Quantcast
Channel: Flickering Myth
Viewing all 7138 articles
Browse latest View live

Comic Book Review - Batman #15

$
0
0
Martin Deer on the latest issue of Batman...

"The Joker’s attacks have taken their toll on Batman and his allies, and now they have to face the impossible. The final madness of The Joker’s plan is revealed! Why is he more dangerous now than ever before?"

I'm running out of ways in which to describe the incredible work that Scott Snyder and Greg Capullo are pulling out month after month, as Batman #15 is another terrific issue.

The Joker continues to be at his most twisted and disturbing, and what Snyder reveals about the Joker in this issue is something which we have always talked about - that Joker is Batman's biggest fan - but here, here Snyder takes it to the next level and has Batman reveal he's known a much creepier truth all along.  It's perhaps because I am experiencing this story each month in its time, but I can't ever remember reading a Joker who has affected me so much nor whom has caused so much chaos and death as he has here thus far in Death of the Family. He is truly repulsive and terrifying.

Truths being revealed was perhaps what this issue was all about as a secret that Batman has been keeping is revealed and the Bat-family question whether the Joker really knows the truth about who he is.  There is a great interaction between Batman and the clan as the truth is revealed and tensions rise as a defiant Batman tries to explain that this is all simply part of Joker's plan, and the rest disagree.  I particularly loved the panel in which Dick and Bruce square off, forever clashing like Father and Son.

As great as this issue was it is the set up for the next which really strikes a chord with you, as Batman follows a lead to the Joker which takes him straight to Arkham Asylum, where the Joker apparently has big plans in store. Batman #16 has the potential to be Snyder's best work given the set up, and given the concept I really can't to see if it delivers - I'm presuming it will.

So readers, what do you think is in store for Batman inside Arkham Asylum?  And does the Joker really know the Bat-families identities?

Martin Deer

The Flickering Myth Podcast #1 - Seven Psychopaths

$
0
0
The Flickering Myth Podcast is now live...

Here at Flickering Myth, we don't just give you the latest news, reviews, opinions, discussions and thoughts on movies, television and comics. Now we do so much more than that - because now we've launched a new monthly podcast featuring the staff writers and editors of the site.

But wait - there's more! Not only can you listen to this monthly behemoth of brilliance, you can also subscribe via iTunes and have it downloaded onto your generic listening device for your audio pleasure.

The first episode sees Luke Owen, Martin Deer, Rohan Morbey, Luke Graham and Kirsty Capes sit down to discuss Martin McDonagh's latest cinema release Seven Psychopaths. In the episode they talk about their views on the movie, themes, thoughts and what they'd like to see in the director's next movie.

If you don't have iTunes, you can subscribe via RSS, or have a listen to the following embed:


Next month, the team will be discussing Flickering Myth's Top 10 Movies of 2012, along with their own personal favourites and picks for the year's worst.

If you want to get involved, email luke@flickeringmyth.com with the subject heading "Podcast Questions" with your thoughts and views to feature in January.

Comic Book Review - Thunderbolts #1

$
0
0
Luke Owen reviews the first issue of Thunderbolts...

"Red Hulk, Venom, Elektra, Deadpool, the Punisher. Forget the courts, the jails, the system — this team of Thunderbolts fights fire with fire, targeting the most dangerous and lethal players in the Marvel Universe with extreme prejudice. Led by General “Thunderbolt” Ross, AKA the Red Hulk, this hand-picked team of like-minded operatives is going to make the world a better place…by all means necessary."

The biggest draw for Thunderbolts was the idea of villains trying to step away from the dark side by helping people to reduce their prison sentences and this was then partnered with a good line-up of bad guys who you don't usually see a lot of. However, there hasn't really been a decent line-up in Thunderbolts for quite some time. For me, the last great Thunderbolts team was back in the days before Marvel's Dark Reign with Bullseye, Moonstone, Venom (the Mac Gargan version) etc. I sort of liked the team that followed during the Dark Reign and even enjoyed Luke Cage's team with Juggernaut and Crossbones to some extent. But this team didn't grip me as much as Norman Osbourn's team and since then, the Thunderbolts have been floating around (quite literally through time) with a lacklustre conclusion with poor characters like Troll, Mr. Hyde and Satanna. As much as I liked Ghost and Satanna's relationship with Man-Thing, they couldn't save the terrible story and z-grade characters.

But with Marvels sort-of-but-not-really relaunch, we have a new leader of the Thunderbolts and a new team - this is the sort of line-up we want to see from the Thunderbolts.

Thunderbolts #1 serves as an introduction to the team and how they came to be under Thuderbolt Ross' leadership (what a genius leader choice eh?). The main story revolves around The Punisher and Ross' discussion about the team and why Frank is the way he is with some cutaways of him talking to the rest of the team encouraging them to sign up. Thuderbolt Ross looks like a badass in this issue as he stands around waiting for Venom (the Flash Thompson version) to finish off a gun fight. While recruiting the 'Merc with a Mouth' Deadpool, he watches him gun down some mimes while enjoying a nice hot drink. This is a man who has seen a lot of crazy action, has become everything he was fighitng against and now nothing phases him. Even during his dealings with The Punisher, he nonchalantly counts down the time Frank has left to escape before he is gunned down. Never has Thunderbolt Ross looked so cool.

There is a lot of excitement to be had from this first issue. This new line-up (which also features Elektra who only gets a panel or two in this issue) is full of everyone's favourite anti-heroes and I can't wait to see how they all interact with each other. Deadpool's schtick was worn very thin with me in recent years, but with this new team we could see a great dynamic from him. Elektra and The Punisher have always been the quiet lone wolf assassins so how will they integrate in a team environment and then there is Thunderbolt Ross' alter-ego The Red Hulk - how will he fit in?

I've not been fully behind Marvel's reset switch, but this new on-going Thunderbolts series is something I can put full support into. Bravo Daniel Way, bravo.

Luke Owen is a freelance copywriter working for Europe’s biggest golf holiday provider as their web content executive.

