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Special Features - The Top Ten Movie Presidents

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Jake Wardle selects his top ten movie presidents...

As the US of A nears the end of a near 2-year election campaign, they face a choice, an enormous, historic choice, between the charismatic, compassionate Barack Obama and the Tyrell Corporation’s most sophisticated android, Willard Mitt Romney. The polls point to a close result, but whoever prevails, they face a tough task – historic levels of Government debt, an unstable Middle-East, and the very real possibility of a hostile alien invasion. Still, if movies have taught us anything about American Presidents, it’s that they’re uniquely equipped to deal with the latter. Here then, to celebrate the 57th election for the President of the United States, are ten of the best movie presidents:

10. Jack Stanton (John Travolta) – Primary Colours


Buoyed by John Travolta’s terrific performance, ‘Charismatic Southern Governor’ Jack Stanton, a thinly veiled version of Bill Clinton, is a truly memorable screen president, despite not actually holding the position for most of the film. He’s great though, with Travolta perfectly capturing Clinton’s peerless political acumen, his ability to connect with the common man, and his ‘aw shucks, sorry I slept with the intern again’ smile. Who wouldn’t vote for him?

9. Andrew Shepard (Michael Douglas) – The American President


Before the West Wing, there was The American President, Aaron Sorkin’s first attempt at a fairytale alternative to the political reality. Like Jed Bartlett, Shepard is Liberal, principled and almost impossibly eloquent. Balancing a burgeoning romance with Annette Bening’s Lobbyist with his fight for re-election, Shepard battles with his conscience over a crime bill before ending the film with an impassioned speech on gun control. It’s all very unlikely, but exhilarating.

8. Richard Nixon (Anthony Hopkins) – Nixon


It might seem unfair for Richard Nixon to be represented twice on this list, but Nixon fans (do they exist?) really have been spoilt for choice on the big screen. In the under-appreciated Nixon, Stone paints Tricky Dick as a Shakespearean tragic figure, hiding out in the fortress of his White House, erratically considering his impending downfall at first with anger, and then an eerie calm. It’s a credit to Hopkin’s performance that he can make such a cold figure (almost) sympathetic.

7. John Adams (William Daniels) - 1776


Ah 1776, when men were men, America was British and all political debate was done through the medium of song. History may have forgotten the stirring voice of John Adams, but 1776 didn’t. He may not have technically been president in the time-frame of the film, but look at him move!


6. Merkin Muffley (Peter Sellers) - Dr Strangelove


One of three roles played by Peter Sellers, President Muffley is, despite his best efforts, unable to prevent a global nuclear war after one of his generals ‘went and did a silly thing’ by bombing Russia. He’s proud, and never tires in his attempts to keep the peace, but he’s just not very good at his job.


5. Richard Nixon (again) – All the President’s Men


A cheat perhaps, but nobody could play Richard Nixon like Richard Nixon, despite the best efforts of Messrs Hopkins and Langella, among others. Appearing only in news footage and photographs, his shadow hangs over the entire film, his sweaty, nervous grin never letting up despite Woodward and Bernstein’s increasingly devastating discoveries. Creepy.

4. Tom Beck (Morgan Freeman) – Deep Impact


Like many Presidents on this list, Tom Beck is forced to deal  with an unprecedented threat to the safety not only of the United States, but the world, and while most would lose their heads, or make irrational decisions, Freeman’s Beck is instead exactly the leader we would want in a crisis. Calm, strong and inspiring. He is a uniting figure, believing that the goodness of humanity will ensure their survival in the aftermath of the collision with an enormous meteor. ‘Life will go on, we will prevail’ he tells us, and you believe him.


3. Thomas Whitmore (Bill Pullman) – Independence Day


His big speech may be cheesy, but it’s stirring, and it’d probably do the trick when humanity was about to take on a large-scale alien invasion. Points are also awarded for leading by example: getting in a fighter-jet himself, which for all his rhetoric, President Obama would probably never do.


2. The President (Henry Fonda) – Fail Safe


Faced with a similar conundrum to Strangelove’s President Muffley, Henry Fonda’s unnamed president does a far better job, and makes a near impossible call – allowing the Russians to bomb New York in retaliation for their accidental strike on Moscow. It’s a decision that saves the civilized world, which is a good days work by anyone’s standards.

1. James Marshall (Harrison Ford) – Air Force One


Like an infinitely less cheesy version of Independence Day’s President Whitmore, Harrison Ford’s President Marshall is no less tough, showing some real leadership skills by delivering some ‘Marshall’-Law (ha!) to the terrorists aboard Air Force One. Being a Vietnam veteran, Medal of Honor recipient and all-round badass, he’s exactly the commander-in-chief you’d want in this situation, but really he tops the list for kicking Gary Oldman out of a plane.


Glorious.

Who's your favourite movie president? Feel free to let us know in the comments...

Jake Wardle

First teaser poster for World War Z

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Paramount Pictures has released the first teaser poster from the highly anticipated and much delayed Marc Forster (Quantum of Solace) zombie thriller World War Z...


The film starring Brad Pitt (Fight Club) is based on Max Brooks' best-selling novel World War Z: An Oral History of the Zombie War and revolves around United Nations employee Gerry Lane (Pitt), who travels the world in a race against time to stop a Zombie pandemic from spreading and ultimately destroying the world as we know it. The film also stars Mireille Enos (The Killing), who plays Gerry's wife Karen Lane, as well as James Badge Dale (The Departed), Matthew Fox (Lost) and David Morse (The Green Mile).

World War Z has been dogged with issues with several writers brought on board for script rewrites, so Matthew Michael Carnahan (Lion for Lambs) and Damon Lindelof (Lost) both share writing credits. The zombie thriller was originally set for a December 2012 release, however the production suffered some setbacks with several weeks of reshoots needed, so the film is now due for release in the U.S on June 21 , 2013.

Hopefully it will be worth the wait and as a further treat Paramount has promised a full trailer will be released this Thursday, so stay tuned.

Skyfall continues to break records at the UK box office

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UK box office top ten and analysis for the weekend of Friday 2nd to Sunday 4th November 2012...

After securing the highest-ever seven day total at the UK box office in its first week of release, Sam Mendes' Skyfall (read our reviews here, here and here) continues to break records on home soil, becoming the fastest film to break £50m with a grand total of £53,440,685 after just 10 days in play thanks to an impressive second-weekend haul of £16.1m. By close of play on Sunday, Daniel Craig's third outing as 007 was just under £3m short of the £56.2m amassed by The Dark Knight Rises this summer, meaning that Bond's twenty-third official screen adventure is already the second-highest grossing film of 2012 on these shores, and will overtake Christopher Nolan's Batman swansong to proudly sit in first place this week.

Moving on and despite being overshadowed by Skyfall's success, Madagascar 3: Europe's Most Wanted holds firm in second place, with the CG-animated sequel pulling in a healthy £17.6m after three weekends to leave it outperforming both of its predecessors at the same point in time. Meanwhile, the horror sequel Silent Hill: Revelation opened in third place with £1,043,068, helped along by two days of preview screenings to capitalise on Halloween, while Hotel Transylvania also benefited from All Hallows' Eve, climbing one place to fourth ahead of the action sequel Taken 2. Less fortunate was the teen trick or treat comedy Fun Size, which opened in sixth with £410,028 (including two days of previews), along with Paranormal Activity 4, which slipped three places to finish up in seventh in its third weekend on screens.

