMOUR – Michael Haneke
DJANGO UNCHAINED – Quentin Tarantino
THE MASTER – Paul Thomas Anderson
MOONRISE KINGDOM – Wes Anderson, Roman Coppola
ZERO DARK THIRTY – Mark Boal

ADAPTED SCREENPLAY
ARGO – Chris Terrio
BEASTS OF THE SOUTHERN WILD – Lucy Alibar, Benh Zeitlin
LIFE OF PI – David Magee
LINCOLN – Tony Kushner
SILVER LININGS PLAYBOOK – David O. Russell

FILM NOT IN THE ENGLISH LANGUAGE
AMOUR – Michael Haneke, Margaret Ménégoz
HEADHUNTERS – Morten Tyldum, Marianne Gray, Asle Vatn
THE HUNT – Thomas Vinterberg, Sisse Graum Jørgensen, Morten Kaufmann
RUST AND BONE – Jacques Audiard, Pascal Caucheteux
UNTOUCHABLE – Eric Toledano, Olivier Nakache, Nicolas Duval Adassovsky, Yann Zenou, Laurent Zeitoun

ANIMATED FILM
BRAVE – Mark Andrews, Brenda Chapman
FRANKENWEENIE – Tim Burton
PARANORMAN – Sam Fell, Chris Butler

LEADING ACTOR
BEN AFFLECK – Argo
BRADLEY COOPER – Silver Linings Playbook
DANIEL DAY-LEWIS – Lincoln
HUGH JACKMAN – Les Misérables
JOAQUIN PHOENIX – The Master

LEADING ACTRESS
EMMANUELLE RIVA – Amour
HELEN MIRREN – Hitchcock
JENNIFER LAWRENCE – Silver Linings Playbook
JESSICA CHASTAIN – Zero Dark Thirty
MARION COTILLARD – Rust and Bone

SUPPORTING ACTOR
ALAN ARKIN – Argo
CHRISTOPH WALTZ – Django Unchained
JAVIER BARDEM – Skyfall
PHILIP SEYMOUR HOFFMAN – The Master
TOMMY LEE JONES – Lincoln

SUPPORTING ACTRESS
AMY ADAMS – The Master
ANNE HATHAWAY – Les Misérables
HELEN HUNT – The Sessions
JUDI DENCH – Skyfall
SALLY FIELD – Lincoln

ORIGINAL MUSIC
ANNA KARENINA – Dario Marianelli
ARGO – Alexandre Desplat
LIFE OF PI – Mychael Danna
LINCOLN – John Williams
SKYFALL – Thomas Newman

CINEMATOGRAPHY
ANNA KARENINA – Seamus McGarvey
LES MISÉRABLES – Danny Cohen
LIFE OF PI – Claudio Miranda
LINCOLN – Janusz Kaminski
SKYFALL – Roger Deakins

EDITING
ARGO – William Goldenberg
DJANGO UNCHAINED – Fred Raskin
LIFE OF PI – Tim Squyres
SKYFALL – Stuart Baird
ZERO DARK THIRTY – Dylan Tichenor, William Goldenberg

PRODUCTION DESIGN
ANNA KARENINA – Sarah Greenwood, Katie Spencer
LES MISÉRABLES – Eve Stewart, Anna Lynch-Robinson
LIFE OF PI – David Gropman, Anna Pinnock
LINCOLN – Rick Carter, Jim Erickson
SKYFALL – Dennis Gassner, Anna Pinnock

COSTUME DESIGN
ANNA KARENINA – Jacqueline Durran
GREAT EXPECTATIONS – Beatrix Aruna Pasztor
LES MISÉRABLES – Paco Delgado
LINCOLN – Joanna Johnston
SNOW WHITE AND THE HUNTSMAN – Colleen Atwood

SOUND
DJANGO UNCHAINED – Mark Ulano, Michael Minkler, Tony Lamberti, Wylie Stateman
THE HOBBIT: AN UNEXPECTED JOURNEY – Tony Johnson, Christopher Boyes, Michael Hedges, Michael Semanick, Brent Burge, Chris Ward
LES MISÉRABLES – Simon Hayes, Andy Nelson, Mark Paterson, Jonathan Allen, Lee Walpole, John Warhurst
LIFE OF PI – Drew Kunin, Eugene Gearty, Philip Stockton, Ron Bartlett, D. M. Hemphill
SKYFALL – Stuart Wilson, Scott Millan, Greg P. Russell, Per Hallberg, Karen Baker Landers

SPECIAL VISUAL EFFECTS
THE DARK KNIGHT RISES – Paul Franklin, Chris Corbould, Peter Bebb, Andrew Lockley
THE HOBBIT: AN UNEXPECTED JOURNEY – Joe Letteri, Eric Saindon, David Clayton, R. Christopher White
LIFE OF PI – Bill Westenhofer, Guillaume Rocheron, Erik-Jan De Boer
MARVEL AVENGERS ASSEMBLE – Nominees TBC
PROMETHEUS – Richard Stammers, Charley Henley, Trevor Wood, Paul Butterworth

MAKE UP & HAIR
ANNA KARENINA – Ivana Primorac
HITCHCOCK – Julie Hewett, Martin Samuel, Howard Berger
THE HOBBIT: AN UNEXPECTED JOURNEY – Peter Swords King, Richard Taylor, Rick Findlater
LES MISÉRABLES – Lisa Westcott
LINCOLN – Lois Burwell, Kay Georgiou

SHORT ANIMATION
HERE TO FALL – Kris Kelly, Evelyn McGrath
I’M FINE THANKS – Eamonn O’Neill
THE MAKING OF LONGBIRD – Will Anderson, Ainslie Henderson

SHORT FILM
THE CURSE – Fyzal Boulifa, Gavin Humphries
GOOD NIGHT – Muriel d’Ansembourg, Eva Sigurdardottir
SWIMMER – Lynne Ramsay, Peter Carlton, Diarmid Scrimshaw
TUMULT – Johnny Barrington, Rhianna Andrews
THE VOORMAN PROBLEM – Mark Gill, Baldwin Li

EE RISING STAR AWARD
ELIZABETH OLSEN
ANDREA RISEBOROUGH
SURAJ SHARMA
JUNO TEMPLE
ALICIA VIKANDER

The winners of the 65th EE British Academy Film Awards will be announced on February 10th.
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