IDW heads Into Darkness with Star Trek: Countdown to Darkness prequel series

$
0
0
Star Trek fans hoping for some inside info on J.J. Abrams' Star Trek Into Darkness may be able to get their wish next month as IDW Publishing has announced that it will release Star Trek: Countdown to Darkness, an official four-issue miniseries that will set the stage for the blockbuster sci-fi sequel.

Star Trek: Countdown to Darkness marks the second time that IDW has published a prequel to Abrams' relaunched Star Trek series, following the release of Star Trek: Countdown in 2009. If you've read Countdown you'll know that it delivered plenty of backstory for Eric Bana's Nero, so assuming this follows suit, we might just get a few clues as to just who Benedict Cumberbatch's 'John Harrison' really is...

Star Trek: Countdown to Darkness has been written by Mike Johnson from a story by Into Darkness co-writer Roberto Orci, and features art from David Messina, who worked with Johnson on Countdown. The first issue will be available in stores in January 2013, while Star Trek Into Darkness is set to arrive in cinemas on May 17th, 2013.

A Good Day to Die Hard new poster and Jai Courtney featurette

$
0
0
There's another bad day looming for Detective John McClane as Bruce Willis returns to his most iconic role for a fifth outing as the NYPD cop / terrorist killing machine in director John Moore's (Behind Enemy Lines, Max Payne) forthcoming action sequel A Good Day to Die Hard, which has just received a new poster ahead of its release this coming February.

This time McClane will find himself in the unfamiliar surroundings of Moscow, having traveled to the Russian capital to help his estranged son Jack, portrayed by Jai Courtney (Spartacus: Blood and Sand, Jack Reacher). Of course, wherever McClane goes trouble follows, and the father and son team are forced to put their differences aside in order take on the Russian mob. Oh, and there's also the small matter of preventing a global war for them to contend with...

Along with the new poster, 20th Century Fox has also released a short featurette, which sees Jai Courtney introducing his character, Jack McClane...


A Good Day to Die Hard is set to hit cinemas on February 14th, 2013 and features a supporting cast that includes Cole Hauser (Pitch Black), Sebastian Koch (Unknown) and Yuliya Snigir (The Inhabited Island), while Mary Elizabeth Winstead (Scott Pilgrim vs. the World) reprises the role of Lucy McClane from 2007's Live Free or Die Hard.

First trailer for the Psycho prequel series Bates Motel

$
0
0
The A&E Network has released the first footage from its upcoming Psycho prequel series Bates Motel, which is set to star Freddie Highmore (Charlie and the Chocolate Factory, The Art of Getting By) as a young Norman Bates and Vera Farmiga (Up in the Air, Source Code) as his loving mother, Norma.

Created by former Lost show-runner Carlton Cuse and Friday Night Lights writer Kerry Ehrin, Bates Motel has been described as "a contemporary prequel to the genre-defining film [which] promises to give viewers an intimate portrayal of how Norman Bates' psyche unravels through his teenage years and just how deeply intricate his relationship to his mother, Norma, truly is."

In addition to Freddie Highmore and Vera Farmiga, the series is also set to feature the likes of Nestor Carbonell (The Dark Knight Rises), Max Thieriot (House at the End of the Street), Mike Vogel (Cloverfield) and Olivia Cooke (The Quiet Ones).

Check out the first trailer, which also includes comments from the cast and crew:


Bates Motel is set to begin airing in 2013.

Mark Wahlberg discusses Transformers 4

$
0
0
When it was first revealed that Paramount Pictures planned to follow in the footsteps of Sony's The Amazing Spider-Man by giving the Transformers movie series an overhaul for its fourth instalment, many fans were hoping to see a new director given the chance to realise their vision for the Robots in Disguise, only for Michael Bay to subsequently sign on to personally oversee the revamp himself alongside Transformers: Revenge of the Fallen and Transformers: Dark of the Moon screenwriter Ehren Kruger.

However, while the behind-the-scenes team on the as yet-untitled Transformers sequel looks very familiar, the director will be ditching the likes of Shia LaBeouf, Rosie-Huntington-Whiteley, Josh Duhamel, John Turturro and Tyrese Gibson in favour of a new cast of human characters, which is set to be headed up by Bay's new buddy Mark Wahlberg, star of the forthcoming bodybuilding action comedy Pain and Gain. During an interview with I Am Rogue, Wahlberg has discussed how the casting came about, and what attracted him to the role:

"I had a great experience working with Michael [on Pain and Gain]. We really hit it off. We complement each other so well on set and we took something that was really good and I think we made something special with Pain and Gain. He said to me [on set], 'What do you think about doing a Transformersmovie with me?' I said, 'Well, what do you want me to do? He told me and I said, 'Absolutely!' I think it will be the most challenging role that I’ve played and it’s an opportunity for me to do something extremely different. It’s going to be very different from what the first ones were. I’m excited about it. I talked to Steven Spielberg and I talked to Brian Grazer and I said, 'Don’t worry guys, this is not me taking a paycheck and running with it. This is me trying to… I liked what the guys did with like The Avengers, for instance. When I watched that movie I was not interested in seeing it at all but it was entertaining for me as well as for my kids. I think they did a really good job and we want to do something special with it, so I’m excited about it."

Transformers 4 is currently set to hit cinemas on June 27th, 2014, at which point we'll have seen Wahlberg in a number of upcoming releases, including the crime thriller Broken City, Navy SEALs drama Lone Survivor and graphic novel adaptation 2 Guns. The actor also has several other projects on his slate, including Seth MacFarlane's Ted 2 and the action comedy Good Time Gang.

The Week in Spandex - Man of Steel, Justice League, X-Men, Iron Man 3, The Amazing Spider-Man 2 and more

$
0
0
Our weekly round up of all the latest news stories from the world of screen superheroes, including Man of Steel, Justice League, The Dark Knight Rises, The Wolverine, Deadpool, X-Men: Days of Future Past, Iron Man 3, Thor: The Dark World, Captain America: The Winter Soldier, The Avengers, The Amazing Spider-Man 2, Arrow, Wonder Woman, DC Nation and more...