Shifting towards the bottom of the chart, and after claiming the top prize at the London Film Festival, Jacques Audiard's Rust and Bone debuted in eighth with a decent enough £252,099 from just 84 screens. Meanwhile Halloween failed to inject any life into Tim Burton's Frankenweenie - the black-and-white stop motion animation slipping two more places to seventh in its third weekend of release - nor was it much help to Sinister, which fell four spots to round out the chart in tenth after five weeks on screens.

Number one this time last year: The Adventures of Tintin: The Secret of the Unicorn

1. Skyfall, £16,107,687 weekend; £53,440,685 total (2 weeks)
2. Madagascar 3: Europe's Most Wanted, £2,863,112 weekend; £17,619,560 total (3 weeks)
3. Silent Hill: Revelation, £1,043,068 weekend (New)
4. Hotel Transylvania, £810,821 weekend; £6,833,768 total (4 weeks)
5. Taken 2, £688,148 weekend; £22,275,928 total (5 weeks)
6. Fun Size, £410,028 weekend (New)
7. Paranormal Activity 4, £401,478 weekend; £5,487,985 total (3 weeks)
8. Rust and Bone, £252,099 weekend (New)
9. Frankenweenie, £234,465 weekend; £2,115,073 total (3 weeks)
10. Sinister, £180,783 weekend; £6,346,639 total (5 weeks)

Incoming...

Ben Affleck's acclaimed drama Argo (cert. 15) [read our review here] opens in UK cinemas this Wednesday alongside the Australian comedy The Sapphires (cert. PG), while Friday brings several newcomers, including the Kevin James MMA comedy Here Comes the Boom (cert. 12A) [read our review here], Alex Kurtzman's directorial debut People Like Us (cert. 12A) and the British romantic comedy-horror Love Bite (cert. 15), along with limited releases for the likes of Grassroots (cert. 15) [read our review here], The Joy of Six (cert. TBC), Mother's Milk (cert. 15) and My Brother the Devil (cert. 15).

Comic Book Review - 2000AD Prog 1807

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Luke Graham reviews the latest 2000AD prog...

Prog 1807 is a very special issue of 2000AD. Not to give too much away, but it was the first time in my reading of the comic where the strips... crossed over.

Cross-overs, where characters from one series appear in another series, are ubiquitous in American Marvel and DC comics, but I honestly don’t think I’ve seen it happen in 2000AD.

But not only do some of the characters cross over in this prog, it emerges that the stories of not two but three strips are fundamentally connected....

Judge Dredd: The Cold Deck, part two

Script: Al Ewing, Art: Henry Flint

It’s CSI: Mega-City this prog, with Judge Dredd resorting to some very crafty methods of finding the perp behind the murder of Judge Folger and the theft of an important microchip. Judge Roffman is the tech-expert Dredd approaches. The contempt Dredd shows to Roffman is one of the prog’s highlights.

Roffman uses the city’s trucks and robots to track down the perp, leading to a tense confrontation in a motel.

Al Ewing’s script is complex and very pacy. Flint uses some intricate and expertly constructed panel layouts to communicate a great deal of information, before building up tension in the last few pages. With Dredd still being observed by Bachmann, the strip ends in a very unexpected way. 

The Simping Detective: Jokers to the Right, part four

Script: Simon Spurrier, Art: Simon Coleby

An increasingly desperate Jack decides to sell the strange doll he’s acquired to a less than trustworthy buyer, working on behalf of an Overly profit Driven company. The deal goes south when a Judge bursts into the motel, and Jack is once more on the run, and once again confronted by a zealous black-ops judge.

Forced to sacrifice his raptaur Larf to get away, Jack’s left with nothing but the shoes on his feet and the red-nose on his, er, nose.

This is another exciting chapter of Jack Point, with lots of action and tension. Spurrier puts less effort into the narration in this issue, favouring to push the plot forward and maintain momentum. Jack’s definitely being played the simp by somebody, and it becomes a little clearer in this prog who that might be.

Low Life: Saudade, part three

Script: Rob Williams, Art: D’Israeli

After killing a board-member of Overdrive Incorporated, Mr Overdrive, everyone’s favourite man/shark composition, reveals more of his plan to Dirty Frank. While a tear rolls down his fishy face, he shows Dirty Frank the giant, shark-themed (naturally) Luna-city he has secretly built.

In addition, Mr. Overdrive comes into possession of a list of very sensitive justice department information, giving him the true identities of every Mega-City operative. Frank now knows his mission: to get this list back from Mr. Overdrive in order to protect his fellow judges... and himself.

D’Israeli’s drawings are fantastic this strip, filling Dirty Frank’s face with character and detail. A relatively quieter, more dialogue driven strip, Dirty Frank carries the story, going from fear, to tension, to bewilderment to what is going on around him. If Dirty Frank was a real life person, he would have one of the best (and worst) poker faces.

ABC Warriors: Return to Earth, part eight

Script: Pat Mills, Art: Clint Langley

As usual, there is little to say about ABC Warriors. An action-packed episode, as Hammerstein storms the white house, fighting through droids and humans in order to reach the president, who is revealed to be a relative of and stooge to Quartz industries, the weapons manufacturers who build and sell the ABC robots.

An exciting and satisfying issue, it even had a few humorous moments, such as Mya’s alternative to armed warfare: single combat between world leaders. The strip ends on a cliff-hanger, with Hammerstein confronting the president, but struggling with the decision to pull the trigger.

Brass Sun: The Wheel of Worlds, part seven

Script: Ian Edgington, Art: I. N. J. Culbard

Another enthralling instalment of Brass Sun this prog, as Wren and Conductor Seventeen explore The Keep.

Conductor Seventeen (or C-17, I hope Edgington gives him a proper name soon) gives us some back-story on this strange little world, with its mad ruler and in-bred aristocracy. The Keep has deteriorated a great deal, and the pair come across a dead body, before becoming aware of something following them in the tall grass...

An unusually action-orientated episode of Brass Sun, the strip ends on a great cliff-hanger.  Culbard’s art is a visual treat this issue. The greeny-yellowish background is a nice contrast to the rest of the prog, with three out of five strips drawn in black and white.

Strip of the Week!

*Spoilers (more than usual) ahead* Strip of the week goes to Judge Dredd, Jack Point and Low Life this week. 2000AD delivered a master-stroke with its three-strip crossover this issue (you can guess how they cross over with my little clues in the reviews above). With this cross-over, each story suddenly acquired more depth: they were no longer happening in a vacuum, but were happening concurrently and directly affecting each other: Jack had the chip Dredd was chasing, Jack gave the chip to Overdrive, and now Dirty Franks has to sort out his mess.  It entices me to start making wild speculations about what is going on (is Bachmann influencing Jack? Who put Frank on the moon? Are Jack’s hallucinations and Frank’s flashbacks linked?) Only time will tell.


Luke Graham is a writer and graduate. If you enjoyed this review, follow him @LukeWGraham and check out his blog here.

Second Opinion - Argo (2012)

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Argo, 2012.