Over the past week the Hollywood studios have been giving us a look at some of 2013's biggest blockbusters including Star Trek Into Darkness, Oblivion, After Earth, The Lone Ranger, G.I. Joe: Retaliation and Pacific Rim, but for comic book movie fans the big talking point was of course the release of the new theatrical trailer for Warner Bros.' upcoming Superman reboot Man of Steel. Running at just under two-and-a-half minutes, the trailer delivered our first look at Amy Adams (The Fighter) as Lois Lane, Kevin Costner (Dances with Wolves) as Jonathan Kent, Diane Lane (Unfaithful) as Martha Kent, Russell Crowe (Les Miserables) as Jor-El, Ayelet Zurer (Angels and Demons) as Lara Lor-Van and Laurence Fishburne (The Matrix) as Perry White. On top of that, the trailer also featured the reveal of Michael Shannon's (Boardwalk Empire) villain General Zod, courtesy of a brief close-up, in addition to a shot of Zod and Henry Cavill's (Immortals) Superman flying head-on towards each other at break-neck speed. Judging by the trailer, it certainly looks like director Zack Snyder (Watchmen) is set to deliver some epic action set pieces, but - as Martin Deer stated in his reaction to the trailer - it would seem that Man of Steel is also going to offer a much deeper story as we explore how a young farm boy from Kansas goes on to become the greatest hero the world has ever known...

...During an interview with The Playlist, Superman: The Movie and Superman II star Terence Stamp reminisced about his time as the Kryptonian supervillain, as well as offering a few words of advice for his successor in Man of Steel, while Amy Adams spoke to Deadline about her approach to Lois Lane in the upcoming reboot: "I grew up with Margot Kidder as Lois Lane, so I didn’t want to try and be that version. Zack [Snyder] said that he wanted to play for more realism. There’s definitely still banter [with Superman]. She’s tough, modern, and more contemporary. There’s also a lot more action than I’ve seen in my career..."

..A while ago it was reported that Joseph Gordon-Levitt was being lined up to reprise the role of John Blake from The Dark Knight Rises to don the cape and cowl as Batman in Justice League, which would be set up by a surprise appearance in Man of Steel. JGL's reps immediately denied the story, but TDKR director Christopher Nolan refused to put an end to the speculation this past week by offering an inconclusive answer to Movieline when asked if there was any truth in the reports: "I can't talk about that. You know that..." Meanwhile, younger brother Jonathan Nolan took part in an interview with Empire, during which he discussed his thoughts on all things Dark Knight, including John Blake, Bane (Tom Hardy) and Catwoman (Selina Kyle), along with his thoughts on the Justice League movie and Marvel's The Avengers...

...After declaring that Darkseid has been selected as the villain for WB's superhero ensemble (a report that remains as-yet-unconfirmed), the folks at Latino Review were back with another Justice League rumour this week, claiming that the plot for Will Beall's (Gangster Squad) script has taken inspiration from Gerry Conway's work on Justice League of America - specifically issues 183-185, which saw the Justice League of America and the Justice Society of America teaming up to prevent Darkseid from destroying Earth and moving Apokolips into its place. Of course, even if the report is accurate, with Justice League yet to find itself a director there's every chance the story could change between now and the film's proposed 2015 release date...

...Somewhat conspicuous by its absence amid the recent overload of trailers for next year's summer offerings was 20th Century Fox's next X-Men offering, the solo sequel The Wolverine., which is due to arrive in cinemas in July 2013. According to director James Mangold (Knight and Day), we'll likely have to wait until February to get our first look at Hugh Jackman's latest outing, which sees Logan venturing to Japan for an adaptation of the classic 1982 comic book arc by Chris Claremont and Frank Miller. In the meantime, we'll have to make do with a new motion poster, which you can also convert into your very own customised Facebook timeline cover photo here...

...If you're lucky you may have managed to repress any memories of X-Men Origins: Wolverine, and in particular director Gavin Hood's treatment of Deadpool, who was portrayed by Ryan Reynolds before being transformed in Scott Adkins (Universal Soldier: Day of Reckoning) as Weapon XI [and if that's the case, sincere apologies for reminding you of the horrors with that image to the right]. Anyway, if you've got the stomach for it, you might want to check out a newly-released video from VFX company Amalgamated Dynamics consisting of 82 alternative designs for the Merc With The Mouth - but be warned, they're all atrocious...

...Elsewhere in the X-Men universe, Alan Cumming (X2: X-Men United) has become the latest name to express an interest in returning for Bryan Singer's X-Men: Days of Future Past. However, the actor told Coming Soon that he'd heard Nightcrawler doesn't appear in the script for the forthcoming sequel, which has been written by Simon Kinberg (X-Men: The Last Stand) and the X-Men: First Class pairing of Matthew Vaughn and Jane Goldman and is based on the 1981 comic book arc by Chris Claremont and John Byrne. Meanwhile concept artist Matthew Savage (Doctor Who) released some images of his design work for X-Men: First Class via Film Sketcher, which includes alternative costumes for Mystique (Jennifer Lawrence), Beast (Nicholas Hoult) and Havok (Lucas Till), along with some interior designs for Sebastian Shaw's (Kevin Bacon) submarine...

...Moving on to the Marvel Cinematic Universe and Chinese actor Wang Xueqi (Bodyguards and Assassins) has finally been confirmed as joining the cast of Shane Black's (Kiss Kiss Bang Bang) Iron Man 3, where he will play the role of Dr. Wu (who is thought to be Chen Lu, a.k.a. Radioactive Man). With a little over four months to go until the film hits cinemas, cameras are still rolling on Iron Man 3 as the production shifted to Beijing for a week of filming; in addition to two official images featuring Dr. Wu, Tony Stark (Robert Downey Jr.), Rhodey (Don Cheadle) and Pepper Potts (Gwyneth Paltrow), ComicBookMovie also got its hands on some set photos from the Beijing shoot, which you can check out here and here...

...In other bits and pieces from the MCU, Zachary Levi (Chuck) spoke to E! Online about replacing Thor star Josh Dallas as Fandral in director Alan Taylor's (Game of Thrones) sequel, while Idris Elba answered a few questions about returning to the role of Heimdall for the currently-in-production Thor: The Dark World while attending the British Independent Film Awards last weekend; it seems that Chris Evans' Steve Rogers is going to enjoy plenty of female company in 2014's Captain America: The Winter Soldier, with Scarlett Johansson already confirmed as reprising the role of Black Widow and the London Evening Standard suggesting that Captain America: The First Avenger's Hayley Attwell will also return as Peggy Carter. Meanwhile, Mary Elizabeth Winstead (A Good Day to Die Hard) denied reports that she's the front-runner for the new female lead (thought to be that of Sharon Carter / Agent 13) during a chat with HeyUGuys, although she admitted that she's open to appearing in a superhero movie "if it was the right part"; and finally CBM interviewed Joss Whedon regular Damion Poitier (Angel, Firefly, Dollhouse), who discussed his ultra-secretive mid-credits appearance in The Avengers as the Mad Titan, Thanos...

...Now that the cast of The Amazing Spider-Man 2 has pretty much fallen into place, Sony is gearing up to begin production on the Marc Webb-directed sequel this February, and a new casting call has arrived online seeking extras for a funeral sequence, which of course suggests that we might get to see the demise of a beloved character. Elsewhere, Jamie Foxx spoke briefly to Access Hollywood about his casting as Electro during the Django Unchained premiere, while original Spider-Man trilogy actress Kirsten Dunst gave the seal of approval to Shailene Woodley (The Descendants) as her successor as Mary Jane Watson and a claim from stuntman/actor Asim Ahmad (Inception, The Dark Knight Rises) that he was set to appear in the follow-up as Professor Michael Morbius (a.k.a Morbius the Living Vampire) was shot down by SuperHeroHype...

...The CW's latest superhero series Arrow is currently on a break after the midseason finale aired this past Wednesday, and it seems that Stephen Amell's Oliver Queen will find himself getting a new sidekick when the show resumes early next year, with TV Guide revealing that Colton Haynes (Teen Wolf) has been cast as Roy Harper, better know as Speedy / Arsenal / Red Arrow. The character will be introduced as a love interest to Oliver's sister Thea (Willa Holland), and is described as "a handsome, street-savvy, teenager from 'the Glades,' the harsh, poverty-stricken portion of Starling City..."

...Warner Bros. released the 1974 TV movie Wonder Woman on DVD this past week, which featured former professional tennis player Cathy Lee Crosby as the first live-action incarnation of the Amazon Princess, and Crosby took a moment to reflect on the role during an interview with CBM: "I would have thought they would have gone with a brunette, but then I realized that the original movie was actually jointly owned by Warner Bros. and ABC. From what I understand, Warner Bros. wanted to do it more James Bond and ABC wanted to do it more comic book. So I guess it went halfway down the middle, because in a lot of ways this Wonder Woman was more like a female James Bond. For me, it was an interesting opportunity and an amazing character. I think she was capable and she had all of these great tools. she kind of had fun with the whole thing; she could do whatever she needed to do and was completely what you would think of as a superhero. She tried to right wrongs, and who wouldn't love to be able to do that? And then when you're in trouble, you call upon your bracelets or your lasso to pull you through. I loved that concept, and the fact that her enemies would try to stop her in every way that she could and he was able to meet the challenge. I think that's a great image to represent..."

...And finally, following its abrupt pulling of DC Nation from its schedule a couple of months back, Cartoon Network has announced that new episodes of Green Lantern: The Animated Series and Young Justice: Invasion will resume on January 5th, along with all-new animated shorts featuring characters from the DC Comics universe. DC Nation will also receive two new additions later next year, with Beware the Batman and Teen Titans Go! set to replace Green Lantern and Young Justice following the conclusion of their respective seasons.

Holy Franchise, Batman! Bringing the Caped Crusader to the Screen - Available now via Amazon.co.uk and Amazon.com.

Gary Collinson


Final trailer for Kathryn Bigelow's Zero Dark Thirty

$
0
0
Having already topped countless 'Best of the Year' lists, big things are certainly expected of director Kathryn Bigelow's Zero Dark Thirty - which chronicles the decade long manhunt for Osama bin Laden, as well as the SEAL team operation to kill the al-Qaeda terrorist leader - and if the newly-released third and final trailer is anything to go by, it looks as if the near-universal acclaim could be thoroughly well-deserved.

Zero Dark Thirty reunites Bigelow with The Hurt Locker screenwriter Mark Boal and the Academy Award-winning duo have certainly assembled an impressive ensemble cast, which is led by Jessica Chastain (The Help, The Tree of Life) as a CIA operative dedicated to tracking bin Laden down. Chastain is joined by Joel Edgerton (Warrior), Édgar Ramírez (Carlos), Mark Strong (Tinker Tailor Soldier Spy), Harold Perrineau (Lost), Nash Edgerton (I Am Number Four), Jason Clarke (Lawless), Chris Pratt (Moneyball), Jennifer Ehle (Contagion), Kyle Chandler (Super 8), Fares Fares (Safe House), Scott Adkins (The Expendables 2) and Josh Kelly (Transformers: Dark of the Moon).


Zero Dark Thirty receives a limited run in North America from December 19th before opening nationwide on January 11th, 2013. It hits UK cinemas on January 25th.

A Justice League movie, Django Unchained and Family Guy in the latest MGCTv Podcast

$
0
0
MGCTv is a podcast that reviews Movies, Games, Comics...and TV. Sound familiar? That's because it's exactly what us here at Flickering Myth obsess over, too. So in the spirit of world domination  friendly cooperation, Co-Editor Oli will appear on a special crossover episode once a month. It's like if Booster Gold time traveled to Marvel's 1602 storyline. But cooler.

This episode we cover...

-a Christmas kid film heavy UK Box Office Top 5.

-Family Guy on the big screen?

-Django Unchained's considerable running time.

-Darkseid as the potential villain in a potential Justice League movie...and who would win in a fight between long-lost brothers Darkseid and Marvel's Thanos?

-And we look forward to The Hobbit and Seven Psychopaths.

Download it for free on iTunes, or head over to the MGCTv website and listen there. Again, for absolutely zero dollar. They're truly spoiling you.