Directed by Ben Affleck.
Starring Ben Affleck, Bryan Cranston, Taylor Schilling, Kyle Chandler, John Goodman, Alan Arkin, Clea DuVall, Zeljko Ivanek, Tate Donovan and Victor Garber.



SYNOPSIS:

A CIA operative concocts an audicious plan to rescue six Americans who have found shelter at the home of the Canadian ambassador during the Iranian revolution.

 
The opening twenty minutes of Ben Affleck’s third directorial offering is some of the best cinema of 2012 and easily the best thing Affleck has done behind the camera. It is so good that it harms the rest of the film and Argo unfortunately never lives up to that promise despite a very good effort.

At its pinnacle of the opening scenes, Argo reminds us of 1970s filmmaking from the likes of Alan J. Pakula or Sidney Pollack, but in a way which doesn’t merely imitate their styles, but would fit right in next to The Parallax View, All the President’s Men, or Three Days of the Condor. The costume, set design, and the brown / grey / mustard colours and tones perfectly place the action in the late 1970s and Affleck captures an anger and panic which sets up the political backdrop in Iran and subsequent story perfectly and the film is immediately one of 2012’s best. The film even begins with a period Warner Bros. logo with artificial scratches and specks on the screen to further evoke the 1970s feel, even though this is not a technique this reviewer likes.

Argo mixes in an uneasy balance of drama and humour as the introduction of the fake film (‘Argo’) is brought in and the Get Shorty-style set up takes away from the serious threat Affleck showed in the opening scenes, taking the audience away from the threat in Iran at a crucial time. Moreover, the film is based on a true story but that does not necessarily mean it works as a two hour motion picture; the story of what happened behind the scenes is interesting but because Affleck’s character doesn’t actually do anything which translates to a thrilling experience at the cinema (despite it being brave nonetheless), it leads the film to disappoint in the final third, which should be its most entertaining.

The film goes from low-key intelligence to all-out thriller when the escape of the American citizens finally happens. As director, Affleck tries too hard to make the film exciting with the sheer amount of objects the crew have to overcome and the feeling of the director manipulating your emotions is far too apparent when a greater degree of subtlety was needed. Even when their airplane is taking off, Affleck makes it look like the beginning chase in Face/Off and the score is totally out of synch with the rest of the film’s music. The director’s choice to make the story into something it is clearly not is a major flaw and something which, in the hands of the aforementioned Pakula or Pollack, would simply not have happened and sends Argo thudding very much back into 2012.

Despite the final act problems, Argo remains a competently made film with a superb beginning. The overall story, however, may make for a better History Channel documentary than it does a Hollywood movie.

Flickering Myth Rating - Film: ★ ★ ★ / Movie: ★ ★ ★

Rohan Morbey - follow me on Twitter.

Making Waves: Justin McMillan & Chris Nelius talk about Storm Surfers 3D

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Trevor Hogg chats with Australian documentarians Justin McMillan and Chris Nelius about Storm Surfers 3D...


Russ Clarke-Jones and Tom Carroll
When he had his first meeting with Australian tow-surfing legend Russ Clarke-Jones seven years ago, little did filmmaker Justin McMillan realize that their creative relationship would result in four documentaries.  “We pitched on Russ’ life story where he was making it with one of his friends from Red Bull,” recalls a jet-lagged McMillian while promoting Storm Surfers 3D at the Toronto International Film Festival with co-director Chris Nelius. “I ended up winning the pitch to direct the film.  I found that I needed more long form experience than I had and that’s how I met Chris [Nelius].  We made The Sixth Element: The Russ Clarke-Jones Story [2006] together and in the process of making it we became good friends with Russ himself.  We met Tom Carroll and while we were editing it we could see them darting off and chasing waves around the world.  It all happened at the time where that whole reality observational documentary was taking off a little bit. The Deadliest Catch [Discovery, 2005 to present] was coming out. We were like, ‘Hang on.  If people are going to watch crab fishing and think that’s cool just because you can die then what about these guys?  These guys are as engaging as any of those boat captains.’ We ended up pitching the television show concept to Discovery Channel Asia and they picked that up; from there we started working together.”

  
Justin McMillan and Chris Nelius
The two Aussie collaborators come from different backgrounds.  “I went to the Australian Film and Television School in Sydney,” says Chris Nelius.   “I did sound but then when I was there I started getting into making documentaries and stuff like that.  Justin comes from the advertising world so he directed commercials in Australia.”  Justin McMillan observes, “The good thing about commercials is the fact that you’re shooting different things all the time.  You’re figuring out how to get shots quickly with production value.  I was fortunate enough that both of these schools have been able to borrow from each of them.  All of the people in our gripping and lighting departments come from the commercial relationships that we have; they helped in this because everyone in commercials wants to do long form, and everyone who is doing long form wants to make the odd commercial.”   The additional complication for the documentary duo with Storm Surfers 3D was shooting the footage in native stereo rather than rely on the post-conversion process.  “Part of the way we financed the whole thing in 3D was we were commissioned by a new network in the States called 3net,” explains Nelius.  “It is a 3D TV station owned by Sony and the Discovery Channel; they chipped in and said, ‘Give us 3D TV big wave surfing.’  The way financing works is like a domino effect; once you have the first one go down it’s easier to get the other ones.  They kicked it off and we were dumb enough to say, ‘Yes.’ because 3D is so hard.”


“Anything that went in the proximity to the water was housed,” states Justin McMillan when addressing how the camera equipment was protected from the natural elements. “Everything that was on a boat wasn’t a hundred percent watertight; it was probably 80 percent watertight in terms of the shell coverings because what needs to happen is if you have a big side by side rig where everything is connected.  You need to access it just incase anything goes wrong.  We had custom built shells around all of the componentry.  It was a constant evolution of, ‘When we’re here this happened and I needed to get that.’  We’d go home and engineer another piece of it.  All of the systems kept growing and improving throughout the course of the production.  We never stopped building and designing.”  A miniature piece of equipment was utilized to put the viewer on the surfboard with Russ Clake-Jones and two-time world champion Tom Carroll.   “The GoPro camera is an ingenious HD camera which is smaller than a cigarette package,” remarks Chris Nelius.  “It comes out of California and has revolutionized sports filmmaking.  They can place cameras in places they never could before.  It gives you a beautiful 1080 image that can be blown up on a big screen and still hold together because it’s such a tiny camera.  They had just finished their first production of a 3D version of that camera.  We connected with them, and they sent us cameras and said, ‘Go and use them.’  We were lucky to have access to those cameras.”


“In what we do there isn’t, ‘Hang on, don’t catch that wave because our camera has gone out of sync,’” states Justin McMillan when discussing the biggest challenge for the production.  “It’s all about being prepared,” remarks Chris Nelius.  “80 percent of what we were doing was problem solving.  It was like being in the army.  We had to motivate our soldiers to be ready.  We had to be everywhere two or three hours before we had to be shooting in 3D so to be prepared.  We doubled and tripled checked so when we were out there so we could capture the moment.”  The task of orchestrating the documentary required two minds rather than one.   Your brain would explode if you were trying to think of everything with the amount of unforeseen problems that you have on the day,” says McMillan.  “Someone needs to deal with the problem while the other person is moving the show along.  The guys out in the water trust that you know what you’re doing enough that if they’re going to risk their life for something it’s going to be captured and captured correctly.  The whole day is literally capitalizing on story points that are evolving and ensuring your original camera plan is going to plan.”  Working out the aerial footage was straightforward.  “It’s all about timing.   We need a helicopter to turn up at the last possible moment when we’re ready and just about to surf to maximize the amount of our gas in the air because they have a limited time.  The civil aviation authority will only allow you to fly over with a certain amount of fuel on off-shore locations. There are all of these things that need to be taken into account, but because we’ve been doing it for awhile now we have gotten it down to a bit of a science.”


“In one situation we were down the South coast and the swell was literally marching up the coast,” remembers Justin McMillan.  The talent wanted to chase this swell and we were like, ‘We’re all exhausted but we have to because we don’t know if the waves are going to come back again. This might be all we get.’  Then it goes from documenting that as well as organizing it while you’re on the road running.  You go, ‘At what point is this becoming not safe?’  I’m not talking about being in the ocean.  I’m talking even people driving through the night.  You’re making those decisions on the fly as a director.”  Storm forecasting is not entirely reliable.  “It’s always like a 15 to 20 percent margin it will be crap.  98 percent of the time there will be waves but its how big and what standard which effects the way you film, whether it will make the cut, and the impact that it has on the crew.  On a big heavy beaten day everyone comes in with the shit beaten out of them.  They’re windblown, fatigued, and there’s salt through all of the camera equipment, you’ve got to clean all night.  It’s a nightmare.”  A different tactic was employed for Storm Surfers 3D compared to what was done for Storm Surfers, Dangerous Banks (2008) and Storm Surfers: New Zealand (2009).  We took the risk out of going to somewhere we didn’t know as the basis of the film.   We said to ourselves, ‘Let’s take a little bit of pressure off and take these guys to areas where we know we’re going to get waves.’”  Chris Nelius believes, “If we hadn’t made previous films in 2D I don’t think we could have pulled this off. Certainly not to the degree we got to.  It’s a funny thing.  There’s a reason why we did all of those things in 2D.”


“For me the journey of the music in this film and the sound design that accompanies it controls my emotions throughout the viewing experience way more than the pictures do,” states Justin McMillan.  “The guys who composed the tracks have nailed those moments where you feel uplifted when you’re suppose to feel uplifted. You feel that sense of accomplishment when you’re supposed to; that’s the ingredient in there which worked better than what I thought it was going to be.”  Chris Nelius adds, “The other factor that helped the sound design was that from the beginning we put microphones on the guys when they’re on the wave, the jet skis and communicating with each other. When you hear that sound design as a viewer it puts you closer into the scene.  Within surfing before or maybe other action sports, you have not had that access before.  Hearing what they’re saying for us got you more in there and made you give a damn about the guy on the wave instead of it just being a pretty picture.”


“We come from Sydney which is a surfing city,” states Chris Nelius.  “At the same time that wasn’t our impetuous to do it. The reason that we are here is because of whom Tom and Russ are. They are two in a million, inspirational, funny, and their inner child is present, alive and out in the open. We love them and we wanted other people to meet them and learn to love them as well.  For sure, none of this 3D would have happened if it wasn’t for who they are as characters because it doesn’t matter what film you are making if you don’t have characters first.”  Life-threatening moments do happen such as when a huge wave takes Tom Carroll underwater during a scene shot at a secret reef known as Turtle Dove Shoal. “We’re all close friends.  It’s a dichotomy.  We never pushed them to do anything that they didn’t want to do.  We’re certainly not that type of filmmaker.  We’re not the crazy hair brain, push the actor to the edge or push the talent to do something they don’t want to do for the sake of a brilliant film or anything like that.  Luckily for us Russ and Tom, they are their own motivation to do stuff like that.”  Storm Surfers 3D made a major splash at the Toronto International Film Festival as it was honoured with a second place finish in the Documentary category for the BlackBerry People’s Choice Award.  As for whether a shift from documentaries is in the future for the Australian duo, Nelius remarks, “We might have different ideas on what things to do but I certainly think that it would be an awesome big wave Cloverfield [2008] meets Storm Surfers!”


Justin McMillan and Chris Nelius TIFF photograph by Matt Carr/Getty Images Copyright © 2012 Getty Images. All rights reserved.

Productions stills and promo video courtesy of 6ixty Foot Films.

Many thanks to Justin McMillan and Chris Nelius for taking the time to be interviewed.  

To learn more visit the official website for Storm Surfers 3D and read our TIFF review here.

Trevor Hogg is a freelance video editor and writer who currently resides in Canada.



Batman: The Dark Knight Returns, Part 2 cover art and release date

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Warner Bros. Home Entertainment has announced that the next installment in the DC Universe Animated Original Movies line - Batman: The Dark Knight Returns, Part 2 - will arrive on Blu-ray, DVD and Digital Download on January 29th, 2013. The movie will be accompanied by featurettes, 3 classic DC bonus cartoons and a digital comic, as well as a sneak preview of the Man of Steel's next animated adventure, Superman: Unbound. Here's the official cover art for the direct-to-video feature:>


"Batman: The Dark Knight Returns, Part 2 picks up where the first left off with Batman (Peter Weller; RoboCop) having returned to Gotham with an all new Robin (Ariel Winter; Modern Family), however not everyone is welcoming him back to the streets. Gotham City's police are on a manhunt for the Batman as is the newly released Joker (Michael Emerson; Lost). As Batman attempts to stop the Joker one last time, the United States goverment teams up with Superman (Mark Valley; Human Target) to bring the Dark Knight down for good."

Holy Franchise, Batman! Bringing the Caped Crusader to the Screen - Available now via Amazon.co.uk and Amazon.com

Giveaway - Win Tour of Duty: The Complete Collection on DVD

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For the first time ever, all 58 full length episodes of the Emmy Award-winning Tour of Duty will be available here in the UK from Monday, November 19th as Fabulous Films and Freemantle Media Enterprises releases the explosive Tour of Duty: Season 3 and Tour of Duty: The Complete Collection on DVD, and to celebrate, we have one box-set of The Complete Collection up for grabs, as well as three runners up prizes of Season 3.

Read on for a synopsis and details of how to enter the competition...

"The Vietnam War lasted 19 years & 180 days, from November 1st 1955 to the Fall of Saigon on April 30th 1975. Tour Of Duty was the first television series to dramatise the events. A ground-breaking and thought provoking action series, Tour Of Duty followed the exploits of Bravo Company during combat duty in the unfamiliar and hostile terrain of South-East Asia, and featured guest star appearances from Lee Majors (The Six Million Dollar Man, The Fall Guy) Angela Bassett (How Stellar Got Her Groove Back, What’s Love Got To Do With It), Michael Madsen (Reservoir Dogs, Kill Bill Vol. 1 and 2), Malcolm Jamal-Warner (The Cosby Show), Greg Germann (Ally McBeal) and Carl Weathers (Rocky). "


To be in with a chance of winning, firstly make sure you like us on Facebook (or follow us on Twitter)...



...Then complete your details below, using the subject heading "DUTY". The competition closes at midnight on Saturday, November 24th. UK entrants only please.

 
 By entering this competition you agree to our terms and conditions, which you can read here.