IDW enlists Dixon and Gulacy for G.I. Joe: Special Missions

$
0
0
As part of the forthcoming relaunch of its G.I. Joe comic book line, IDW Publishing has announced G.I. Joe: Special Missions, a new ongoing series by comic legends Chuck Dixon and Paul Gulacy which is set to present an espionage-fueled counterpoint to the main G.I. Joe title from Fred Van Lente and Steve Kurth.

"Special Missions was always my favorite of all the original, classic G.I. Joe comics," said Dixon, referring to the G.I. Joe: A Real American Hero spin-off title from Marvel Comics, which ran for 28 issues back in the 1980s. "Larry Hama and Herb Trimpe did an amazing comic as well as monthly tutorials on comic book storytelling. I'm knocked out to get a shot at this title and having Paul Gulacy work with me is one of those too-good-to-be-true scenarios!"

G.I. Joe: Special Missions will tie into the current G.I. Joe storyline, with the team having been forced to go public with their identities after being exposed by Cobra. The first story arc will see Scarlett putting together an elite team to prevent the Baroness from recovering $40 billion of the terrorist organisation's funds from a sunken shop on the floor of the Atlantic. Issue #1 is set to go on sale on March 20th, 2013.


Comic Book Review - Avengers #1

$
0
0
Anghus Houvouras reviews the first issue of Marvel NOW!'s Avengers...

"The greatest heroes in comics together on one unbeatable team! The Avengers 'go large,' expanding their roster and their sphere of influence to a global and even interplanetary level. When Captain America puts out his call - who will answer? Big threats, big ideas, big idealism - these are the Avengers NOW!"

I'd have to imagine it's been an interesting year for the people at Marvel Comics.  Their characters have never been more popular.  Five years of successful comic adaptations under the Marvel Films banner led up to a triumphant, box office record shattering debut for The Avengers movie.  It managed to be a major success with fans and finances.  As a brand, Marvel has achieved previously unreached heights.

And yet, in the publishing world, Marvel has managed to fall behind the competition.  After last year's massively successful revamp of their lineup, DC Comics has managed to take away significant market share and surpass Marvel.  For the first time in nearly two decades, Marvel was the number two name in comic books.

It must be baffling to have a stable of characters with such recognition and yet the publishing arm has not been able to capitalize. In an effort to remedy that, Marvel did some creative shuffling and have revamped a number of major titles under the banner of Marvel NOW!  It's an interesting creative moniker, sounding like almost like a mandate from management.  "MARVEL NOW!" exclaimed as executives slam their fist on the table trying to figure out how their brand has been unable to capitalize in cinemas but not shops.  If not now, when?

I've read a few of the Marvel NOW! titles.  So far they've been a mixed bag.  Rick Remender and John Cassady's Uncanny Avengers has been a woeful experience, while Matt Fraction & Mike Allred's Fantastic Four was one of the best first issues I've read all year. 

And now we have Marvel's flagship title The Avengers relaunching with a new number one.  The book is being plotted by Jonathan Hickman and gorgeously drawn by Jerome Opeña.  And thankfully it's a stellar relaunch of the world's most famous super team. 

It's not perfect mind you, but it does an exceptional job of bringing everything back to basics and doing a great job of foreshadowing big events coming down the pipeline.  We are treated to a prologue that hints to major events including a glimpse of intergalactic war and the return of Ultron.  It doesn't look like things are going to get any easier for Earth's Mightiest Heroes. 

The story starts with the two most famous members of the team, Iron Man and Captain America, discussing recent events and the idea that the Avengers need to expand their roster.  With the aftermath of the latest incarnation of the Phoenix saga, Tony Stark enthusiastically declares that that "we have to be bigger" and puts a plan in motion to recruit new members.  membership drives have always been a big part of the Avengers.  The rotating roster of characters has been it's major strength.  The entire series was originally conceived by Stan Lee as a place for second tier characters to gather.  Where God's of Thunder can hang out with Ant Man.  Where the Black Panther can team up with The Hulk. 

It's nice to see that basic concept addressed in the first issue.  The current team is made up of the six characters from the movie.  Iron Man, Captain America, Hawkeye, Thor, Hulk and Black Widow.  They are forced to deal with an off world threat as a trio of villains have terraformed Mars and started an evolutionary war launching bio-bombs to Earth in an effort to create a new world.  The villains are interesting enough.  The world razing Ex Nihlo (Latin for "out of nothing") wants to create a perfect world.  His associates motives might not be so pure.  And there's an inference that they may be working for someone else.

The Avengers show up and have their asses handed to them in record time.  Captain America is sent back to Earth as a warning to anyone else who would try to stop their plans.  Once back, Captain America makes his way back to Tony Stark's computer where he finds the recruitment plans Stark had already put in place.  In order to activate it, he simply has to utter a phrase:

"Wake the world."

And with that, the series is off an running.  It's a fantastically plotted first issue and lays the foundation for what could be an epic run.  There's some wear around the edges.  Nothing about the story is terribly original, but it does a good job of reducing the Avengers to what works best.  Big threats, epic battles, and heroes coming together for a common good.  The final page gives you a good preview of the expanding lineup.  There are some familiar faces (Spider-Man, Wolverine) and some unfamiliar ones as well.  It seems like Hickman is going to be using Hyperion the way Bendis used the Sentry.

So I'm happy to say Avengers #1 hits all the marks.  Well drawn, well plotted, and I'm interested to see where it goes next.  Hickman did a great job with the characterizations of Tony Stark and Steve Rogers.  I'm hoping he can bring those dimensions to the rest of the ever growing cast.  If so, this could be a great start to a great series. 

Anghus Houvouras

The Hobbit: An Unexpected Backlash?

$
0
0
Commenting on the Critics with Simon Columb...

Scott Mendelson joins the ranks of film critics knocking Peter Jackson down a peg for his first (of three) films of The Hobbit...

"This first film, shamefully bloated and lacking in any justification for its padding, plays less like a theatrical cut, or even like an extended edition DVD version, and more like an assembly edit, with everything tossed in and nothing pruned. Yes I know Jackson is adding additional material from the Appendices and elsewhere, but the end result is a bloated and often quite-dull would-be adventure that has little of the wide-eyed wonder and emotional pull of the original trilogy. The irony is, much of the extra material seems intended to better tie this new trilogy into the prior one."