Giveaway - Celebrate the release of Silent Hill: Revelation by winning the Silent Hill HD Collection

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To celebrate the Halloween release of the second instalment of the Silent Hill horror franchise -Silent Hill: Revelation 3D-we have teamed up withLionsgate UK to give two winners the chance to get their hands on a copy of the Silent Hill HD Collection for either Xbox 360 or PS3.

Read on for a synopsis and details of how to enter the competition...

"For years, Heather Mason (Adelaide Clemens) and her father (Sean Bean) have been on the run, always one step ahead of dangerous forces that she doesn’t fully understand. Now on the eve of her 18thbirthday, plagued by terrifying nightmares and the disappearance of her father, Heather discovers she's not who she thinks she is. The revelation leads her deeper into a demonic world that threatens to trap her in Silent Hill forever..."


Silent Hill HD Collection combines two classic spine-chilling Silent Hill titles from the past and brings them to the Xbox 360 and PlayStation 3 for the first time ever. Introducing Silent Hill 2 Restless Dreams and Silent Hill 3 with enhancements including true high-definition graphics, this offering gives new fans and old fans the opportunity to experience the early era of Silent Hill as a true genre-defining experience with the added value of two games.

To be in with a chance of winning, firstly make sure you like us on Facebook (or follow us on Twitter)...



...Then complete your details below, using the subject heading "SILENT HILL XBOX" or "SILENT HILL PS3". The competition closes at midnight on Saturday, November 24th. UK entrants only please.

 
 By entering this competition you agree to our terms and conditions, which you can read here.

Gemma Arterton and Benedict Cumberbatch join Monty Python comedy Absolutely Anything

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Gemma Arterton (Clash of the Titans, Prince of Persia: The Sands of Time) has signed on and Benedict Cumberbatch (War Horse, Tinker Tailor Soldier Spy) is in talks to star in the long-gestatingcomedy Absolutely Anything, which most of the Monty Python team are involved with.

The film follows a teacher who discovers he has magical powers that allow him to wipe out classrooms of badly behaved students and bring people back to life. As he learns how to control these powers, he experiences a series of mishaps.

Absolutely Anything is being directed by Terry Jones, and will include voiceovers from Jones and fellow Pythons Terry Gilliam, Michael Palin and John Cleese, along with Robin Williams.Jones also co-wrote the film withGavin Scott, and filming is due to start early next year. 

Arterton can next be seen in the comedy drama Song for Marion with Christopher Eccleston, Vanessa Redgrave and Terence Stamp, and Hansel and Gretel: Witch Hunters opposite Jeremy Renner. Cumberbatch's next projects include The Hobbit: An Unexpected Journey and Star Trek Into Darkness. 

Michael Bay now keen on Mark Wahlberg for Transformers 4

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A couple of weeks ago, it was rumoured that Michael Bay was looking to reunite with Mark Wahlberg, the star of his upcoming bodybuilding caper Pain and Gain, for the fourth instalment in the blockbuster Transformers movie series. While Bay subsequently poured cold water on the speculation, it seems that the filmmaker has now had a change of heart and has taken to the internet today to post an update on his official site, suggesting that the former Marky Mark may indeed line up alongside the Autobots and Decepticons in the forthcoming sequel.

"I squashed a rumor that was on the internet last week. It was about Mark Walhberg. Mark was rumored to be staring in Transformers 4. We are working on another movie together, not T4. I had such a great time working with Mark on Pain and Gain, and he gave such a great performance – well let’s say that very internet chatter gave me some ideas. We are at the inception of our story process right now on T4. Let’s say some ideas are gaining traction with me and my writer – so I’m here to say thanks internet chatter."

Transformers 4 is expected to see wholesale changes to the franchise, particularly in terms of the human cast members, although Bay has confirmed that Peter Cullen will once again lend his voice to the Autobot leader Optimus Prime. The script for the as-yet-untitled sequel is currently being written by Ehren Kruger (Transformers: Revenge of the Fallen, Transformers: Dark of the Moon), and the film is slated for release on June 27th, 2014.

Comic Book Review - Godzilla: The Half Century War #3

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Luke Owen on the latest issue of Godzilla: The Half Century War...

I said in my Godzilla Issue #6 review that Godzilla: The Half Century War was getting a lot of praise from critics and fans alike and to be honest, I didn’t quite get it at first. One review I read of Issue #1 said that this was the best drawn comic he’d ever read and while I was impressed with it, it didn’t blow me away. I stuck with the series however and Issue #2 was a turning point and by the final page of Issue #3, I was totally sold. This series is epic.

This is a fantastic comic not just for fans of the Godzilla franchise, but comic fans in general. Writer and artist James Stokoe has created some of the best visuals that have ever been put to page with a group of characters that you can buy into. Ota is a likeable lead that was there for Godzilla’s first attack on Tokyo, tracked him through Vietnam and is now stuck in the middle of a warzone in Ghana. His narration and dialogue convey so much of his torture and his desire to be the one who brings down the beast. His supporting cast are also very likeable, especially the hippy stoner. I’d like to see them a little more developed then what they are, but the main crux of this Half Century War is the relationship between Ota and Godzilla.

Perhaps the true turning point for me on this series was the introduction of the other monsters. Godzilla’s fight with Anguirus in Issue #2 was pretty epic, but here we have an all-out monster rumble with Godzilla, Rodan, Ebirah, Mothra, Megalon, Kumonga, Hedorah and Battra. If you’re a fan of the Godzilla franchise and you recognise those names, you will understand just how exciting that is. It makes you wonder where the series can go from here to top this. My only hope that the final Issue will be a replica of Godzilla: Final Wars or Destroy All Monsters. The tease for the next issue (at least to me) suggests that we’re getting the alien side to the classic kaiju. So perhaps next month we’ll be seeing the likes of Gigan, Mechagodzilla, Spacegodzilla and (fingers crossed) King Ghidorah.

While I always admired Stokoe’s handy work on the art for this series, I was completely blown away the incredible two page splash of Godzilla blasting his atomic breath, just missing Kumonga during his fight with Megalon with Mothra flying overhead and Rodan crashes into a building. The level of detail and the richness of the colour is spellbinding. It’s worth picking up this comic for this splash alone (it’s now my desktop wallpaper). Even little things like his attention to the smallest of details on Mothra and Ebriah is impressive, but each and every panel of this wonderful comic draws you in.


Stokoe’s writing is also really impressive and his level of humour acts as the perfect counterpoint to the amount of violence happening around the characters. Ota’s 7 page opening narration never gets boring and does a great job of bridging the gap between the events of the previous issue. I’d go as far as to say that James Stokoe is one of the finest people working within the comic book industry today. The level of brilliance this series has held (my reservations of the first issue aside) is on such a higher level than most comic books.

Seriously go out and pick up this book. It’s quickly become the highlight of my comic month and it just highlights some of the problems that the regular ongoing series has. Godzilla: The Half Century War is just awesome.

Luke Owen is a freelance copywriter working for Europe’s biggest golf holiday provider as their web content executive.

Man of Steel getting the 3D post-conversion treatment

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Warner Bros. and Legendary Pictures have announced that the upcoming Superman reboot Man of Steel will receive a 3D post-conversion ahead of its much anticipated release next summer. "The film is going to be a visually exciting experience in all formats: 2D, 3D and IMAX," said director Zack Snyder (Watchmen, Sucker Punch) in a press release confirming the news. "Anticipating how audiences today embrace 3D, we designed and photographed the movie in a way that would allow Man of Steel to captivate those movie goers, while respecting fans who prefer a more traditional cinematic experience. We’ve taken great measures to ensure the film and the story come first, and 3D is meant as an enhancement."

Man of Steel has been written by David S. Goyer (Batman Begins) from a story by Goyer and Christopher Nolan (The Dark Knight Rises), who also produces. The film sees Henry Cavill (The Tudors) stepping into the role of the Last Son of Krypton alongside a supporting cast that includes Amy Adams (The Fighter) as Lois Lane, Michael Shannon (Revolutionary Road) as General Zod, Kevin Costner (Dances with Wolves) as Jonathan Kent, Diane Lane (Unfaithful) as Martha Kent, Laurence Fishburne (The Matrix) as Perry White and Russell Crowe (Gladiator) as Jor-El. 

Man of Steel is currently scheduled for release on June 14th, 2013. 

Movie Review - Skyfall (2012)

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Skyfall, 2012

Directed by Sam Mendes.
Starring Daniel Craig, Judi Dench, Javier Bardem, Ralph Fiennes, Naomie Harris, Albert Finney, Bérénice Marlohe, Rory Kinnear, Helen McCrory, Ola Rapace and Ben Whishaw.

 
SYNOPSIS:

Bond’s loyalty to M is tested as her past comes back to haunt her.  As MI6 comes under attack, 007 must track down and destroy the threat, no matter how personal the cost.


Warning: Some Spoilers follow!

Let's start by the bucking the trend of unanimous praise and addressing Skyfall's major flaw. Is there a truly jaw dropping action sequence? Yes, many of you will sharply reply, have you not seen the pre-titles sequence? It's certainly true that the early action in Istanbul is impressive, exotic and engaging. You cannot get more outrageous and dazzling than that digger sequence on the train. There is also plenty of variety, with the action hurtling along from shadowy apartment, to four wheeled and two wheeled pursuit, before crashing down onto the train tracks in breathless but effortlessly stylish fashion.

However, Sam Mendes (American Beauty, Road to Perdition) revealed in an interview with The Culture Show on BBC 2 that his benchmark for the opening action scene was Casino Royale's free running crane extravaganza, which culminated in a bruising embassy shoot-out. For me, the Istanbul chase sequence in Skyfall does not come close to the action spectacle in Casino Royale. This may well be because almost all of the pre-titles sequence has been showcased in trailers or promotional footage, dampening its impact in the cinema. I would prefer to see less of the key action sequence in future, but the marketing clearly worked, given the takings at the box office. Nevertheless, Casino Royale also has the Miami airport scene, the stairwell fight at the hotel and the somewhat overblown climax of the sinking house in Venice. Skyfall, for the majority of its runtime, plays out at a much lower key in terms of action. Even Quantum of Solace, for all its faults, has action scenes that could arguably trump Skyfall's. Its opening car chase and Siena based rooftop foot chase may feel like add ons to Casino Royale, with disappointingly Bourne-esque execution at times, but they remain excellent action set pieces.

Yet Skyfall is wowing critics, fans and ordinary cinemagoers at once. In the UK opening weekend and opening week box office records have been broken. How is it getting away with it? Surely Bond should be getting a grilling for failing to go bigger with the action, because bigger means better, right? Wrong. The reason for Skyfall's success is that good storytelling tops mindless and meaningless action spectacle every time. Casino Royale had a convincing love story and the added thrill of seeing a newly qualified 007. This gave its action sequences more punch, along with a refreshing, new, gritty approach. Skyfall's pre-titles sequence betters even Casino Royale in terms of drama though, and this is perhaps the most important ingredient in any action scene.

In many ways the pre-titles sequence of Skyfall sums up the entire film. It incorporates key elements of the plot by splitting the focus between Bond, Eve (Naomie Harris) and M's office back in London. After an incredibly sophisticated and iconic opening few seconds to the film, in which Thomas Newman's (The Shawshank Redemption) score and Roger Deakins' (A Beautiful Mind) cinematography lusciously combine (and not for the last time), Bond is faced with a dying fellow agent. His immediate reaction is to help but M issues stern orders to leave him and pursue an assailant with top secret information. The tension between Bond's operational instincts in the field and M's merciless, increasingly desperate objectives in the MI6 boardroom is instantly evident, and the thematic spine to the film is established. Mendes then uses all his expertise, from the world of theatre as well as film, to juggle an action sequence with many layers (he has compared it to Russian dolls), setting up new characters, relationships and plot points as well as thrilling his audience.

So crucially the action in Skyfall is plot focused, and this plays a role in ensuring that this is a really good film full stop, not just a good Bond film. Many reviewers have played up the similarities to recent superhero epics, such as The Dark Knight, that thanks to Christopher Nolan's (Memento, Inception, The Dark Knight Rises) darker edged talents brought previously laughable villains and protagonists brilliantly into the modern world. However, any Bond fan will rigorously dispute the influence of these films. There are some noticeable similarities, with glimmers of Newman's score resembling Hans Zimmer's Bat themed work and certain lines of dialogue echoing Nolan's trilogy, but most of these are coincidental. For the most part Newman's score cleverly references the Bond canon created by John Barry, even if David Arnold perhaps understands the series better. And John Logan's involvement with the script, originally drafted, as usual, by Neal Purvis and Robert Wade, has produced some classic Bondian dialogue with a twist. The real invigorating influence at work, as Daniel Craig is the first to point out, is Ian Fleming's original books.

Skyfall is a journey from Craig's modern, gritty Bond back towards a traditional, but refreshed, 007 dynamic with his allies. Some have seen it as disjointed but those behind Skyfall knew exactly what they were doing. In creating a story that pays homage to some key moments and themes of James Bond's 50 year cinematic history, the makers of Skyfall have allowed 007 to follow an arc that gradually restores humour and fun, along with some classic ingredients. All the while though a modern Bond is emerging, who is the best of the books and the films, and not at all dated.

The resurrection of some classic Bond allies is a very wise move that seems to have set up an exciting immediate future for Daniel Craig's tenure, as well as a secure, longer term legacy for his successor. Ben Whishaw (The Hollow Crown) and Ralph Fiennes (Coriolanus) are excellent additions, whilst Judi Dench (The Best Exotic Marigold Hotel) is given room to deliver her best ever performance as M. Of course a considerable chunk of Bond's character comes from his existence as a lone wolf but these moments that cast 007 as the solitary, wandering assassin are given greater weight in Skyfall because of his relationships with his friends, colleagues and employers. For example, my favourite action scene of the film is a shoot-out in Whitehall at an inquiry into M's competence. The sight of so many quality actors involved in such a bullet ridden scene gave me goosebumps, even during my second viewing of the film. Indeed, Bond's rush across London, which is mostly just him against the bad guy, with some fun touches from Whishaw's youthful Q, is equally riveting because we know he cares about the people in danger at the other end. There's also the thrill of watching a Bond film transform the tedium of the Tube into endless tunnels of possibility.