Read the full article here.

I'm not an obsessive Lord of the Rings fan. I watched the original three at the cinema and waited patiently for the extended editions when they were released each year. I still waited until the entire trilogy was released and, even then, waited for it to go down in price. I always feel that patience is a virtue with blockbuster films - especially trilogies. Suffice to say, I'll get all six when they are released on Blu-ray in four years. But, I do like the films - and I completely agreed with Lord of the Rings: The Return of the King winning Best Picture in 2003. Peter Jackson created a fascinating series of films - groundbreaking in their special effects, innovative in their framing within a three-part film series, and genius in their adaptation of J.R.R. Tolkien's original work.

That was 2003 - we are now almost 10 years on from the end of the original trilogy and again, we are asked to visit Middle-earth. In my honest opinion, even now, when I think back to the big three films of this year, The Hobbit is not amongst them. Blame marketing and blame publicity, but I was not desperate to go back. Maybe all the fantasy worlds that surrounded cinema in the early noughties has simply moved on. Gone are the wizards and boy leads fighting dragons and goblins; we are now firmly within the superhero age which, I believe, has peaked in 2012.

In preparation to my viewing of The Hobbit: An Unexpected Journey, I listened to The Lord of the Rings: Fellowship of the Ring soundtrack - and it reminded me of the world. The elves, the Shire and Gandalf. The soundtrack even reminded me of the Ringwraiths, Sauron and Aragorn - all of which, I knew, would not feature in the latest film. By the time I sat to watch the film, I was excited about what was to come and, without turning my weekly article into a review, I thoroughly enjoyed the film. In a nutshell, the Higher Frame Rate was interesting and 'smoother', but I would rather have the [inaccessible] option to watch the film in 2D and with a HFR. Ironically, Mendelson would prefer the same viewing experience.

But Mendelson and I clearly disagree on what the film was - and crucially, why audiences wanted to return to The Shire. Part of the "wide-eyed wonder" was re-experiencing the landscapes of New Zealand as cameras float above our characters' journey, and Jackson ensures this is included. In the incredible detail of HFR, it looks grander than I recall in the original trilogy. The appendices, in and of themselves, could not be turned into separate films - a trilogy is more poetic, and in keeping with the steady-build of the original three. Whether by DVD or Blu-ray, by 2014, everyone will have caught up with the films to be there, opening night for the final film. Three separate films would not have the same marketability - and, by putting all the missed material together, I can only imagine that Tolkien fans will be pleased that stories, that were potentially never to see the light of day, have sneaked into the films.

Mendelson ties himself in knots trying to break apart his own petty frustrations: "the only emotion I felt this time around were the moments where Jackson and composer Howard Shore use the original themes" and "if I point out that the film strains to turn Thorin into Aragorn 2.0, then I will also point out that the film doesn't try to otherwise copy the fellowship from 11 years ago". I was satisified with these nods to The Lord of the Rings and as characters appear from the first three, there is a sense of warmth that we are in the same world. The extended sequence of Saruman, Galadriel, Gandalf and Elrond, Mendelson compares to the finale of The Expendables 2, but it is so much more. They talk of the forces at work - the inevitable wars that are shortly around the corner. The Hobbit: An Unexpected Journey is a sequel to the Lord of the Rings, but it is set as a prequel. It acknowledges your knowledge of the series and yet brings more of the world to life - who knew that Gimli had such a fascinating history with his fellow Dwarves.

Personally, I believe that the timing of the film's production and release seems at odds with current cinema trends - and critics are rebelling against this. But the studio couldn't wait forever - and if they wanted characters to return, they had to act quickly before actors became too old. Once all is said and done, I believe this trilogy will be something that, amongst fans, will remain a great addition to their J.R.R. Tolkien film collection, but I doubt the critics and awards will favour the extension of the series as it simply feeds into the money-making excess of the industry, rather than the artistry of filmmaking. But I think the beauty of Peter Jackson's Lord of the Rings series is the artistry established in 2001 - the world he created and characters he introduced. The Hobbit takes us back there and I, for one, am glad to return. If only all sequels were so respectful.

Simon Columb

First posters for Studio Ghibli's The Wind Rises and The Tale of Princess Kaguya

$
0
0
This past Thursday, Studio Ghibli and its Japanese distributor TOHO announced their line-up for Summer 2013, with co-founders and anime legends Hayao Miyazaki and Isao Takahata both set to release directorial offerings for the first time since 1988's My Neighbor Totoro and Grave of the Fireflies.

First up from Hayao Miyazaki comes The Wind Rises (Kaze Tachinu), which is based upon a 2009 manga by Miyazaki and tells the story of World War II fighter plane designer Jirō Horikoshi. Here's the official poster for the Japanese release...


Joining Miyazaki's The Wind Rises is Isao Takahata's The Tale of Princess Kaguya (Kaguya-hime no Monogatari, a retelling of the famous 10th century Japanese folktake The Tale of the Bamboo Cutter, which centres on a mysterious young princess called Kaguya-hime who was discovered as a baby inside the stalk of a glowing bamboo plant. Take a look at the poster here...


Both films are set for release in Japan next summer, with UK and North American dates yet to be announced.

First official stills from The Hangover Part III

$
0
0
The Wolfpac is heading back to Vegas for one last hurrah this coming May as director Todd Phillips reunites with Bradley Cooper, Ed Helms, Zach Galifianakis and Justin Bartha for The Hangover Part III, and Entertainment Weekly has released the first stills from the comedy sequel featuring a shot of Phil, Stu, Alan and Doug, along with fan favourite Ken Jeong, who's back once again as Mr. Chow - or should that be Sheriff Chow?



After essentially remaking The Hangover (albeit in Thailand) with The Hangover Part II, Phillips has promised to shake things up for the third and final instalment of the hit comedy series. For a start, there's no wedding and the action won't be confined to one locale, with the plot thought to revolve around the guys going on a road trip. Also returning for the third outing are Heather Graham, Jeffrey Tambor, Jamie Chung, Gillian Vigman, Sasha Barrese and Mike Epps, while John Goodman is also set to feature in the cast.

The Hangover Part III is set for release on May 24th.

The Hobbit opens to record breaking numbers in North America

$
0
0
Peter Jackson's return to Middle-earth broke records this weekend as The Hobbit: An Unexpected Journey debuted at number one with $84 million in tickets sold surpassing the openings of any of the previous Tolkien adaptations and breaking the record for a December opening.  It's a strong start for the trilogy and the movie should fare very well over the Christmas holiday and into the new year.  Critically, it isn't quite the darling the original Lord of the Rings movies were, and the word of mouth isn't nearly as strong.  It will be interesting to see how strong the hold is next week.  There are some very vocal supporters of this film and a lot of ambivalence.  No one is calling The Hobbit a bad film, but there's a lot of complaints that it is pointlessly long, an assertion that's difficult to debate.

You're going to hear a lot of debate about The Hobbit in coming weeks.  It's a polarizing film creatively and financially.  While it may be the biggest Middle-earth themed film to date, it did benefit greatly from inflated 3D and IMAX ticket prices.  The Return of the King opened to $72 million in 2003 without inflated ticket prices and no 3D bump.  When you start breaking down the math, The Hobbit has sold less tickets in the opening weekend than Return of the King.  That's something to take note of. Especially considering that Return of the King cost around $90 million dollars to make, whereas each Hobbit film is rumored to come in at $250 million dollar each (some are claiming it's closer to $200 million per picture). 

At two and a half times the budget, for the movie to make the same money is kind of baffling.  I realize that film budgets have gone through the roof in recent years and you can barely make any spectacle tent pole film for less than $150 million dollars.  And I don't for a minute think that The Hobbit films will end up losing money for the Warner/New Line/MGM amalgam that has produced these monstrosities. However, each of The Lord of the Rings films had to make around $250 - 3$00 million to break even in their theatrical release, which they did without issue.  Each Hobbit movie has to make around $500 - $600 million, which I'm pretty sure they'll have no problem getting to.    Still, it's interesting that in 10 years, the budget for a Tolkien inspired adaptation has nearly tripled.  That kind of math is a staggering indoctrination of just how fast these budgets have escalated and forced these franchises into a make or break kind of performance that requires massive returns with little margin for error.

The rest of the top five is nothing more than the wake created by The HobbitRise of the Guardians picked up enough scraps to take second place with $7.5 million dollars.  Lincoln continues to be the go-to film for more mature ticket buyers once again settling into third place with $7 million in tickets sold.  Skyfall took in another $6.7 million, and Life of Pi made another $5.6 million to take the fifth spot.

While this week was a one movie show, next weekend should be fairly interesting.  There are three major releases next week including the Seth Rogen comedy The Guilt Trip, Tom Cruise stars in the highly anticipated Jack Reacher, and Judd Apatow returns with a pseudo-sequel to Knocked Up with the comedy This Is 40.  Expect The Hobbit to stay at number one.  I doubt any of these films have the stones to take down Tolkien.  See you next week.

Here's your top films for North America...

1. The Hobbit: An Unexpected Journey
Weekend Estimate: $84 million

2. Rise of the Guardians
Weekend Estimate: $7.5 million; $71 million total

3. Lincoln
Weekend Estimate: $7 million; $107 million total

4. Skyfall
Weekend Estimate: $6.7 million; $272 million total

5. Life of Pi
Weekend Estimate: $5.6 million; $70 million total

Anghus Houvouras

Movie Review - Life of Pi (2012)

$
0
0
Life of Pi, 2012.

Directed by Ang Lee.
Starring Suraj Sharma, Irrfan Khan, Tabu, Adil Hussain, Gerard Depardieu and Rafe Spall.



SYNOPSIS:

A young man who survives a disaster at sea is hurtled into an epic journey as he spends 227 days adrift in the Pacific with only a fearsome Bengal tiger for company.


Published in 2001, Yann Martel's Life of Pi managed to grab the attention of the world. A personal story about an Indian boy stranded on a boat with a Bengal tiger was hardly the story to win the world over. But it did, truly a book that fascinates you from the beginning. From the perspective of Piscine - aka Pi - he explains why zoos can be stunning, beautiful places for animals. We are convinced of his multiple faiths - as Pi is a Hindu, Christian and Muslim and, soon enough, we are stranded on the boat with a Tiger, Orangutan, a Hyena and a Zebra - and Pi. How could such an extraordinary situation be depicted in a film?

My own interest in the story is due to my love of the films by M. Night Shyamalan. Shyamalan himself, akin to Pi, was born in Pondicherry and in 2003, Shyamalan was hired by Fox to direct and write Life of Pi as the film The Village. Instead, Shyamalan directed The Lady in the Water, and after passing through the hands of Alfonso Cuaron and Jean-Pierre Jeunet, the film eventually landed on the lap of Ang Lee, who managed to work with scriptwriter David Magee to begin production. The film openly tackles faith and spirituality - and though this was an attribute Shyamalan would've been ideal for, Lee's own approach rooted the story in themes revolving around family and story-telling - two themes which occur often in Lee's films such as Crouching Tiger, Hidden Dragon and The Ice Storm.

The film rests on the shoulders of the special effects - and they truly are stunning. The opening credits alone maximize the 3D as animals reach out of frame and scuttle across the shot. Even the main act where Pi (Suraj Sharma) remains on the boat, Lee manages to experiment with a wide variety of techniques ensuring that you are never left uninterested. Fish fly in and out-of-frame as Lee adjusts the aspect ratio; when the ship crashes in the first act, we see Zebra and animals jumping and swimming on deck in the midst of rough rain and wind. Crucially, you believe it. There is no unsatisfying sequence - even as the colours become vivid and almost-animated in their depiction, it doesn't jar or seem out-of-place. The Adventures of Tintin was often seen as an example of a style of film-making that didn't know whether it was real or animated - Life of Pi does not have this problem; clearly supposed to be dreamlike, it never rings false.