I haven't even mentioned Javier Bardem's (No Country for Old Men) blonde baddie, Silva. He provides the genuine threat that Quantum of Solace so seriously lacked. Only an actor of Bardem's calibre could pull off some of the absurdities of his character. His eccentric fashion sense, his homoerotic taunts and his delightfully scripted anecdotes make him unforgettable from the first time you see him. But it's his back story and his reasons for vengeance against M and MI6, physically embodied by his deformity, which makes him a great villain. From the moment we meet him Skyfall accelerates confidently into top gear with a burst of mad nitrous oxide into the tank. We've already been treated to the botched operation in Istanbul, Bond and MI6's decline, and Bond's partial reawakening in Shanghai and Macau's casino by the time we meet Silva. Bond's neon lit, stealthy approach of hired gun Patrice in Shanghai is a particular highlight, due to the gorgeousness of the visuals and the tension ramped up by the soundtrack. Bond's flirty conversation with Severine in the casino, and his knowing insights about her background, is also a great moment. But Silva's introduction takes us straight to the heart of the film.

In Skyfall we perhaps get closer to who James Bond is, and where he comes from, than ever before. Xan Brooks (of The Guardian) has criticised Skyfall for losing sight of what a James Bond film is and trying to do something too poignant, too clever. There will no doubt be those who agree with him. They will argue that taking the final third of the film to Bond's ancestral home in Scotland is a step too far. I disagree. As I've already said, Skyfall is both a good film and a good James Bond film. The two things needn't contradict each other. There are some conversations with emotional undertones, but they remain undertones. Bond never breaks down over the fact that he is an orphan. In fact his front of charm and bravery seems to thicken on home soil; it's as if he's returned home at last with a fine new suit to be proud of, and of course he's staying strong for M. The Oedipal nature of Skyfall has been discussed by almost every reviewer and I certainly believe it's been over hyped. Bond and M's mutual respect, and underlying tenderness, is undoubtedly a central pillar of the plot though. In my view, Bond's relationship with his family home and M gives Skyfall substance, and these relationships are handled perfectly by Mendes, who never undermines 007's traditionally solid character.

The action sequences on the moors of Scotland are refreshingly unique in the Bond series. They also invert the normal dynamic of a Bond film; rather than the story ending in a villain's lair, the villain comes home to Bond. Ultimately Skyfall's real climax takes place back in London, with the unveiling of some new allies and Bond receiving a symbolic gift; a British bulldog. The bulldog represents a very British sense of endurance and perseverance, embodied in the character of 007. But it also perfectly summarises the ability of the James Bond franchise to evolve and reinvent itself, so that James Bond will always, always return.

Unbelievably stylish, with a great story and a fantastic cast, Skyfall sets the template for a new James Bond formula. Craig and Mendes simultaneously embrace and kill off the old, so that 007 can be reborn into a new era.

Flickering Myth Rating - Film: ★ ★ ★ ★ / Movie: ★ ★ ★ ★

Liam Trim

Skyfall is released in the US on the 9th November 2012. It is also in UK cinemas now. 

DVD Review - A Very Harold & Kumar Christmas (2011)

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A Very Harold & Kumar 3D Christmas, 2011.

Directed by Todd Strauss-Schulson.
Starring John Cho, Kal Penn, Neil Patrick Harris, Danneel Harris, Paula Garcés and Danny Trejo.



SYNOPSIS:

Six years after their Guantanamo Bay adventure, stoner buds Harold Lee and Kumar Patel cause a holiday fracas by inadvertently burning down Harold's father-in-law's prize Christmas tree.


A Very Harold & Kumar Christmas is set several years after the shenanigans of its predecessors Harold & Kumar Get the Munchies, where the duo get into all sorts of trouble in the quest for the elusive White Castle burger, and Harold & Kumar Escape from Guantanamo Bay, which finds the twosome on the run from authorities who suspect them of being terrorists. Harold (John Cho) is now enjoying married life with his new wife Maria (Paula Graces) and has turned his back on the weed smoking lifestyle and is instead focusing on his successful career as a Wall Street banker while Kumar (Kal Penn) hasn’t really changed and is the same weed smoking layabout from the first two adventures. With Christmas fast approaching Harold is faced with a dilemma; with the arrival of Maria’s family (all 20 of them) who are staying for the holiday period he is tasked by his dominating, scary father in law Mr Perez (Danny Trejo) with decorating the family Christmas tree, which Perez has been meticulously growing for 8 years. Meanwhile a mysterious package addressed to Harold gets delivered to Kumar who decides to personally deliver the package and in true Harold and Kumar style they manage to burn down the precious Christmas tree. So the adventure begins to try and find a similar beautiful 12ft tree on Christmas Eve in order to avoid disappointing his wife and father-in-law and ultimately ruining the family Christmas.

A Very Harold & Kumar Christmas is filled with racially inappropriate jokes, slapstick comedy involving various people falling on their backside, outrageous politically incorrect humour such as babies smoking weed and sniffing cocaine and if you are familiar with Harold and Kumar’s previous escapades none of this will come as a surprise. The thing is all of the above just seems to work very well with these two characters. Penn and Cho have such a great natural on-screen chemistry so even though you can see the jokes coming well in advance and it’s not really anything you haven’t seen before, it seems to just work. Penn plays the weed-loving bum extremely well and his smart one-liners never fail to amuse. One of the most surprising things which has nothing to actually do with the film itself is the fact that the weed loving layabout Kumar played by Kal Penn in real life works for the President of the United States of America (which was referred to in the film as a joke). Penn works as the Associate Director of the White House Office of Public Engagement in the Obama administration and serves as a liaison with the Asian-American and Pacific Islander communities. This fact weirdly makes me appreciate his performance that little bit more, with the knowledge that the guy playing a socially inept bum is in real life a trusted advisor of arguably the most powerful man in the world!

There are also some noteworthy performances such as Amir Blumenfeld (Pranked) who puts in a very funny performance as Kumar’s nerdy new best friend who is on a quest of his own to “close the deal” with a female he met online with ensuing hilarious consequences. Bobby Lee (Pineapple Express) stars as Harold’s assistant and Tom Lennon (I Love You Man) puts in a decent if not a bit too clichéd performance as Harold’s new best friend who comes along for the ride with his young daughter. Neil Patrick Harris (How I Met Your Mother) returns with an extremely funny cameo performance where he pokes fun at his real life sexuality.

This film is everything you would expect from Harold and Kumar and the writing duo Jon Hurwitz and Hayden Schlossberg deliver a film that serves it purpose. This film targets a particular demographic, and some movie goers may find this particular brand of humour crass and unoriginal. However I think this is certainly one of the funniest comedies that I've watched this year because it has a nostalgic feel about it and takes us back to a time when comedies were made simply to make people laugh and they didn’t worry too much about offending people and upsetting a particular social group. This is a good old fashioned, silly comedy and keeps you entertained. The 3D portion of the film was unnecessary and consisted of several objects such as rollups of weed, eggs etc. being thrust into the screen but this adds to the fun as the film openly mocks the whole 3D phenomenon.

A Very Harold & Kumar Christmas is a very entertaining, funny, silly, absurd comedy which may not be highbrow intellectual humour but it is certainly guaranteed to put a smile on your face.