Book-ended by an unnamed writer (Rafe Spall) discussing the events with an older Pi (Irrfan Khan), the story is told in flashback akin to Oscar-winning films such as Forrest Gump, The Curious Case of Benjamin Button and Titanic. In that regard, though I think it will be nominated, I don't think it truly has the capability of a Best Picture winner; it doesn't have the same scale as Slumdog Millionaire, despite its cultural prowess (it even includes a romantic sub-plot which feels forced). This framing of the story gives the film a sense of authority and truth - despite the strangeness of the core-story. Spall and Khan are truly engaging, holding the film together as we - like the writer - are keen to hear how this story will help us "believe in God". Spirituality and God is discussed from the start of the film; we are well aware of the religious sentiments to the story, but the film still manages to keep your faith intact. Indeed, your enjoyment of the film will not be altered depending on your chosen faith.

This is a film that is for the family to watch. A film that, after the viewing, you can discuss, argue and debate long into the night. The idea that children and adults alike will start conversations about faith, truth and story-telling is truly the films crowning achievement. It is accessible - and yet ends in a way that forces you, as a viewer, to reconsider where you stand, and your judgement of others. Life of Pi could have been a film that was aimed at adults exclusively - indeed, the subject matter tackles a child that loses his entire family in one tragic disaster. The film could have been rooted in horror and danger; a tiger on a boat is hardly going to be seen as a cuddly teddy bear. The end of the film could be revealed in a manner that visually shocks you to the core - but Lee did not want to make that film (Maybe M. Night Shyamalan did?) - he wanted to make a film that tackled some of the most important human-issues of faith and truth, and he made it accessible to all.

Flickering Myth Rating - Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★ ★

Simon Columb

Ruben Fleischer talks about possibly directing Spy Hunter adaptation

$
0
0

Ruben Fleischer, whose re-edited Gangster Squad is finally getting a UK release in January, has told ComingSoon that one of his next projects could be an adaptation of video game franchise Spy Hunter– which he hopes will be ‘his James Bond’.

“If I could make any movie, it would be James Bond” he told the website, “I’ve always loved the genre but I don’t think they’ll hire an American director to direct a James Bond movie… so for me, Spy Hunter is an opportunity to create a new spy franchise.”

An interesting idea, but what does Fleischer make of directing a video game adaptation? “It sounds silly, but [Spy Hunter] was my favourite video game when I was a kid and it had a great title and a great theme song, but there's no real other associations that people have with it other than a cool car, so I feel like there's a lot of room for us to invent a new character and a new series.”

The Zombieland director is still unsure if he’ll helm the project which has also seen directors John Woo (Face/Off), Paul W.S. Anderson (Resident Evil) and screenwriters Michael Brandt (Wanted), Zak Penn (The Avengers) and Stuart Beattie (G.I. Joe: The Rise of Cobra) unsuccessfully attempt to adapt it to the big screen.

Spy Hunter was a 1983 arcade game from Midway which was then ported to home consoles like the NES, Atari 2600, Amstrad CPC, ZS Spectrum, Commodore 64, ColecoVision and the BBC Micro and spawned clones like Action Fighter for the Sega Master System. It was re-booted with 3D graphics for the Playstation 2, Xbox and Gamecube in 2001 and recently had a newer version released for the Playstation Vita.

Dennis Haysbert talks Sin City: A Dame to Kill For

$
0
0
A couple of weeks ago it was confirmed that Dennis Haysbert would replace the late Michael Clarke Duncan as Manute in Robert Rodriguez and Frank Miller's upcoming comic book adaptation Sin City: A Dame to Kill For, and now the former 24 star has taken a moment to discuss the role in an interview with SuperHeroHype:

"I haven't finished working out to the capacity that I need to, but he's going to be different. This is playing as a prequel, so it should work out," said Haysbert, whose other screen roles include the feature films Major League, Far From Heaven, Jarhead and Goodbye Bafana. "It's going to be my character, but I've spoken extensively with Frank Miller and Robert [Rodriguez] about what they want with the character and yes, it has to have some feel of what Michael did but I have to make it my own."

Haysbert also discussed the process of working with Rodriguez and Miller on set: ""Robert sets up the camera and he does a lot of the hands-on directing but Frank is very astute and very good at watching from a distance and just coming in and popping in a few things in your ear that really solidifies it. Because he comes from that comic book approach and everything is storyboarded so you have a clear idea as to what you want to do and what he wants. It's a very cool process."

Sin City: A Dame to Kill For is set for release on October 4th, 2013, with a cast that includes Jessica Alba as Nancy, Mickey Rourke as Marv, Jamie Chung as Miho, Rosario Dawson as Gail, Jaime King as Goldie / Wendy and Michael Madsen as Bob.

A new Star Trek Into Darkness theatrical trailer released online

$
0
0
After giving us our first look at J.J. Abrams' Star Trek Into Darkness a couple of weeks ago with the release of an online exclusive announcement trailer, Paramount Pictures has now debuted the full-length theatrical trailer for the hotly-anticipated sci-fi sequel, which has been screening in select cinemas this past weekend with Peter Jackson's The Hobbit: An Unexpected Journey.

Running at just under two minutes in length, the new trailer doesn't really give too much away, but it is packed with plenty of exciting footage, including a few more shots of Benedict Cumberbatch's villain 'John Harrison', along with some tantalising glimpses at the film's large-scale action sequences and the devastation that's set to be unleashed by Cumberbatch's 'one man weapon of mass-destruction'...


Star Trek Into Darkness sees Chris Pine (Kirk), Zachary Quinto (Spock), Zoe Saldana (Uhuru), Karl Urban (Bones), Simon Pegg (Scotty), John Cho (Sulu), Anton Yelchin (Chekov) and Bruce Greenwood (Pike) all reprising their roles from 2009's Star Trek. Newcomers to the cast include Peter Weller (RoboCop), Nazneen Contractor (24), Noel Clarke (Doctor Who), Nolan North (Young Justice) and Alice Eve (Men in Black 3), with the latter confirmed as portraying Dr. Carol Marcus of Star Trek II: The Wrath of Khan fame.

Star Trek Into Darkness is set for release on May 17th, 2013.
Viewing all 7138 articles
Browse latest View live