Flickering Myth Rating - Film: ★ ★ ★ / Movie: ★ ★ ★

Jeffrey Aidoo

First official image of Alexa Vega in Machete Kills

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Alexa Vega has revealed via her Instagram account the first official image of her character Killjoy in the forthcoming Robert Rodriguez directed sequel Machete Kills. The young actress has certainly aged well after bursting onto our screens as a 13 year old teenager in the 2001 movie Spy Kids (also directed by Rodriguez)...


Machete Kills is written and directed by Rodriguez and is the follow up to the popular 2010 film Machete starring Danny Trejo as the title character. The film also features a host of familiar names such as Jessica Alba (Sin City) and Michelle Rodriguez (The Fast and The Furious), who will be reprising their roles from the first film as well as newcomers such as Sofía Vergara (Modern Family), Amber Heard (Zombieland), Antonio Banderas (Desperado), Vanessa Hudgens (Sucker Punch), Cuba Gooding Jr (Jerry Maguire), William Sadler (The Green Mile), Charlie Sheen (Anger Management) and Mel Gibson (Braveheart).

The film sees Machete recruited by the US President to stop an arms dealer from launching a deadly missile. Recently Open Road Films picked up U.S. distribution rights to the movie but there's been no news on a release date as of yet.

Skyfall overtakes The Dark Knight Rises to become the highest-grossing UK release of 2012

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James Bond's latest adventure Skyfall has become the highest-grossing UK release of 2012, surpassing the £56.2m pulled in by Christopher Nolan's The Dark Knight Rises over a sixteen week period in just twelve short days. With £57m in the bank to date, Skyfall has also overtaken the £55m amassed by Daniel Craig's first outing Casino Royale to become the biggest Bond movie of all time here on home soil, as well as supplanting Star Wars: Episode I - The Phantom Menace to sit in tenth place in the all-time UK box office chart.

Expect 007 to continue his ascent up the chart in the coming weeks, and while the number one position held by Avatar with £93.4m might be a step too far for the Sam Mendes-directed blockbuster, Skyfall certainly looks like it will put up a challenge for second place, which is currently held by Harry Potter and the Deathly Hallows - Part 2 with £73.4m.

Skyfall opens in North American cinemas tomorrow, and sees Daniel Craig's Bond joined by a supporting cast that includes the returning Judi Dench as M, along with Javier Bardem (No Country for Old Men), Ralph Fiennes (Great Expectations), Ben Wishaw (Cloud Atlas), Naomie Harris (28 Days Later), Albert Finney (The Bourne Legacy), Helen McCrory (Hugo), Bérénice Marlohe (R.I.S. Police scientifique) and Ola Rapace (Wallander). You can read our reviews of the film here, here, here and here.

Trailer and poster for the Jurassic Park 3D re-release

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Steven Spielberg's iconic sci-fi adventure Jurassic Park is receiving a special 3D reissue next year to celebrate its 20th anniversary, and following on from the unveiling of a teaser poster yesterday, Universal Pictures have now released the official trailer for the upcoming re-release, which you can view below courtesy of Yahoo! Movies.

Based upon Michael Crichton's 1990 novel of the same name, Jurassic Park starred Sam Neill, Laura Dern, Jeff Goldblum and Richard Attenborough and was a landmark film in terms of its CG visual effects. A huge success upon its initial release, it became the then highest-grossing film of all-time with an astonishing $914.7m worldwide, and went on to spawn the sequels The Lost World: Jurassic Park and Jurassic Park III, as well as several comic book series, video games and theme park rides.

Now, if this 3D reissue is a success (which it surely deserves to be), perhaps we'll finally start to see some movement on the long-rumoured Jurassic Park IV.


Jurassic Park 3D is set for release on April 5th, 2013.

Here's the final trailer for Arnold Schwarzenegger's The Last Stand

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After featuring in this year's action ensemble The Expendables 2, Arnold Schwarzenegger's cinematic comeback steps up a gear in January with the release of South Korean director Kim Jee-woon's (The Good, the Bad, the Weird, I Saw the Devil) English language debut The Last Stand, and Lionsgate has now released the 'final trailer' for the action comedy, which you can watch below.

The Last Stand sees Arnie returning to top-billing alongside a cast that includes Forest Whitaker (The Last King of Scotland), Johnny Knoxville (Jackass), Peter Stormare (Fargo), Eduardo Noriega (The Devil's Backbone), Luis Guzman (The Taking of Pelham 1 2 3), Jaimie Alexander (Thor), Zach Gilford (Friday Night Lights), Genesis Rodriguez (Casa de mi Padre), Rodrigo Santoro (300) and Harry Dean Stanton (Alien).

Here's the official synopsis...

After leaving his LAPD narcotics post following a bungled operation that left him wracked with remorse and regret, Sheriff Ray Owens (Schwarzenegger) moved out of Los Angeles and settled into a life fighting what little crime takes place in sleepy border town Sommerton Junction. But that peaceful existence is shattered when Gabriel Cortez (Eduardo Noriega), the most notorious, wanted drug kingpin in the western hemisphere, makes a deadly yet spectacular escape from an FBI prisoner convoy.

With the help of a fierce band of lawless mercenaries led by the icy Burrell (Peter Stormare), Cortez begins racing towards the US-Mexico border at 250 mph in a specially-outfitted Corvette ZR1 with a hostage in tow. Cortez' path: straight through Summerton Junction, where the whole of the U.S. law enforcement, including Agent John Bannister (Forest Whitaker) will have their final opportunity to intercept him before the violent fugitive slips across the border forever. 


At first reluctant to become involved, and then counted out because of the perceived ineptitude of his small town force, Owens ultimately rallies his team and takes the matter into his own hands, setting the stage for a classic showdown.


The Last Stand will be released in North America on January 18th and arrives in the UK the following week.

First trailer for the 'zombie romance' Warm Bodies

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New from 50/50 and The Wackness director, Jonathan Levine, is Warm Bodies. For those perhaps fed-up with the zombie craze that is sweeping through cinemas and television channels, Warm Bodies looks to subvert some expectations. It centres on R (played by About a Boy’s Nicolas Hoult) who has thoughts but little in the way of communication skills...or a pulse. He is a zombie who shuffles around and attacks the living on a regular basis. However, one night of prowling introduces him to Julie (Teresa Palmer, best known for her part in I Am Number Four). His heart starts beating again after seeing her and the two become boyfriend and girlfriend. All that’s left for them to live happily ever after is getting the rest of humanity to buy in on the change and from the villainous “bonies” to become wiped out for a new societal change.

The trailer has an enjoyable humorous tone and a fairly interesting visual style. The obvious pull is the new take on the zombie story. Hoult has been fairly wooden in recent films and perhaps that helped with his casting as someone undead. In any case he looks like he will lead this film with some flair and a subtle charm. The cast also includes John Malkovich as Julie’s father – a part he doesn’t regularly play. There is enough in the way of casting to allow for a good movie so fingers crossed...


Some aspects of the trailer show the film to be caught up on twee sentiment, but as long as the darkness of the story prevails overall it should be an entertaining film. Levine is a very capable director with a knack for pulling off comedy alongside tragedy – a zombie film should be right up his street.

Warm Bodies is due out February 2013 and is already gaining some attention on the internet and through the novel’s fan-base.
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